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Gender Fluidity: Fashion’s Next Big Social Moonshot | Raiheth Rawla | TEDxBangalore


how many of you woke up this morning

knowing exactly what you want it to wear

today how many of you changed outfits

did anyone choose to wear a dress

instead of pants or pens instead of a

dress now why would you choose to do

that perhaps you were more comfortable

but what led you to this comfortable and

have you ever thought of the

circumstances that have occurred in

order for you to dress the way that you

do I was educated in design at a school

in New York where I was told that my

options for exploring apparel design

were restricted to menswear and

womenswear puzzled by the strict divide

between the two I chose to focus my

thesis collection on exploring the

possibilities that lay in the gap

between the third gender has existed in

Indian society since the 18th century

other we say women they say neither male

nor female identifying as both neither

or combination these are the individuals

that lead a revolution in dress in

thought in the way that we weave one

another these are the individuals that

above all stay true to their identity I

was really inspired by a third gender

the way in which they choose to dress is

by us by wearing women’s wear but we as

a society refer to them as other and all

the third inspired by this combining

elements of menswear and womenswear

using materials like wool suiting men’s

shirting to create exaggerated shapes

with beaded embroideries my thesis

collection identity is an exploration if

the role that clothing plays in forming

an individual’s identity beyond the norm

clothing is very interesting so

there are differences between men’s and

women’s were the reason for this their

anatomical differences which are obvious

and then there are also technical

differences and the reason for these

technical differences are age-old so say

a men’s shirt has buttons on the left

side and a woman’s shirt has buttons on

the right side but this is because when

back in the day men used to carry a gun

on the left side so it was easy for them

to access it and then women had Mane’s

that would bind them that bun their

shirts for them how I understand the

utility reasons behind this however I

don’t think that the I always questioned

this the relevance of this in fashion

today when I was a child my mother loved

dressing my brothers and I in the same

outfit and at the time I didn’t really

think anything of it it was only when

she made me wear it dresses and my

brothers were still wearing what they

always wore that I began began to

question why was it that they didn’t

wear the dresses and why was it that we

had to wear different clothes at times

and why couldn’t we share the same

silhouettes and this was something that

stuck with me through different parts of

my life and so when I came to my thesis

collection the way that I went about

designing it was creating traditional

pieces of clothing and then taking them

apart to re-examine the components that

actually make it what it is and putting

the pieces of the puzzle back together

again so shirt becomes a blouse and a

dhothi becomes a skirt and a Patiala

pyjama becomes a talk what’s interesting

about menswear and womenswear is that

they have always had this constant

dialogue and they always take from one

another in terms of little details or

shape but the rise of gender fluid

fashion is changing this conversation I

worked with an embroidery unit and they

helped to embroider pattern

and construct the garments and important

this they wore their garments and stood

tall for them they didn’t see it as

clothing that was gender specific they

saw it as clothing open to the

interpretation of the wearer and while

we were shooting the collection we went

onto the streets of Kolkata and that’s

where we were approached by a few

passerby they went up to the artisans

and asked them about their experience

and said that we the people that were

taking the imagery we’re taking

advantage of them dressing them up as

women and making fun of them but these

artisans didn’t seemed fazed by it to

them they were enjoying the moment they

were embracing the person that they were

in that clothing traditionally there

have been two genders but tradition is

holding us back the spaces in between

are filled with individuals

experimenting in experence

breaking the boundaries imposed on them

by the genders assigned at Birth by the

people defining them as a designer I

have committed myself to exploring the

possibilities that lie in the gaps

between having sat on the sidelines

today they begin to be accepted the

third we say individuals visually

expressing their experience of life on

their own terms fashion has been a

vehicle for them to experiment and

explore the spectrum of gender into a

life that is their reality into an

identity that is theirs fashion is not

just theirs it’s yours the spectrum is

waiting

[Applause] you

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