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Somos parte de un mundo sonoro que cada día nos transforma | Pablo González | TEDxGracia


[Applause]
i
if we could sound
we will look at the color of each harmonic that
accompanies him
and what makes it exist as a sound
like music
[Music]
a sound
comes with many sounds that
although we do not listen to them there are
we hear the sum of all
those sounds in one
we listen to them
we hear a single sound but we feel
everyone
that means that music from your
essence teaches us that we ourselves
we are the sum of a series of processes
that happen simultaneously
we are the sum of sensations of
feelings of joys of sadness
mixed feelings
anaïs nin said that music is capable
to melt and unite all the parts of
our body
that are separated
I would say that besides us being
composed by liquid we are
composed by sound frequencies by
resonances and if those frequencies
we stimulate them
we are stimulating our creativity
and we are paving the way to be
more spiritually sensitive
in short I would say that music makes us
to connect with our essence
this I think after many years
dedicated to music
even
I must confess that my musical career did not
started but in a self-taught way my
I remember that I live it the first day
They gave me a Venezuelan 4 but
I tell them the four Venezuelan is
similar to ukulele is even more
beautiful
I started to draw desperate chords
music for me to go serenades
with my friends to party for
brighten up parties
that’s how my career for music began
with joy
everything I learned I learned through
of a chorus of chord sounds
of dance rhythm that was a
extraordinary experience
extraordinary
I remember with the night
a friend guitarist a few weights of those
many nights of serenades a friend
Guitarist is accompanied by a
cellist
when I heard the cello for the first time
I was spellbound
that made my role as a serenacer
a sudden turn to my training as
professional musician and as a formal musician
Fortunately
that transition was not so hard because
just my cello teacher
the first violoncello teacher was
precisely that person that we
accompanied that night of serenade and
we knew how to join the rigidity
rigor of the first lessons
of the cello
keeping the serenade nights
I started my career
in the conservatory of my hometown
then I moved to caracas there I started
the average level of music I finished my
studies there then I moved to
England to finish and my career
superior music especially in
orchestra direction
everything done in conservatories of
currently made the conservatories is
where people end up studying their
music and ends his musical career but
Did you know what they were created for?
the conservatories
following the crusades in Italy of the
pests of wars are created the
hosts
one of them was on the pedals of the
piece
where antonio vivaldi was one of his
teachers
the pedals of the piece and I want
center there for a moment because I want to
give them my opinion on the word
mercy I think that mercy must
be related to the duty that
we have all all absolutely all
to help us especially in the
more difficult situations
overcome them and achieve noble goals
I do not like to relate piety with
pity and compassion
on the door pedals
music was used as a means of
transformation
as a means of personal fulfillment
and all this brought as a consequence the
greatest sign of art and of the greatest
condition that can be expected from a being
human translated into that translated into
orchestras in large choirs formed
by virtuosos by great singers
people that they had in music as their
reason for being as your focus of attention
as his way of first of
self – realization of self -transformation
of transformation to others and for
transformation assumption
to that society
little courage I think
that we sometimes give to music despite
to always be present in us
I think we do not give it the necessary courage
at the best moment of the encyclopedia
Soviet defines music as the
variant of the sound made by people
is the sound of the universe that sound of
nature that sound of the trees
of the birds we do
our
we make it ideal in
feelings in life in life itself
all that vast sound world that we
we build space for children to young people
Elderly adults
I enjoyed my childhood very much
and my youth in venezuela thanks to the
music
and today
from my maturity as director of
orchestra I see the important thing and the great
organic value that music has as
a means of transformation
it is impressive
thanks to the music I have witnessed
to see a chorus of 5 of 15 children see them
how they transform into an orchestra of
a hundred guys who do lift
of their seats to the public that
listen and know that I not only see them
that get up because they applaud what
they touch but they also get up their
spirit that
that is a very important thing
I’ve also seen how there are boys and girls
that transcend their circumstances
difficult on a personal level
and not only do they benefit
but also their benefits
families and the entire surrounding environment
is
for me I consider myself today I am a
social orchestra conductor a server
of communities
I through the baton tried to make
a symbiosis between music and the most
high and the highest values ​​of the
human condition
I believe that I repeat again that no
we give importance to music that
we must give him if all the time is
sounding if all the time is us
accompanying all the time is this this
it is impressive
I think
and I want
and tell them that maybe
maybe I was wrong but I’m sure that every
one of you has chosen a theme
musical and has taken over him and he has
become his soundtrack
this is so
I today
I invite you
to watch the music from another point
of sight with another with another value
I do not have an ear, I do not sing, I do not have rhythm
that’s a lie
us even in this silence
we are playing we are rhythms the
universe is rhythm totally even
when we are asleep we breathe
rhythmic
and those who snore we snore moss too
measured I say it with pride
I remember
that the cello was
my first step was my tool for
discover the world of orchestras
I remember we had a meeting one
of those many encounters that were
of youth orchestras in venezuela no
I know if you have heard that the
name of youth orchestras of
venezuela and one day we embarked on a
bus and we’re still going to the capital of
venezuela caracas and there he entered a
immense site similar to palau sant
jordi
and I enter and there is an orchestra almost 500
musicians
Awesome
I remember that I feel they gave me a
number because we had good
identified everyone a shirt with
a number
I sat down and made the first move
of the fifth of beethoven data
that the first movement of the fifth of
beethoven we can understand it as three
notes ta ta ta ta
as the fate call I remember that
that day I saw a person who rode in
the podium with an energy and a vision
very much beyond any vision
of the future that we can have that
it was the teacher jose antonio abreu he me
I teach
that music and life are one
thing
he was my first teacher of direction of
orchestra
and as many
has marked us and has influenced us
how we see the musical phenomenon
when
you leave here
Also please watch the music of
different way
I do not know if you remember how I started the
chat
I started saying that a sound was coming
accompanied by many harmonics
and you each
are harmonics of this society and I’m going
to ask that they reflect and that we look
how do we add each one of our
sounds
to this music of our society as
we add them and we make a full music
of opportunities
of positive activity
because we are harmonious
I invite you to draw from within the
music they have inside
recover your essence
and let’s all live
and sound more and more together
[Applause]
[Music]
[Music]
[Music]
yes
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