if there’s something that I’ve been doing all
life practically since I was born
to draw
I do not remember if I look back any
moment when I have not been drawing
drawing every day
drawing illustrations characters
cartoons drawings for my drawing for
others
this feeling of drawing is something
wonderful is to connect the world of
ideas that is invisible in from this the
physical world I’m sure that between
the public there are those who draw
who drew who do it with
a serious interest and those who do it as
therapy
it’s really something wonderful when
we are boys we all draw
no matter where we are or what language
let’s talk, we all draw pencil in the
hand we move the arm and on paper
a stroke appears and it is such when we are
guys, it’s good that this gives us that
exercise we go back again and again for
simple pleasure
it seems that the drawing came out
directly from the arm to the paper
later we grow we are not so
guys and we started to acquire this
ability to see images in the head
that we want to transfer to paper there
begins a training an apprenticeship
where we have to slowly lower the
image that we have in the head to the arm
to then move from the arm to the paper
this learning is not easy and it
requires a strong character patience is
here when we open the first one that is
that of young artists that we are
and we hear a lot, that is, I can not
draw what I lost I had it and I do not see it anymore
more I’m not sorry
this capacity of
see things in your head and lower them to
through the arm to the important role
that as to everything that becomes
important we usually give it a name
we also give a name to this and it’s
inspiration
it is said after so much use this
word and give it so much weight that if there’s no
inspiration there can be drawings
I draw every day
and I have to confess that I am a
cartoonist who draws every day without
inspiration
or better said
drawing every day but without depending
of inspiration
throughout my life I have found
some keys that I would like today
share with you that allow me
evoke a creative task without depending
that there is inspiration but the most
probable is that some tasks we
end simply because there is no
then I would like to share with you
this personal search path of all
a life
fortunately compressed in few
minutes
and developed attacked and tell him the
keys that I found when I was a boy
I drew drew like crazy really
I was spent drawing and such was the
I was glad to see a
I trace on the paper where my
arm
that led me to repeat it
so many times I repeated it that I came to a
conclusion that stroke appeared because I
I moved my arm in other words I was
the creator of that stroke
when I was a boy
and he realizes that creates things
before they were not there
And it’s not a small thing
it really feels like a super power
like any newly acquired superpower
I submit it to all kinds of tests my
test will be to move the arm of different
way and I saw that the line changed
according to the movements that I did not
I was just a creator but
discovered as a person who had
voluntary control over his own work
and the action is in the first key
free arm that allows me to travel
within my role all kinds of
possibilities that the drawing gives me
by then
I had this power and like all power and
of challenges at some point
I was not the exception a challenge is
basically reach a goal through
of a difficulty
my goal was to draw things that there was not
drawn before and my difficulty was knowing
how this is not achieved at a glance is
need to consult references my
references of then were magazines
children lost comics
television cartoons
by then a style was used
very simple graphic very simplified that
they were simple lines and if the line was
closed delimits an area and that area
it had only one color
the total absence of shadows
this caused me to split the field
the arts in drawings on the one hand and
paintings by another for me drawings were
lines paintings were lines with color in
the closed areas of course to see
a classic painting caused me
a very important confusion because
did not qualify in either of the two
categories like that for having painted
my drawing I devoted more than anything to
the line pulled line on paper and if
each line was well located
drawn the drawing all had done
he did not correct he did not erase he did not use the rubber
one day I decided to do comics I did not know
how but copying the references of
somehow I managed to tell stories
in squares from start to finish with a
weak weak drawing
frayed
How does an improvement in the drawing improve
through getting together with other people who
handles another type of information I
I found stories of gestating
amateurs that like me were trying to
solve their stories each one contributed
a piece of information that I
I was desperately trying to get into my
own drawing but at the same time this
of entering into social contact with others
people inevitably make
criticism and comparison appear
more than once I found myself being many
times to comic references
just finished by other people
to incorporate that into my drawing in my
own drawing my trust starts that
then to stagger in front of the
solidity of other examples
This went on for a long time to
point that my secondary interests
they started to gain more importance with
regarding the drawing at the time of
choose a career one of my interests
secondary that was science
it was more important than drawing the
science had seemed to me
it seemed then something distant mysterious
attractive but by comparison finish
scoring me in a race from that of
sciences I wrote down in physics the
University of Buenos Aires
it is one of the hard sciences requires
a resistance of body and mind
quite special and a capacity to
develop and develop concepts
abstract on the head and my drawing
was relegated to second or third plane
I drew in the few free times that
science left me more like
entertainment that as learning
this led me to an internal crisis
important where
was subdued was within a
conflict between what he felt he should
do and what I really wanted to do
in response to this I noticed in a
second alternative design career
that was a real breeze for me
fresh air
because it was in that area that I found
for the first time professors
contents all organized within
a structure that contained me
and thanks to this I was able to recover the
trust in my drawing I did not abandon and the
science with effort I managed to graduate
I got my degree and in the end I finished
the introductory part of that second
design career that although not what
I continued as a career
showed me the second key that is the
discipline
all those endless hours of
study that science had given me
they helped keep me focused on
finish what I had started
I followed my personal search I entered
work in an animation studio that
It was what I had always wanted to do
when he gives the animation studio
I discovered that the level of drawing that
they had all my other classmates was
very superior to mine
then I went crazy to draw
hours and hours behind the board
trying to make my drawing level
went up and looked like what I was drawing
in the others he went up by lot and with the
time they gave me posts of greater
responsibility and an old debt comes out
with the painting of china
I devoted myself to Chinese painting in a
course
in Chinese painting one faces a
paper of rather large dimensions
generous it makes it happen and what
will pass from the hand and sitting to move to
paint directly with the entire arm
and great for the first time I was painting
big and loose with a very aggregate
important that is the preparation of the
own ink is prepared to ink with
a button of carbon particles in
solid state that one has to rub
against a container with water and so
prepare one’s own ink and this
constitutes the third key of the contact
with the elements
how to work in an animation studio
requires certain standards that are
typically respect the drawing of a
character
from standards set by the client
my drawing was good to the extent that
it looked like the drawing of others
we all had to draw like
one delivers to his part of the job and he
loses in the maelstrom of production and
sometimes he sees it finished sometimes not
[Music]
seeing that I had a restriction of
my creative freedom because I can not
draw the character as I am
happen as you feel
and seeing that the
hours behind the board I look for a
physical activity for body physics
to balance so many hours and I found
near my place of work a place
where they dictated taekwondo that is an art
martial very modern I wrote down immediately and
I passed these standards a little
restrictive of the animation studio
whose result is sometimes not seen or seen
much later to a martial protocol
the martial protocol is designed to
grant benefits to the student of
martial arts within one’s own
training session the greeting
typically that one has to offer
necessarily to graduations
older people just enter the place
be the same as the one that gave me the
minor graduations
this gave me the benefit of not
it will matter who they put me in front of
practice at that training hour
we benefited each other in a
climate of mutual respect
then summarized up here my five
keys that I am going to present to you today
neat way like the kit
survival for anyone who
engage in creative tasks
rapidly warming
Warming is the basic exercise of
the mechanical body part that I’m going to
use in the task for me is typically
the hand for a painter will be all the
arm for a sculptor the two arms
for a dancer the whole body the
heating has the advantage that
breaks or overcomes the inertia of rest
take out of rest puts us in a state of
movement from which to achieve
intense action we do it with energy
organized and in a minimum of time
through communion or the common union
with the elements that is not something else
that integration with the tools
of work sharpen a pencil
wear dance shoes locate
a canvas in front of a window I make
work the senses typically seen
touch and hearing the senses are
timeless information transmitters
they work focused on the here and now
this has the advantage that I forget
of the concerns of the past and of
the possible anguish of the future in
other words frees my thought
to focus on the task at hand
through free action I can explore
the space of possibilities that I
Give the drawing
painting dance whatever it is through the
repetition prepared the ground for the
moment the place the way you can
present an idea because if something has
the inspiration is that it is of nature
unexpected
through standards and protocols I observe
beneficial behaviors for my task
typically when I start when
I finish how long a task should last
order the tools once
I finish or leave them thrown depends on the
attitude and sweep the workplace and
finally through the discipline
I have the ability to attend a
phone call to go down to receive a
asked and when I go back to the task in
the exact point where I left it without
this interruption has become
a distraction
these keys
prepares the ground for the arrival of the
inspiration but in no way
ensure your arrival if when the
inspiration appears I stay focused
in keeping these keys working
most likely she will go from being
a nebula without concert without peron without
defined contours
to approach is by itself and it
show as a creature full of light
full of colorful details
in that case I will have gone from the desire to
want to catch inspiration with the
elusive and fragile that is
to prepare a proper welcome
knowing in advance that quietly
can leave us planted if that happens
nobody is going to be able to tell us that we have not
been doing our part
then ladies and gentlemen – inspiration
and more perspiration or as the
Spanish painter Pablo Picasso
inspiration exists but you have to
find us working thank you very much
[Applause]
life practically since I was born
to draw
I do not remember if I look back any
moment when I have not been drawing
drawing every day
drawing illustrations characters
cartoons drawings for my drawing for
others
this feeling of drawing is something
wonderful is to connect the world of
ideas that is invisible in from this the
physical world I’m sure that between
the public there are those who draw
who drew who do it with
a serious interest and those who do it as
therapy
it’s really something wonderful when
we are boys we all draw
no matter where we are or what language
let’s talk, we all draw pencil in the
hand we move the arm and on paper
a stroke appears and it is such when we are
guys, it’s good that this gives us that
exercise we go back again and again for
simple pleasure
it seems that the drawing came out
directly from the arm to the paper
later we grow we are not so
guys and we started to acquire this
ability to see images in the head
that we want to transfer to paper there
begins a training an apprenticeship
where we have to slowly lower the
image that we have in the head to the arm
to then move from the arm to the paper
this learning is not easy and it
requires a strong character patience is
here when we open the first one that is
that of young artists that we are
and we hear a lot, that is, I can not
draw what I lost I had it and I do not see it anymore
more I’m not sorry
this capacity of
see things in your head and lower them to
through the arm to the important role
that as to everything that becomes
important we usually give it a name
we also give a name to this and it’s
inspiration
it is said after so much use this
word and give it so much weight that if there’s no
inspiration there can be drawings
I draw every day
and I have to confess that I am a
cartoonist who draws every day without
inspiration
or better said
drawing every day but without depending
of inspiration
throughout my life I have found
some keys that I would like today
share with you that allow me
evoke a creative task without depending
that there is inspiration but the most
probable is that some tasks we
end simply because there is no
then I would like to share with you
this personal search path of all
a life
fortunately compressed in few
minutes
and developed attacked and tell him the
keys that I found when I was a boy
I drew drew like crazy really
I was spent drawing and such was the
I was glad to see a
I trace on the paper where my
arm
that led me to repeat it
so many times I repeated it that I came to a
conclusion that stroke appeared because I
I moved my arm in other words I was
the creator of that stroke
when I was a boy
and he realizes that creates things
before they were not there
And it’s not a small thing
it really feels like a super power
like any newly acquired superpower
I submit it to all kinds of tests my
test will be to move the arm of different
way and I saw that the line changed
according to the movements that I did not
I was just a creator but
discovered as a person who had
voluntary control over his own work
and the action is in the first key
free arm that allows me to travel
within my role all kinds of
possibilities that the drawing gives me
by then
I had this power and like all power and
of challenges at some point
I was not the exception a challenge is
basically reach a goal through
of a difficulty
my goal was to draw things that there was not
drawn before and my difficulty was knowing
how this is not achieved at a glance is
need to consult references my
references of then were magazines
children lost comics
television cartoons
by then a style was used
very simple graphic very simplified that
they were simple lines and if the line was
closed delimits an area and that area
it had only one color
the total absence of shadows
this caused me to split the field
the arts in drawings on the one hand and
paintings by another for me drawings were
lines paintings were lines with color in
the closed areas of course to see
a classic painting caused me
a very important confusion because
did not qualify in either of the two
categories like that for having painted
my drawing I devoted more than anything to
the line pulled line on paper and if
each line was well located
drawn the drawing all had done
he did not correct he did not erase he did not use the rubber
one day I decided to do comics I did not know
how but copying the references of
somehow I managed to tell stories
in squares from start to finish with a
weak weak drawing
frayed
How does an improvement in the drawing improve
through getting together with other people who
handles another type of information I
I found stories of gestating
amateurs that like me were trying to
solve their stories each one contributed
a piece of information that I
I was desperately trying to get into my
own drawing but at the same time this
of entering into social contact with others
people inevitably make
criticism and comparison appear
more than once I found myself being many
times to comic references
just finished by other people
to incorporate that into my drawing in my
own drawing my trust starts that
then to stagger in front of the
solidity of other examples
This went on for a long time to
point that my secondary interests
they started to gain more importance with
regarding the drawing at the time of
choose a career one of my interests
secondary that was science
it was more important than drawing the
science had seemed to me
it seemed then something distant mysterious
attractive but by comparison finish
scoring me in a race from that of
sciences I wrote down in physics the
University of Buenos Aires
it is one of the hard sciences requires
a resistance of body and mind
quite special and a capacity to
develop and develop concepts
abstract on the head and my drawing
was relegated to second or third plane
I drew in the few free times that
science left me more like
entertainment that as learning
this led me to an internal crisis
important where
was subdued was within a
conflict between what he felt he should
do and what I really wanted to do
in response to this I noticed in a
second alternative design career
that was a real breeze for me
fresh air
because it was in that area that I found
for the first time professors
contents all organized within
a structure that contained me
and thanks to this I was able to recover the
trust in my drawing I did not abandon and the
science with effort I managed to graduate
I got my degree and in the end I finished
the introductory part of that second
design career that although not what
I continued as a career
showed me the second key that is the
discipline
all those endless hours of
study that science had given me
they helped keep me focused on
finish what I had started
I followed my personal search I entered
work in an animation studio that
It was what I had always wanted to do
when he gives the animation studio
I discovered that the level of drawing that
they had all my other classmates was
very superior to mine
then I went crazy to draw
hours and hours behind the board
trying to make my drawing level
went up and looked like what I was drawing
in the others he went up by lot and with the
time they gave me posts of greater
responsibility and an old debt comes out
with the painting of china
I devoted myself to Chinese painting in a
course
in Chinese painting one faces a
paper of rather large dimensions
generous it makes it happen and what
will pass from the hand and sitting to move to
paint directly with the entire arm
and great for the first time I was painting
big and loose with a very aggregate
important that is the preparation of the
own ink is prepared to ink with
a button of carbon particles in
solid state that one has to rub
against a container with water and so
prepare one’s own ink and this
constitutes the third key of the contact
with the elements
how to work in an animation studio
requires certain standards that are
typically respect the drawing of a
character
from standards set by the client
my drawing was good to the extent that
it looked like the drawing of others
we all had to draw like
one delivers to his part of the job and he
loses in the maelstrom of production and
sometimes he sees it finished sometimes not
[Music]
seeing that I had a restriction of
my creative freedom because I can not
draw the character as I am
happen as you feel
and seeing that the
hours behind the board I look for a
physical activity for body physics
to balance so many hours and I found
near my place of work a place
where they dictated taekwondo that is an art
martial very modern I wrote down immediately and
I passed these standards a little
restrictive of the animation studio
whose result is sometimes not seen or seen
much later to a martial protocol
the martial protocol is designed to
grant benefits to the student of
martial arts within one’s own
training session the greeting
typically that one has to offer
necessarily to graduations
older people just enter the place
be the same as the one that gave me the
minor graduations
this gave me the benefit of not
it will matter who they put me in front of
practice at that training hour
we benefited each other in a
climate of mutual respect
then summarized up here my five
keys that I am going to present to you today
neat way like the kit
survival for anyone who
engage in creative tasks
rapidly warming
Warming is the basic exercise of
the mechanical body part that I’m going to
use in the task for me is typically
the hand for a painter will be all the
arm for a sculptor the two arms
for a dancer the whole body the
heating has the advantage that
breaks or overcomes the inertia of rest
take out of rest puts us in a state of
movement from which to achieve
intense action we do it with energy
organized and in a minimum of time
through communion or the common union
with the elements that is not something else
that integration with the tools
of work sharpen a pencil
wear dance shoes locate
a canvas in front of a window I make
work the senses typically seen
touch and hearing the senses are
timeless information transmitters
they work focused on the here and now
this has the advantage that I forget
of the concerns of the past and of
the possible anguish of the future in
other words frees my thought
to focus on the task at hand
through free action I can explore
the space of possibilities that I
Give the drawing
painting dance whatever it is through the
repetition prepared the ground for the
moment the place the way you can
present an idea because if something has
the inspiration is that it is of nature
unexpected
through standards and protocols I observe
beneficial behaviors for my task
typically when I start when
I finish how long a task should last
order the tools once
I finish or leave them thrown depends on the
attitude and sweep the workplace and
finally through the discipline
I have the ability to attend a
phone call to go down to receive a
asked and when I go back to the task in
the exact point where I left it without
this interruption has become
a distraction
these keys
prepares the ground for the arrival of the
inspiration but in no way
ensure your arrival if when the
inspiration appears I stay focused
in keeping these keys working
most likely she will go from being
a nebula without concert without peron without
defined contours
to approach is by itself and it
show as a creature full of light
full of colorful details
in that case I will have gone from the desire to
want to catch inspiration with the
elusive and fragile that is
to prepare a proper welcome
knowing in advance that quietly
can leave us planted if that happens
nobody is going to be able to tell us that we have not
been doing our part
then ladies and gentlemen – inspiration
and more perspiration or as the
Spanish painter Pablo Picasso
inspiration exists but you have to
find us working thank you very much
[Applause]
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