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Mankewenüy, amiga del cóndor | Anahí Mariluán | TEDxBariloche


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booky wook and here
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and I
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bucchi in
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yy
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guti
iu and psoe
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you
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if I do not run
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[Laughs]
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Manny Maicon I covered with such silence
I found myself one day with silence
uncomfortable not with a silence of those who
we like to do from time to time because
I found the way of the
silenced and it was not a decision
own of my people remain silent a
absurd genocide silence my people and
we are heirs of that pain
then as my new song said
a student meets another moon and
that’s what happened to me I came
singing and I arrived and suddenly that
annoying silence made me go back to
remember the word of my people that is
pure poetry that is pure beauty and that
these days is the representation
absolute dignity
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then it was that it happened that I started
expect a child and while that child
it grew inside me I felt that
I had to leave something and that really
The only thing I had on hand was to dance that
loom of little words that we have left
they have left us and try to do
songs with that and then there
started the path of starting to sing in
this beautiful and wonderful language in
mapudungún the language of the earth
the first song that gave rise to this
path that is still new is called
aaiún because that’s what my son is called and
because I thought that he like all
children should remember the singing first is
that none of us forget that it is
the voice of our mother or the voice of
our environment
the voice that never forgets our
grandmother our aunt all that inheritance
culturally sound
then this song came out for him
Ayoun told me
while it was still not coming out
love that was lengthened that does not lack
force and his father added
today we are three
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it was cunha yu yu good handful i there is a
handful there is a hole
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I tell myself and I fast again and there is a
I count and there’s a story and I laughed
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and it was cunha you
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story and
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year
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i
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pineapple and ay ay ay ay ay
year
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story
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the street
i
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of course that this lullaby
it never worked the child never
slept and disenchantment that Cuba
work as I tried but I want to say
that I want to make lullabies for
a number of children who need
wake up because we need
sound again to feel to exist
fly and then I went to those
first songs because we in
our names
we translate the forces with newell s the
place where we live
so I went to the tuna song
of my paternal lineage that is mariluán
diego anaco then I found the lane
del and guanajo the sacred song for everything
what we have that surname is a song
that force a song that identifies
that reminds you who soft is singing
that helps you and that heals you when neither the
psychologist understands you then this
version of the guanaco song I know
I dedicate to all my paternal lineage and I must
clarify that I still have my mother that
It is one of the few of the birds
then I share this song of
strength because I know that at this moment
We are all in need of
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Youtube
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I
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I
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gat
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the road does not end there because neither
it was a path with beginning and end
we are talking about a continuity of
millennia and it was not an idea either but
it was a hunch
I thought my son is the kick
but then and in a way where no
we are single pool and we are not
alone
we always read the chronicles of the
Travelers who walked around the area
bariloche by ford and the euphoria meo in
those readings against the grain we do
of the official story because it does not
we wrote we find a
chronic of thousand 790 where our
friends watched arrive through the web
wap and to a barge that brought a
Franciscan and 40 military
the chronicle can be found fray
francisco menéndez thousand 790 in that
Our story saw her arrive at
someone who arrived unannounced and without
ask permission
they got scared and hid but then
they approached and asked
you are people of peace and good
heart
they answered yes I also
is they retired but they came back
and they asked
you are people of peace and good
heart to me that question defines a
my people
then they said what good
who had come to know our
it is also then they brought their group
of loft women from lonko manquehue
Nuin whose name means friend of
condor the women made them a
welcome song and that too
define my people who keep singing to
the joy to the meeting and the good
custom
next they asked if
They could return the welcome and
they started throwing shots into the air
they frightened not only the horses but
all the goods that were there that
was asked to please no longer do you
that was very scary
this chronicle speaks of our presence
in the area since how many years
and the further back
there were those of people taking care of the lake
taking care of the mountain will be a landscape
similar to the one of then we will be
taking care of how they took care of him more
what good and friend of the condor
why they have put that name
because there would be some relation of his
mother with the bird will be because it is b is
represents the immensity that represents
my people
it will be because you speak does your
trajectory from west to east looking
food and where the mountain range is
only an impulse not a border nor
a limit that will be ammann that good and
and then I thought how not to honor
to this great longo who lived happily in the
land that we tread today and then
it occurred to me to sing a song to
Man that good and look for the workshop of the
manik the maikol eya from
listen to it and listen to it came out this
song for our great longo
although good
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[Laughs]
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the victim that today coleman
of levantine mango
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mike coleman
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coleman
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for me
no color
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to me
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you
do not
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beautiful goal
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do not
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I think sometimes I loved it for a bit
important that it seems synthesizes a
universe and one is just a
small link infinitely small
who contributes through music
of history and cooperative work
to the sound of the Mapuche people
that’s why I work with joy this
profession that allows the creation
group leopoldo caracoche natal heads
Maria Apple and partner thanks
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East
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