[Music]
or
[Music]
or
I have not lived it
of the other or
I see you from sopapos
[Music]
do not
if you caress toriz paris annulled lun
light sme
[Music]
we are horbury environment
[Music]
bush
Of course, that’s why I already
or but shell com or not
or a bear
[Music]
[Applause]
[Music]
[Applause]
they make the benign stillness plunged into the
twilight the silence gives way to its song and
it is crossed, there is no more dignified caress
when the light decreases balsam that is
dilutes by purifying the breeze and
Lucero that in a hurry after the belfry
they flee because a recited poetry and a
poetry with music are not the same
the musical expression takes us
inevitably from the routine and we
place every fraction of time
elapsed in an unknown place
some of this happens prior to the function
of an opera in the theater when the
The curtain is still low, the
people the lights on
people who come perhaps from a hard day
working trying to look for a bit of
rest above all those ears of ours
dreams do not have eyelids and can not
select nothing of what they receive
during the day and on the other side of the
curtain up the singer adjusting
his mustache by floor his hat his
locker room
looking at the latest accessories
props that will be used
and in that moment the lights of the room
they go down and there is silence
there are silences that separate and silences
that unite this is a silence that unites
because it is experienced at the same time with
the same emotion and the same intensity
from both sides
at that moment walking between the
orchestra a gentleman in suit enters with a
stick in hand at a hurry step and
he greeted the public is the director of
orchestra clear how would an orchestra
of 100 or 120 musicians to play all
at the same time it would be impossible
that is the function of the director of
orchestra this one signs one of the
oboes stands up and emits a sound
something as if the note that is called
it should be sent all the
sections of the orchestra the bronzes
woods are that have timbres
different is due in pleasure and the
duty of tuning becomes another
silence and this silence if you already form
part of the music that is going to come
because there is no music that boasts of
such but a pure and concrete silence
that the director presides with his baton
at that moment it’s going to be a gesture like that
up
at that time the violins are going to
prepare your bow course
the wind players are going to
take a breath because when the director
lower your baton and get to this point
there’s going to be nothing my conversation and
claimed no indication that prevents
each instrument emits the sound that has
prepared
the music begins
the curtain opens the director with eyes
great looks for me and finds me in the
place on the stage where we were
rehearsing the last month because it’s just
say that what the public is
seeing is a small part a 10 or a
15 percent of the rest of the rest
that great mass s 80 90 percent is what
that does not look like an ice see that shows
only a small portion and that
is below the water is the period of
essays and preparation of weeks months
and maybe years it takes to put a
musical piece on stage the
opera la bohème de puccini in the
first scene the audience sees a
perfect replica of an attic
Parisian
there are four friends that are surrounding
a very cold stove a long time ago
cold in paris
in winter the role of the tenor is called
rodolfo and is a poet
me to the baritone I played the role of
painter marchelo I am very happy
do this opera because normally in
in the opera and as a convention that
the sharp voices the tenors the soprano
they are always those who end up in love
those who have the greatest
the greatest interest in history and the
Poor little voices are left to the
tenors to the baritones to the low to
the mezzo sopranos contraltos make of
bad do what we die this
make cops this and many times
this one we are left with the desire of
start and when you tie something a caress
but that is what we have to do in
this opera in particular I do not die
so I’m happy because I know that
until the end this one I will not have to
go through that trance
there is a very funny scene in the
bohème we were rehearsing a lot that
to fight the cold
the four guilds we waged a war of
pillows and pillow or pillow well
we were very involved in the character
one of the prop pillows is
breaks explodes and thousands of feathers leave
goose you take off they start to fall
about the orchestra
imagine a snow of ideas but
with goose feathers
the director with the baton if so for
to clear them I did not look with the faces of
I will kill when I can and we will
which is very difficult we laughed and
we tried to sing
this was a good thing what things that
many times they go on the scene in that
moment we feel at the side of the
scenario that someone says via is the
voice of a stage assistant who
orders a machinist to spin the
the Parisian guard disappears
and a perfect replica of the
Latin Quarter of Paris to mourn my
Painter and brush palette
and I start painting a picture of the girl
I like my dog
8 upi
one or the other by broken
8
moza no hay or musetta buseta is one of
the female protagonists of this
History is the girl that I like
we had something but one
silly discussion made it like two
months we did not see goes right
on stage and puccini
besides being a lofty composer he was
a great dramatist put on the
score all the actions that the
singers we had to perform
and at that moment says the score here
marchelo and musetta kiss and go
reconcile as it was prescribed
musetta approaches and kisses me
from there I do not remember anything more
of that function and it was missing as one and one
hour and a quarter in an hour and a half of music
the only thing I remember that at the end of
the opera the musical director was very
happy
the scenic director also the people
I applauded some waited at the door
from the theater a couple of ladies told me
that come from the pens how
they made it so good
he has also rehearsed for me
insides and waters to put him if they knew that
it was an accident an accident and people
he lived it like it was something that was
millimeter rehearsed
after that I found myself alone in the
my hotel room watching the final
of the shanghai tennis masters that
nalbandian had won federer it
remember and I realized that I had been
all night without sleep
Cupid had done his job you see that
he did very well because we’ve been
even sitting there today
[Music]
[Applause]
[Music]
and there are also two out there
little paintings of paintings that
they arrived some time later the
musical expression as I said no
inevitably pulls out of the routine and we
place at every fraction of time
elapsed in a place where
never maybe we were that is the
emotion that is lived on that side and of
this the only thing that differentiates
that we are here that we are excited
as much as you that we have the
mission to transform into sound what
a composer played to put on a
paper a while ago
that’s all but the emotion is the same
and I wanted to propose you take out the curtain
is still high and has not yet come down
they sing something with me they cheer me
I ‘m going to transport it to another opera
carmen de bizet has the song of
toreador and a chorus that is very
known that our teacher mauricio
music for those who ask for great applause
[Applause]
the French operation do not worry
with the reach but what I’m going to
ask if as well as we know that we are
full of fluid in the body too
we are full of air
I’m going to ask you to take a small
lot of air they feel they feel
that airs moves and that they move it
to the best sound system and
amplification that exists that we have it
everyone emphasizes that they are our
Reasoners send in the sound there
are against against that curtain and
I ‘m going to see what I can give them back
now let’s do the part of 85 by
percent is to say let’s rehearse the
chorus of the toreador song
with the help of the teacher will give the
started
[Music]
and
[Music]
white aldanondo lolo
[Applause]
roldán domón
ronaldo clear I do not see it very well very
all right
well then 85 percent is done
now we go for the 15
let’s make the historian song
complete and in the chorus the ladies
are going to be the gypsies friends of Carmen and
the gentlemen are going to be the bullfighters
come very large and canchers for
tell your exploits in the last
bullfight cheer up
I warn you when others by pure
Lord man fat man
for you for asking that they are not like
tell you southern deadline of gaza
another closest
[Music]
Brown intervened
now I am treated by offering and
all southeast
[Music]
only the fat or or not
[Music]
wilson stopped you
will not delay the port he had for the
player by the bubble the best
[Music]
hayek
[Music]
thank you very much
[Music]
and
or
[Music]
or
I have not lived it
of the other or
I see you from sopapos
[Music]
do not
if you caress toriz paris annulled lun
light sme
[Music]
we are horbury environment
[Music]
bush
Of course, that’s why I already
or but shell com or not
or a bear
[Music]
[Applause]
[Music]
[Applause]
they make the benign stillness plunged into the
twilight the silence gives way to its song and
it is crossed, there is no more dignified caress
when the light decreases balsam that is
dilutes by purifying the breeze and
Lucero that in a hurry after the belfry
they flee because a recited poetry and a
poetry with music are not the same
the musical expression takes us
inevitably from the routine and we
place every fraction of time
elapsed in an unknown place
some of this happens prior to the function
of an opera in the theater when the
The curtain is still low, the
people the lights on
people who come perhaps from a hard day
working trying to look for a bit of
rest above all those ears of ours
dreams do not have eyelids and can not
select nothing of what they receive
during the day and on the other side of the
curtain up the singer adjusting
his mustache by floor his hat his
locker room
looking at the latest accessories
props that will be used
and in that moment the lights of the room
they go down and there is silence
there are silences that separate and silences
that unite this is a silence that unites
because it is experienced at the same time with
the same emotion and the same intensity
from both sides
at that moment walking between the
orchestra a gentleman in suit enters with a
stick in hand at a hurry step and
he greeted the public is the director of
orchestra clear how would an orchestra
of 100 or 120 musicians to play all
at the same time it would be impossible
that is the function of the director of
orchestra this one signs one of the
oboes stands up and emits a sound
something as if the note that is called
it should be sent all the
sections of the orchestra the bronzes
woods are that have timbres
different is due in pleasure and the
duty of tuning becomes another
silence and this silence if you already form
part of the music that is going to come
because there is no music that boasts of
such but a pure and concrete silence
that the director presides with his baton
at that moment it’s going to be a gesture like that
up
at that time the violins are going to
prepare your bow course
the wind players are going to
take a breath because when the director
lower your baton and get to this point
there’s going to be nothing my conversation and
claimed no indication that prevents
each instrument emits the sound that has
prepared
the music begins
the curtain opens the director with eyes
great looks for me and finds me in the
place on the stage where we were
rehearsing the last month because it’s just
say that what the public is
seeing is a small part a 10 or a
15 percent of the rest of the rest
that great mass s 80 90 percent is what
that does not look like an ice see that shows
only a small portion and that
is below the water is the period of
essays and preparation of weeks months
and maybe years it takes to put a
musical piece on stage the
opera la bohème de puccini in the
first scene the audience sees a
perfect replica of an attic
Parisian
there are four friends that are surrounding
a very cold stove a long time ago
cold in paris
in winter the role of the tenor is called
rodolfo and is a poet
me to the baritone I played the role of
painter marchelo I am very happy
do this opera because normally in
in the opera and as a convention that
the sharp voices the tenors the soprano
they are always those who end up in love
those who have the greatest
the greatest interest in history and the
Poor little voices are left to the
tenors to the baritones to the low to
the mezzo sopranos contraltos make of
bad do what we die this
make cops this and many times
this one we are left with the desire of
start and when you tie something a caress
but that is what we have to do in
this opera in particular I do not die
so I’m happy because I know that
until the end this one I will not have to
go through that trance
there is a very funny scene in the
bohème we were rehearsing a lot that
to fight the cold
the four guilds we waged a war of
pillows and pillow or pillow well
we were very involved in the character
one of the prop pillows is
breaks explodes and thousands of feathers leave
goose you take off they start to fall
about the orchestra
imagine a snow of ideas but
with goose feathers
the director with the baton if so for
to clear them I did not look with the faces of
I will kill when I can and we will
which is very difficult we laughed and
we tried to sing
this was a good thing what things that
many times they go on the scene in that
moment we feel at the side of the
scenario that someone says via is the
voice of a stage assistant who
orders a machinist to spin the
the Parisian guard disappears
and a perfect replica of the
Latin Quarter of Paris to mourn my
Painter and brush palette
and I start painting a picture of the girl
I like my dog
8 upi
one or the other by broken
8
moza no hay or musetta buseta is one of
the female protagonists of this
History is the girl that I like
we had something but one
silly discussion made it like two
months we did not see goes right
on stage and puccini
besides being a lofty composer he was
a great dramatist put on the
score all the actions that the
singers we had to perform
and at that moment says the score here
marchelo and musetta kiss and go
reconcile as it was prescribed
musetta approaches and kisses me
from there I do not remember anything more
of that function and it was missing as one and one
hour and a quarter in an hour and a half of music
the only thing I remember that at the end of
the opera the musical director was very
happy
the scenic director also the people
I applauded some waited at the door
from the theater a couple of ladies told me
that come from the pens how
they made it so good
he has also rehearsed for me
insides and waters to put him if they knew that
it was an accident an accident and people
he lived it like it was something that was
millimeter rehearsed
after that I found myself alone in the
my hotel room watching the final
of the shanghai tennis masters that
nalbandian had won federer it
remember and I realized that I had been
all night without sleep
Cupid had done his job you see that
he did very well because we’ve been
even sitting there today
[Music]
[Applause]
[Music]
and there are also two out there
little paintings of paintings that
they arrived some time later the
musical expression as I said no
inevitably pulls out of the routine and we
place at every fraction of time
elapsed in a place where
never maybe we were that is the
emotion that is lived on that side and of
this the only thing that differentiates
that we are here that we are excited
as much as you that we have the
mission to transform into sound what
a composer played to put on a
paper a while ago
that’s all but the emotion is the same
and I wanted to propose you take out the curtain
is still high and has not yet come down
they sing something with me they cheer me
I ‘m going to transport it to another opera
carmen de bizet has the song of
toreador and a chorus that is very
known that our teacher mauricio
music for those who ask for great applause
[Applause]
the French operation do not worry
with the reach but what I’m going to
ask if as well as we know that we are
full of fluid in the body too
we are full of air
I’m going to ask you to take a small
lot of air they feel they feel
that airs moves and that they move it
to the best sound system and
amplification that exists that we have it
everyone emphasizes that they are our
Reasoners send in the sound there
are against against that curtain and
I ‘m going to see what I can give them back
now let’s do the part of 85 by
percent is to say let’s rehearse the
chorus of the toreador song
with the help of the teacher will give the
started
[Music]
and
[Music]
white aldanondo lolo
[Applause]
roldán domón
ronaldo clear I do not see it very well very
all right
well then 85 percent is done
now we go for the 15
let’s make the historian song
complete and in the chorus the ladies
are going to be the gypsies friends of Carmen and
the gentlemen are going to be the bullfighters
come very large and canchers for
tell your exploits in the last
bullfight cheer up
I warn you when others by pure
Lord man fat man
for you for asking that they are not like
tell you southern deadline of gaza
another closest
[Music]
Brown intervened
now I am treated by offering and
all southeast
[Music]
only the fat or or not
[Music]
wilson stopped you
will not delay the port he had for the
player by the bubble the best
[Music]
hayek
[Music]
thank you very much
[Music]
and
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