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La bellezza sui social media e come viene manipolata


Abraham Lincoln recalled it is safe
this photo is president of the United States
charismatic strong epic supertop the
problem of this photo is that it is false
the head of the good old Abraham, but it is
mounted on the body of another because
because it needed an image more
President’s charismatic meals this
it happened already in 1800 but if we go
back in the history the photo editing e
change to paint the color
arci hair we plug ourselves that having is
which is worth billions and in general the
try to turn into something
it’s better part of the story of us
human beings
now the problem before the eyes of
all of which is that time that we
we pass in front of a screen where
we see the reality mediated by one
screen is always greater this
means that the canon of beauty a
which we are used to is a case it is
completely unrealistic because of
raffle or raffa
beauty is always retouched if it passes
from a screen two hundred years ago 100
years ago 50 years ago it was difficult
retouch images when arrived
photoshop has become very easy
however, only a few were able to do so
to do was also to pacify today instead
whatever the gonzo in circulation is
download an app upload his image ago
a click and to be master geppetto yes
it turns into brad pitt all this
situation creates two main problems
the first is that the standards of the
beauty now I’m totally
that thing does not exist there
it is as if one went to the movies to see
hulk or hulk as you would say in Italian e
then meet the good mark for it
road and is disappointed but ten brands
you ‘re not green it’s gigantic and jane o
Oral is a fiction is a standard
what we are used to is unrealistic
but we are so shielded and
digitized that we have finished for
believe in fiction when the lines
also beyoncé when he gets up and beyoncé
he gets up and says and is beyoncé waits
that I have to transform everything well
this creates above all on the most
shabby billions of problems
psychological because you try to
adapt to standards that do not
they do not then reach billions of
documented problems admired searches
scientifically, go and see them though
the theme is that the industry in general
communication of this sector
of beauty
he knows we have a problem and it’s for
this we see a lot of
initiatives currently underway on the label
chin up images where you have to
say look at these images you have
said cup getty images he said
enough we do not see any more images
retouched to lose weight is a model
a model I recorded shooting in general
the two big buzzwords of the
communication that you see today are
diversity and inclusiveness see these
campaigns where you have different ethnic backgrounds
different and what he tries to do
campaign with models with cellulite
without retouching the images and
that other company that does the campaign
with ten super athletic and nine models
one a little more tracagnotto in some
way you are trying to address the
problem but it is not clear if you do it
to ride a wave of the moment for
sell more product or if really there
is the intention to change things
the fact is that at the base there is one
great hypocrisy of all of them all
we included because as people said
I do not remember who it was
unbearable photo editing look
unacceptable unless it is used on
my photos and this is the big problem
that we all want to look a little better
do not imagine if you were doing video without it
lights with the car lousy and I would look
145 years without hats with dark circles
wrinkles giorgi creators of bright the
gigantic problem point of view
communicative and how do you overturn
and beauty dogs like that
all of a sudden after decades of a hundred years
hammering on other canons more
unrealistic it is difficult you miss it
reality is a bit like my tree
apples that now in the garden when it pulls
out of these marvelous an ovals a
papparsi is perfect organic bio mille
percent there are all vermicelli
choose that maybe without the vermicello
nalesso eats this snow white apple
we are always a little disappointed we are not
more accustomed to that simple and taste
you come to say it’s all here, maybe here
we should all go back to studying that
what is this blessed reality not
get out of the simulated reality of the
beauty in which we live and return to the
actually try to take the license
the license of reality
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