we observe this image with
attention to reality of radiology performance
and in the square on the left and on the right the
cinematic reproduction what
notice
what the director invented for
communicate that in a more incisive way
moment the shape of the dress is different
the color of the dress is different
different light rate your face like
stand out is the microphone boom
in other words, the details are different
the details are the mike robayo of the
communication how to have a series of
microbes around us that we do not notice
in most cases
but let’s go to the wind a meeting of
work we see a movie but we see a
video to details are what they do
the difference and they are difficult to
master then we try to see the
great masters of cinema as they have
made in particular we put them to
comparison with history every time
they had to retrace a moment
historical
let’s try to see how they have worked it out
what details have given importance
take the film there is who with
extraordinary natalie portman things
different take this shot it
background looks the same ever different they are
more free positioned at the bottom is a
you see the two paintings a little flatter
behind the protagonist a little flatter
with respect to the original, a sensation
plus one thousand more reserved the use of the
different light but you see another light
which has been added at the bottom right
in the original image everything goes away
darker than the door that perhaps was also
on the other hand, the
reflection that these objects have here
in front of us all together
help to create the atmosphere that
in this case the director wants
transmit let’s go to jim carrey man on
the moon and let’s try to notice
the framing different from the
saturday night live
first of all note that the framing
original there are no spectators in the
film instead the director decides to do
two things to leave inside
viewers because there is an audience that
look at b in both shots
he decides to leave the exit in the background
it’s like the character in his
timidity in security always had the
possibility to escape for a moment
to the other and then again this camera
that has an eye still judge together
in panne d’anna
with the public and the light of the
camera that takes the red of the
curtain we look at the two us what are the
differences in this case to increase
the impact of performance
the director decides to put in gods
fumes that were not there in the performance
original the other thing that we notice is
that aside and jim morrison and dressed in
different ways the dark here but the face and
very well lit but we look
how much space to jim morrison over the
own head in this writing doors in
evidence also this was missing in the
original performance a few elements well
studied but give epic to the
performance are the details that make it
difference is the details they create
the impact is the details that create the
communication
[Music]
attention to reality of radiology performance
and in the square on the left and on the right the
cinematic reproduction what
notice
what the director invented for
communicate that in a more incisive way
moment the shape of the dress is different
the color of the dress is different
different light rate your face like
stand out is the microphone boom
in other words, the details are different
the details are the mike robayo of the
communication how to have a series of
microbes around us that we do not notice
in most cases
but let’s go to the wind a meeting of
work we see a movie but we see a
video to details are what they do
the difference and they are difficult to
master then we try to see the
great masters of cinema as they have
made in particular we put them to
comparison with history every time
they had to retrace a moment
historical
let’s try to see how they have worked it out
what details have given importance
take the film there is who with
extraordinary natalie portman things
different take this shot it
background looks the same ever different they are
more free positioned at the bottom is a
you see the two paintings a little flatter
behind the protagonist a little flatter
with respect to the original, a sensation
plus one thousand more reserved the use of the
different light but you see another light
which has been added at the bottom right
in the original image everything goes away
darker than the door that perhaps was also
on the other hand, the
reflection that these objects have here
in front of us all together
help to create the atmosphere that
in this case the director wants
transmit let’s go to jim carrey man on
the moon and let’s try to notice
the framing different from the
saturday night live
first of all note that the framing
original there are no spectators in the
film instead the director decides to do
two things to leave inside
viewers because there is an audience that
look at b in both shots
he decides to leave the exit in the background
it’s like the character in his
timidity in security always had the
possibility to escape for a moment
to the other and then again this camera
that has an eye still judge together
in panne d’anna
with the public and the light of the
camera that takes the red of the
curtain we look at the two us what are the
differences in this case to increase
the impact of performance
the director decides to put in gods
fumes that were not there in the performance
original the other thing that we notice is
that aside and jim morrison and dressed in
different ways the dark here but the face and
very well lit but we look
how much space to jim morrison over the
own head in this writing doors in
evidence also this was missing in the
original performance a few elements well
studied but give epic to the
performance are the details that make it
difference is the details they create
the impact is the details that create the
communication
[Music]
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