[Music]
friendship is built with what with
time with shared experiences
or with discovery
olivier I know him since I
the age of 4 in primary school
he was one of those kids at
sacred character always ready to do the
brawl at college sports enthusiast
motorized
he had unleashed his scooter to go
the faster we grew up in a small
village we were all a band that we
happened to be completely stupid and
to climb to 4 on his scooter
in high school he had a motorcycle in the evening
it was him the trainer
you all know the guy
comfortable full of jokes ready to pounce
then he met the love
he had a child and his passion for the
speed faded lack of bowl a
day a car hit him
the doctors were object to cut him
his left leg below the knee he
was 26 years old
how was he able to find his body
following such a rupture after this shock
has heavy emotional and psychological
did you want to show others and
himself once amputated he passed
by several emotional states that the
psychiatrists call mourning
corporal mourning divides
in five steps
first there is the often stunned
associated with denial anger sadness
which can turn into depression
then resignation and finally
acceptance following people these
five stages are more or less long
the brain starts to break
totally because he does not receive any more
information about a part of the body
hitherto present in the face of mourning
the body find themselves disoriented
all people have sensations
strange more or less presents more or
less intense they will be they feel
the member who no longer exists the member
becomes a ghost
some people say that their
members gets bigger gets bigger
take up all the room in the room is
thus smother the vacuum chokes
the first time I saw olivier
after his accident he was very much
more anchored in the ground as if he had
need to look for a force elsewhere
that he himself to be just the face to
me his old friends
I felt ashamed
to be amputated even though he was not even
not responsible, it has happened to you
to meet a disabled person in
the street you see this feeling of being at
both embarrassed to see and at the same time
curious to watch and well there it was
not me who was embarrassed and curious but
he was waiting to see my reaction
and then he sat down he raised his
jean and he removed his prosthesis for me
to give it I had this object in my hand
a prosthetic what is an accessory a
tool or is it more than
that a prosthesis has to reproduce
functional way a body member
human trans tibial prosthesis those
which lie below the knee
usually consists of a sleeve
blue of a car in yellow of a
blade in red and cosmetics in gray
one of these issues and to integrate into
the person his new body she is
also indispensable for his
life autonomy begins established the link
between a person and a prosthesis
a person it’s hot it’s in
movement a prosthesis crumpled
inert the functional part allows for
the amputee to unite on the
motor plane to prosthesis cosmetics
of prostheses this is usually a
foam that comes to settle on for
give a curve to the nearest body
human this is the element that makes the
link with the psychology of the person
you all know psychology comes from
Greek and means speech the speech
of the soul then the word cosmetics me
annoys a bit because this word wants
say who serves to maintain the beauty to
beautify the skin but on a prosthesis
there is no beauty to maintain nippo to
beautify
everything is to be built in fact it takes
create a new skin being designer
I wanted to make available his
know how to create this new
skin when we started working
with olive tree he arrived with that it is
a second too bad anyway
so I’m talking about the skin because
aesthetically speaking it’s a
performing prosthesis for this
collaboration I set up a
working methodology that is articulated
in five meetings
first meeting I
interview with questions at once
on the uses of his prosthesis on these
aesthetic sensibility and dreams
the craziest
but olive tree in addition to mourning
he had understood that he had also
outside a mourning and his entourage
so he was disguising his answers so
not bother me
I had to do a lot of reading
for that I took support on the
lithography of the chairs entitled the
three worlds
we see on the same plane three universes
quite distinct
water here plays a dual role
it separates at the same time as it unites
the fish sends us back to the world under
marine
another inner self the reflection of
trees brings us back to the air world at
our social side the surface is
represented by fragile leaves
laid on the water like our skin on
notice that his leaves offer a
perspective to all of our image
this lithograph and like reading
one person at a time a reflector
depth and surface it is this
comparison that helped me understand
when olive and deep or in
surface in his answers and the prosthesis
turned out to be a reading medium
on the mood of olive tree for the
second meeting I arrived with
three mood boards and
associated materials and everything was
to observe olive tree to understand this
in what they found themselves and
why the goal was to give a
design direction for the third
meet
I arrived with models of
materials objects drawings of
diagrams and we played together to project
new ideas on these media
always in the same direction of
design in fact it’s a back and forth
between abstraction and feasibility
between cravings and constraints the
constraints wakes up elsewhere
often a source of imagination
after placing a little bit everywhere on the
table our ideas our designs our
dreams but the two colors and of
forms it gave about that then we
did a little storage and we
chose only one design
these materials we scanned his healthy leg
so that I can reproduce the curve
when sculpting the design to the
fourth meets that fitting this
lets see the changes to
bring for the fifth meeting
I put him his new skin that’s
olive tree with his prosthesis he was hyper
proud in the street and ride mechanical
we worked together and even though
it is not he who sculpted modeling and
to make his new skin he was there
to guide me
it was up to me to translate it for
sublimate his new him the prosthesis is
an endogenous element that is to say it
comes from the inside
it touches the affect and history of the
no one
we can not ignore the
skin you if your opinion was losing his leg
you would prefer to see him with a skin
hyper realistic or a skin that
consider his difference you’re going to me
to say it depends on the users of the mood
of the person it is true to
yields the person needs to get
melt in the decor and to others
moments she needs to live her
difference
the ideal for some people
amputated
it would be to have several pots for
so juggle between social life life
professional family life and life
respondent
we are witnessing this awakening
in two years two companies have
created in France it offers pots
of ready-to-wear prostheses at prices
really affordable it gives a real
breathing in the field of
prosthesis in parallel a new job
must be born a profession that I named the
body designer is a designer but who
must have knowledge in the
field of disability and related to
professionals that revolves around this
disability because all disabled people have
need body design
whether it is the children affected
impaired motor and
brain paralyzed people or
women who have been ablated my
mother all requires at least one object
close to the body these objects are
indispensable in the everyday life of
amputees and disabled they
do not need 10 or even their
handicap they need to find who
they are in these objects the body
designer is there to make the connection between
the psychology of the person and the
design of these objects tomorrow it’s a
profession whose orthopedic technician does not
will no longer be able to pass an orthopedic
and whoever manufactures realized applies
prostheses a prosthetist’s office
will stand out on the other hand the body
designer he will have within his
team
because it’s the kiko body designer
will build with the disabled person
his new identity
how to create this new profession in
adapting the curricula of their theses
prosthesis because the prosthesis of tomorrow
what will it be
what is certain is that it will be a
knowledgeable blend of technology
art design and science imagine
the future of olive tree he wakes up a
morning he puts a playlist at random he
falls on a piece that he loves his
prosthesis is made of materials
electromagnetic response to
vibration
he connects his prosthesis to his piece and
his skin starts to vibrate he can adjust
more or less hot colors more
or less nuanced he can also adjust the
more or less dense matter more or
less round when the pace
fit in with his soul he
freeze the matter his skin becomes the
reflection of its depth
friendship is built over time
with common experiences and I
will never thank enough olive
have made me discover the immense
Disability territory
thank you
[Applause]
friendship is built with what with
time with shared experiences
or with discovery
olivier I know him since I
the age of 4 in primary school
he was one of those kids at
sacred character always ready to do the
brawl at college sports enthusiast
motorized
he had unleashed his scooter to go
the faster we grew up in a small
village we were all a band that we
happened to be completely stupid and
to climb to 4 on his scooter
in high school he had a motorcycle in the evening
it was him the trainer
you all know the guy
comfortable full of jokes ready to pounce
then he met the love
he had a child and his passion for the
speed faded lack of bowl a
day a car hit him
the doctors were object to cut him
his left leg below the knee he
was 26 years old
how was he able to find his body
following such a rupture after this shock
has heavy emotional and psychological
did you want to show others and
himself once amputated he passed
by several emotional states that the
psychiatrists call mourning
corporal mourning divides
in five steps
first there is the often stunned
associated with denial anger sadness
which can turn into depression
then resignation and finally
acceptance following people these
five stages are more or less long
the brain starts to break
totally because he does not receive any more
information about a part of the body
hitherto present in the face of mourning
the body find themselves disoriented
all people have sensations
strange more or less presents more or
less intense they will be they feel
the member who no longer exists the member
becomes a ghost
some people say that their
members gets bigger gets bigger
take up all the room in the room is
thus smother the vacuum chokes
the first time I saw olivier
after his accident he was very much
more anchored in the ground as if he had
need to look for a force elsewhere
that he himself to be just the face to
me his old friends
I felt ashamed
to be amputated even though he was not even
not responsible, it has happened to you
to meet a disabled person in
the street you see this feeling of being at
both embarrassed to see and at the same time
curious to watch and well there it was
not me who was embarrassed and curious but
he was waiting to see my reaction
and then he sat down he raised his
jean and he removed his prosthesis for me
to give it I had this object in my hand
a prosthetic what is an accessory a
tool or is it more than
that a prosthesis has to reproduce
functional way a body member
human trans tibial prosthesis those
which lie below the knee
usually consists of a sleeve
blue of a car in yellow of a
blade in red and cosmetics in gray
one of these issues and to integrate into
the person his new body she is
also indispensable for his
life autonomy begins established the link
between a person and a prosthesis
a person it’s hot it’s in
movement a prosthesis crumpled
inert the functional part allows for
the amputee to unite on the
motor plane to prosthesis cosmetics
of prostheses this is usually a
foam that comes to settle on for
give a curve to the nearest body
human this is the element that makes the
link with the psychology of the person
you all know psychology comes from
Greek and means speech the speech
of the soul then the word cosmetics me
annoys a bit because this word wants
say who serves to maintain the beauty to
beautify the skin but on a prosthesis
there is no beauty to maintain nippo to
beautify
everything is to be built in fact it takes
create a new skin being designer
I wanted to make available his
know how to create this new
skin when we started working
with olive tree he arrived with that it is
a second too bad anyway
so I’m talking about the skin because
aesthetically speaking it’s a
performing prosthesis for this
collaboration I set up a
working methodology that is articulated
in five meetings
first meeting I
interview with questions at once
on the uses of his prosthesis on these
aesthetic sensibility and dreams
the craziest
but olive tree in addition to mourning
he had understood that he had also
outside a mourning and his entourage
so he was disguising his answers so
not bother me
I had to do a lot of reading
for that I took support on the
lithography of the chairs entitled the
three worlds
we see on the same plane three universes
quite distinct
water here plays a dual role
it separates at the same time as it unites
the fish sends us back to the world under
marine
another inner self the reflection of
trees brings us back to the air world at
our social side the surface is
represented by fragile leaves
laid on the water like our skin on
notice that his leaves offer a
perspective to all of our image
this lithograph and like reading
one person at a time a reflector
depth and surface it is this
comparison that helped me understand
when olive and deep or in
surface in his answers and the prosthesis
turned out to be a reading medium
on the mood of olive tree for the
second meeting I arrived with
three mood boards and
associated materials and everything was
to observe olive tree to understand this
in what they found themselves and
why the goal was to give a
design direction for the third
meet
I arrived with models of
materials objects drawings of
diagrams and we played together to project
new ideas on these media
always in the same direction of
design in fact it’s a back and forth
between abstraction and feasibility
between cravings and constraints the
constraints wakes up elsewhere
often a source of imagination
after placing a little bit everywhere on the
table our ideas our designs our
dreams but the two colors and of
forms it gave about that then we
did a little storage and we
chose only one design
these materials we scanned his healthy leg
so that I can reproduce the curve
when sculpting the design to the
fourth meets that fitting this
lets see the changes to
bring for the fifth meeting
I put him his new skin that’s
olive tree with his prosthesis he was hyper
proud in the street and ride mechanical
we worked together and even though
it is not he who sculpted modeling and
to make his new skin he was there
to guide me
it was up to me to translate it for
sublimate his new him the prosthesis is
an endogenous element that is to say it
comes from the inside
it touches the affect and history of the
no one
we can not ignore the
skin you if your opinion was losing his leg
you would prefer to see him with a skin
hyper realistic or a skin that
consider his difference you’re going to me
to say it depends on the users of the mood
of the person it is true to
yields the person needs to get
melt in the decor and to others
moments she needs to live her
difference
the ideal for some people
amputated
it would be to have several pots for
so juggle between social life life
professional family life and life
respondent
we are witnessing this awakening
in two years two companies have
created in France it offers pots
of ready-to-wear prostheses at prices
really affordable it gives a real
breathing in the field of
prosthesis in parallel a new job
must be born a profession that I named the
body designer is a designer but who
must have knowledge in the
field of disability and related to
professionals that revolves around this
disability because all disabled people have
need body design
whether it is the children affected
impaired motor and
brain paralyzed people or
women who have been ablated my
mother all requires at least one object
close to the body these objects are
indispensable in the everyday life of
amputees and disabled they
do not need 10 or even their
handicap they need to find who
they are in these objects the body
designer is there to make the connection between
the psychology of the person and the
design of these objects tomorrow it’s a
profession whose orthopedic technician does not
will no longer be able to pass an orthopedic
and whoever manufactures realized applies
prostheses a prosthetist’s office
will stand out on the other hand the body
designer he will have within his
team
because it’s the kiko body designer
will build with the disabled person
his new identity
how to create this new profession in
adapting the curricula of their theses
prosthesis because the prosthesis of tomorrow
what will it be
what is certain is that it will be a
knowledgeable blend of technology
art design and science imagine
the future of olive tree he wakes up a
morning he puts a playlist at random he
falls on a piece that he loves his
prosthesis is made of materials
electromagnetic response to
vibration
he connects his prosthesis to his piece and
his skin starts to vibrate he can adjust
more or less hot colors more
or less nuanced he can also adjust the
more or less dense matter more or
less round when the pace
fit in with his soul he
freeze the matter his skin becomes the
reflection of its depth
friendship is built over time
with common experiences and I
will never thank enough olive
have made me discover the immense
Disability territory
thank you
[Applause]
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