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Stargate Emozionali | Alessandra MR D’Agostino | TEDxArezzo


[Music]
[Music]
[Applause]
this year the eyes then what
they were the ones you saw shirts of
force or were tired of the canteen though
clean up ok to respond to this
earth I will ask you a question that is
this
how many moments of humanity you have had
today for humanity I do not mean with
passion that you remember at what age
kindness but moments of human contact
presence report in front of someone
other
unhooked the technology from such go
up and down from screens someone I try to
see the faces or not at all
many unclear accounts then I there
I ask this question because this one
question is a little question inquisitive
that grips my life known a bit
years without telling me I found myself and
I discovered around me one
depletion of this thing
there is
obviously it’s called we are surrounded
from technology 9 this field network
easy connection and communication
the exchange of content ideas e
however, however, this makes more
difficult leicester and presents one
report would feel report what
it means having two elements that are
nun to have a physical presence to have
a mutual attention this is
the interaction of work on this
matching that was on emotion
so try to answer this
I ask myself over the years
ventured by creating this instrument
surreal that are the stars of stargate
emotional tags and I did it
granting by doing theater and let’s say
turning a new mode that is
using the theater in a way not
conventional to work on
relationships within relationships
to observe the emotions that come from these
dynamics flow I did it
in short, the conventional theater spaces
squares whatever else you have
seen is a performance I do a
milan more times there are monsters with
these dresses this coveted point of
historical very almost also that it creates
uncomfortable and put themselves in a square
that is, in short, a crossing of the and
who ask questions to people who
pass important questions that
may there be someone who I love you
really rather than respected the
rules
and therefore the fact of bringing a person
that you see for were people that a
that hour was about 6 people
they came out of the office back
at university then we were right in
proximity of the subway for which
there was that I feel this of people and
so bring those tired people
in short, verses agiate the routine of
week of the office evening
etc. to bring them into a real space
in front of a person dressed as a monster
that asks you so short ie
any news but really anyway
a great challenge, however, for people
miraculously wonderfully
they respond with great generosity in the
sense that they do not insult you also remain
there they answer you with great kindness and
on the contrary, very often you open yourselves
I saw very very very interesting
significant changes also
compared to their lives this is the
beauty of emotional theater matri
interactive and is interactive functional
from discipline that has been registered
on the national register asylum bl dos
thanks to this association and to the
so many white that is an association
affiliated to the lite then wood
international human rights and is for
this that this discipline makes sense
within the places where the lilies
closed in oil of restricted places
detentivi in which one works on
on the crush that becomes of
perhaps becoming education
accompaniment towards a healing from
an addiction
very often it is not so and I have
I worked by chance
within a
of a district house a few years
ago I brought a theater company
and functional interactive and we went
to bring this this show a lot
simple who spoke spoke of one
letter to the point that a prisoner
he wrote one to a companion to whom
pregnant all.re in this letter point
it was said that he probably was there
birth would not have seen it would not
could see birth of this child
that show was represented is
sixth second of Saint Victor for those who do not
he knew patrons saintly
the district house for more
beautiful that has a titan in other words
complex more than Milan of Lombardy
we say and is divided into rays reached
from can be said to petrachi are a kind
of phase the infernal circles because they are
containers that go to close of the
different detentions compared to the crime the
second sense to be clear in the radius
of sex offenders, therefore, crimes in the background
sexual transsexuals rather than
in short, protected prisoners e
anything else then to form it by chance
in short, that show is in short
those inmates ask us to do it
processed to ask to do a
workshop with me
so when I was asked precisely
from the educator you want to make some canvas
interactive theatrical education that
they still do not know it will be made to me
I miss the idea of what it could be
exactly with these prisoners for i
which one comes
in short, very little is done
no formation the answer yes in the
sense that I always try to meet
the other anyone
who not anyone who has before
in short, without prejudice without judgment
without label without going to see
what was there before
that meeting the first one that this
person stands in front of me for that
accepted moment and I started in the era
the January era of remembering mine
teaching space that was a former one
infirmary used to say state
creative know how short it will be study will be
try everything and this former infirmary where
I remember you
there were two seats and there was a basket
there was a sink in which transsexual
they cut themselves hands
then there was this tall window
Private short of a vetero with the
obviously bars not for which this
So imagine doing something
artistic therefore that has a finality
even if we want it so recreational
within a space that is there
recreational I have nothing inside
a gigantic structure that from there
creatively less inside point
in front of people who never have
made theater that do not know what
mean that if you are big
interactive emotional specification
so the first thing is first
be able to edge in front of them short
anyone in an authentic way is not
simply without filter without
mask communicating what you are and
this way in this in this
try to look for a way
to lead them to fascinate them and bring them
towards a path towards the goal
he complains that we set ourselves up then
that year start with 16 inmates
face all men aged 25 to 65 years
different then the first thing that there
we will prefix now but find ourselves finding us
a name no because they are we should have
had to work many months together
beautiful we should have become one
independent mobile creature inside
of that structure therefore a lot in which
I asked them then how we want
I did not want to call this company
this group of men forming one
once a week you meet for
in short, talking about dramaturgy sells
out of castino there in the end it is not
I chose this name that I do not want to make of it
so I do not want to start from that project
to be part of it because essentially those
he would propose it to himself who he would like to do
part of a companion held shores that
would like to enter here in this space a
do not do theater in these
places
that project then journey made his own
path in the sense that then over the years
passed without offending the common crimes
then go to the district of Monza
currently I am in drawing community
therapeutic recovery community for
Alcohol addicts in September
a project will start in a community of
minor
returning that I do not want to be part of it
the second purpose that we set ourselves is
then we do something important
something important though it is in
some way also linked to what
we have around what we like
we hear no, of course I can not
propose you chose and one step I want
offer something that can be linked
to the estrangement situation of
loneliness that is living and the thing
let’s say closer that came to me
mind that came to mind because
There were two people inside
that something short of literature of
another, in short, they chew and it was godot
precisely by beckett for which nampo e
that year just a godot reloading of
this show that we call the
luck to insert inside the
international theater day e
Unesco prison
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when someone asks me, in short
talk about the experience of theater and
prison or even community
I always say for myself recently
the maritime experience for which for me
the meeting was very important words the
wonderful word a word that like
a sort of cylinder and double
a thousand beautiful things come out no
so when I go into a structure
detentive then at the end
pilgrimage because you imagine then
permits corridors and steps between the cells
walks in the corridors between the cells
open infirmary anything else for which
it becomes a true pilgrimage because
for those who enter and the obstinacy of
come back every time for me to teach
this kind of thing inside
structures of this type means the
opposite various king tables find again
people who the week after you
tell stories they tell
who met the children here
told of doing theater and then children
they are a little happier because
probably parents have a face
different a different expression
and in fact they show things of the
things they wrote that they tried
then write to you somehow
sets in motion a sort of circuit of
production and then actually one
dig deep to touch the
things for which what is the meaning of everything
that sense of all this is that me
part of a question
continuing, in short, answers respond
the question I try a little to stimulate
the people I have around at least a
look for meeting spaces to look for
interaction spaces because
in the interaction we start exchanging
between two elements there is an exchange also
there is a change and a transformation
physiological if we want is what
I would like short maybe with the help of
giacomo try to make you do something
here is this closing of this tonight
of this short of lace if maybe
then I would ask him for it
torture the time to get up all you are
very followed
I ask you to distribute them in a way that is
to approach me there are no spaces
empty and then fill the empty files
for example, in short, become
fill all that is impossible
imaginable then all those who
they are behind becoming too and so on
let’s have three minutes
that you also hide among them
so they are missing
we also go to London go false false
false voluntarily network without fear
then there is still someone watching
he says a place from which the auction is
announced a bush angled then you if
you are 12 45
so let’s do the first row yes
runs
[Music]
ok perfect the third row is 246 la
third row instead we have the turn
it is about two couples so I ask for them
more notes to face one of
face each other ok you want to work on
people every odd night instead of the
third fourth sorry number above the
fourth and fifth row then the fourth
row turns to the fifth row la
the name of the second one was then seen
then now first row second row
bring them the fifth row you all have one
front mate you feel
this is one discovered who wants to do
but you are the only careless 6 when you
you are with him who you are with him
tonight, each one wants to have a
face mate then get yourself
secondary
so now I ask you to practically
raise your hands
putting practically the palms of the hands
just like I do it myself
shoulder height and get them
advance that you are hungry until you meet
then in the hands of the person who
see in front of this point I ask you
to stay there a few moments then
close your eyes
at this point will start once the city
of three fatal minutes simply
watch you feel uncomfortable pleasantness
so what else do you try not to hear
as far as possible voice the voice of whom
you have around in the memories and for a long time
focus on the palms of your hands
of the people you are facing then
it exists only you obviously have of
face here
one minute is gone you will still be 2
[Music]
However
if you want to try also to move the
hands together to the other instead maybe
without a static position , it creates problems
truth you also want the hands that is
always pole against parma if it is
you want to recreate a little more
physical well-being that last minute
[Music]
it’s a laugh you do not laugh
worry frangente usually escapes
when I hear it
in thirty seconds
ok you can leave untied from
from the union you are back to sit down
in short, appointments and sometimes
before
now I wanted as my performances
letrari meetings always close with
what we call restitution that
it means sharing the stuff it has
also some other meaning though
a sort of opening compared to that
that he felt just because yes
it works really little but on the
physical sensations possibly on the up
what you feel compared to
closeness of the other
I wanted to ask him if anyone
voluntarily to desire of
share with others
feeling he tried if he heard
something can also be uncomfortable
crap, in short, anything there is
things must come out without without
judgment therefore that words come
in short, annoying
just getting used to and not heard
Hello
but what do you say experiences in someone of the
same sex
meanwhile in 133 different from the
context of the person mentioned by
shake hands as if we were one
video from anything but from a table
support
[Music]
[Music]
you’ve never held free
I struggle with any caste
remove something that you also face
of Lent
[Music]
we will fight pirates I see a moment
but it seems a story more than all
with your rights and you know if they are worth
to tell why here today and what
what will be counted another of the bells
what do I say this day
[Music]
the awareness of not being alone a
see
[Music]
aero
thank you
[Music]
[Applause]
[Music]
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