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Re-Imagining Theatre in 100 Years | Danae Theodoridou | TEDxYouth@EEB3


but what you just heard a silence is a

slideshow of photos that have just

passed in front of your eyes on this

these are photos that have been taking

during the last three years in different

parts in Europe

and they are images that somehow

interrupted my everyday life rhythm

imagine that what you just heard the

silence is the photo of an old man

reading the story of the little prince

in the busy morning tram in Athens it is

another old man sitting alone on a bench

of a central square in Thessaloniki

wearing his best brown suit and holding

a red rose in his hand it is a road sign

found some weeks ago close to the north

borders of Greece pointing to Yugoslavia

on the right it is a woman knitting a

scarf next to me in Tallis train

traveling from Holland to Belgium as I

am busy working on my computer you don’t

see them but they are here passing in

there is something in the fact that we

cannot see each other we haven’t met yet

but I like to think of us sharing images

imaginings dreams for our lives and the

world none of us knows exactly what

these dreams are about yet but I like to

what you just heard as silence was the

sound of your dreams or maybe of the

dreams of the one next to you or maybe

of those a little bit further away in

this theater this neighborhood this city

this country this continent this planet

what you just heard that silence was the

sound of our own dreams they are here

already ready to break our everyday life

at any moment and create other realities

the realities we dream of it’s now good

welcome to space it’s the year 2000 118

we are in the area of science fiction

100 years ahead of our time it’s now

Monday 7 February 2118 here are two

possible scenarios for theater on that

day the first scenario there is no

theater since many years Theatre is

forbidden by law in all states on earth

as something that is useless and has no

effect on the public this means that we

have no actors no theatre spaces no

theatre texts no performance is created

by artists people rarely remember or

discuss the world theater anymore most

importantly if someone mentions the word

theatre or even worse if somebody tries

to practice theatre they are prosecuted

and spent the rest of their life in

prison in this context there are some

people who still react and resist and

they do that by learning by heart whole

theater texts or by learning to perform

on their own whole theater performances

these revolutionaries are named after

the theatre texts or the theater

performance that they memorize and they

protect in their own body this means for

example that you can find hidden in the

woods of course because they are illegal

: L Romeo and Juliet for example or

officer Medea what these people fight

for is for the return of theatre and

it’s stories most importantly though

what we fight for is the return of this

unique

and irreplaceable experience of people

coming together in theater in order to

think about the world and dream about it

in common second possible scenario for

theater in 2118 theater is everywhere

it’s imposed by law that people live in

a theater mode all day long every day

everywhere this means that people have

to perform different kind of roles but

have to invent performances wherever

they stand they have to take pictures

all the time post them everywhere and

create stories about them etc if

somebody refuses to do that if somebody

does not want to perform all the time

publicly in front of others risks

spending time in jail in this case of

course also we don’t need to have the

specific profession of the actors we

don’t need to have theater directors we

don’t need theaters we don’t need

performances we don’t need theater texts

because theater is anyway everywhere all

the time it’s in streets in parks in our

houses on TV shows like Earth’s Got

Talent

or so you think you can do whatever kind

of art you want are multiplied and

broadcasted all the time it’s really a

joy which ones of the two scenarios

sounds good to you for 2118 the one

where theater is illegal and disappears

completely or the one where theater is

everywhere but nowhere at the same time

and there is no further no leads or

okay let’s come back to 2018 and the way

we think about theater today and in the

future so here we are

it’s Wednesday 7th February 2018 and we

live in a time where many people often

question theater and arts in general in

terms of the results the effects they

can have on the public why do we need

theater today when was the last time you

went to theater and what did it change

in your life why should we still have

theater when we have internet and TV and

we live among millions of images and

stories every day let’s try to think a

bit further on these questions and take

things from the start so the word

theater comes from the Greek theater on

which derives from the word say view and

the verb sail masaomi which means to see

to view theater then since its beginning

it functions as a seeing place as a room

with a view that gives the opportunity

to spectators to interpret and speculate

about the world they live in through the

images and the stories they say on

States and if theatre cannot change the

world it can definitely change the way

we think about the world the theater

director Eugenio Barba has said that

theater may be is not a revolution but

it’s a rehearsal for a revolution and

it’s true that many times during history

we have witnessed actual real

revolutions taking place outside the

theater space exactly because of the

effect the theater performance had on

the people who saw it theater then and

that that sees may be its particularity

in relation to other arts has the power

to start revolutions and overturn

established realities and why is that

because in theater we come physically

together

bring our bodies closer in order to

think about the world and dream about it

in common together and why it’s

important to do that especially today

more than maybe any other previous time

in their book speculative everything the

two writers underneath unit Fiona Robbie

have written that today our dreams have

been downgraded to hopes as the world

becomes homogeneous Lars villains we

live in digital societies that

disconnect us emotionally and physically

from each other societies that teach us

to live more online than offline and

focus more on individual needs on each

one’s needs separately than on our

common ones in other words today we

witness a paradox we are virtually

connected all day long through Internet

while at the same time we feel more

alone and disconnected than ever before

therefore we are not able to produce

together visions for her present and

future and in this context we hope that

we will not allow ourself to become

extinct we hope that we can feed those

starving we hope that there will be

enough room for all of us on this tiny

planet but we don’t know how to fix our

problems we are hopeful that everything

will be all right

but we cannot create together new dreams

for the 21st century another reason why

it’s difficult for us today to make new

dreams for our life and the world has to

do with the fact that we live in

societies that learn details to move

away from imagination because the

imagination is not to be trusted on the

contrary we should count on an extreme

rationalization on logic and on reality

and on actual facts when a society

though suggests that people turn

imagination only as fantasy in order to

comfort themselves and feel better

because there are real problems that

they cannot solve it forgets that people

are able to solve real problems only

because they are capable of the

imaginary only because they have the

ability to come together and imagine

possible solutions for these problems

and then try them out and this is

exactly why Theatre today in a time that

deactivates us from common imagination

from the imagination we sir

is more urgent than ever before because

theater counts on imagination in order

to make its stories and moreover it

depends largely on the life coming

together of an audience in order to

share these stories so theater is a

public shared area where we come

together to create dreams that’s why it

can contribute to the emergence of

alternative dreams for our world today

instead then of producing Twitter art

where anyone can have a go and reproduce

banality of egos theatre artists train

themselves their bodies their voice

their minds in order to create

alternatives for our lives and they

devote their work to the careful

construction of alternative realities of

new realities for our world and this is

why we should support their work and

theater today in 10 in 50 or 100 years

because if we want to approach our lives

differently it’s not enough to simply

hope we have to dream and we have to

practice together ideas events actions

that constantly reimagine the way we

want to live together starting from the

very little ones and the everyday ones

for example adults reading children

stories in the tram or in the metro in

the morning women eating in high-speed

train

road signs pointing to countries that

don’t exist

old men occupying squares with red

flowers dressed in their best clothes do

you remember this images that overturns

my reality in the beginning of the talk

do you remember the dreams we served in

silence the dreams we created together

the dreams that can overturn what we

take for granted and approach our lives

from different directions and create

alternatives and new dreams for the

world what you just heard us silence was

the sound of the dreams we created right

now today in this very theater let us

dream of them together let us produce

new views in common let us serve

alternative realities now and forever

let us fight for the realities in

theater and for the fictions in everyday

life starting today in 2018 preparing

the ground for others to do so in a hundred years thank you

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