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Nos habitats sont nos habits ! | K- soul | TEDxGeneva


[Music]
[Applause]
I have a mechanic training
I worked as mulhouse is there
Carpenter
in short I know what to do with my hands
it is also an artist and during
many years I’m thinking about a
architectural concept that starts from the idea
we live from our clothes even zoabi sense
common body envelopes
but we also live from our homes
and I told ourselves our homes why
are not equally like a
body envelope in the image of
the man as an architectural organism
one day the carpentry of my village is
for sale
I buy it to realize my idea
obviously I’m going to the common I’m going
find the service of constructions and
I ask them what is needed
put the inquiry
a true art then there the responsible
and construction a little jaded but
keep that very chic and I say
oh well that’s good I just bought
the carpentry of the village I go in
do a work of art then there he
unfolds to the wii but then be careful
because there are standards there are
so good after many consultations
discussion they give me all the
standards to respect she gives me more or
less white card
suddenly in the heart of this space of this
carpentry
I created a heart system
the furnace
with a suction system of
cold air in an area of ​​space
as they are blue are twenty
men who aspired by the chorus one who
is redistributed as arterial blood
of the body to regulate the
space temperature obviously made
that everything must be true in everything must
to be humanized this fireplace this fireplace
is a sculpture an expression
poetic winner
I first also have a system
digestive boron aperitif to get
in the mouth the kitchen we will develop the
animals the dining room we are going
assimilate foods obviously all
the details are worked lemoine
drawers the cupboard the dresser for
they twisted me but it’s like that
that this chain is not it and yeah
had to bandage some microbiota
intestinal
is it not in an organism around
bacteria whose hymn that are have made
to foil that I make with my little
child who is three years old so they
learn right away to work at
know how to work with his hands so
small drill press small saw
electric not this obligation of
hic modules of small play modules
microbes there is space slightly
raised above the digestive system
a pulmonary system with barriers
flared opening breathing london
we will catch our breath
we will find ourselves and
now let’s get into the
cranial area of ​​the body the area
cranial maybe hard this often
depends who puts in general
inside this mineralized head
is the nerve substance
totally devitalized
support of the luminous activity
therefore advises all the architecture itself
mineralizes becomes like light
crystallized as optics and to
buttocks and we could say a
architecture that by its forms is
call a limpid activity of the pump
it is a crystalline activity of the
thought ie an ideal space for
for example to a reading area a
library
they have reflections of meditation and
in this cranial area I also
placed the bathroom and yes because
well realize that our brain
to emancipate land forces
must bathe other liquids it is
wrapped up in the team of one so it takes
than ever liquid in the area
cranial of the architectural organism
and yes
where from the bathroom and so now
we leave this area dedicated to the
awake consciousness and we penetrate
in the area dedicated to consciousness
at sleep we find three small
rooms like aircraft that will me
allow to leave at night in the
world of dreams small room again
totally mineralized crystalline
triangular windows and all the
obviously furniture is developed for this
adapted space no
if mano we leave these cold
polar regions of the cranial zone
rational world with a penetrations of
the heat of the three peaks of the abdomen
the luxuriance world of vitality we
come in a space where all
shapes are rounded curved plane spiral
twisted fibonacci curve golden number
et cetera and so on sacred geometry and
it’s a space that by its very form
configuration calls the movement the
will activity all the walls
are soft very hard moore all
walls are soft that is to say that I
made them with covered fabric
of clay plaster shows and it’s a
space that is strong but we could
say according to the principles of dynamics
fluids so an acoustic
exceptional and that makes us
welcome musicians regularly
artists for the concerts of
shows
they want to enjoy this work
total art
he just participated in the movement is
the life of this space and this organism
architecture it is an indicator of the
mann heat and in common tuning fork it’s a
garden in which can sprout
to bloom the lily flowers
the human spirit
it’s a cosmic garden finally
this house was developed totally
according to water standards and
electricity isolation height of
guardrail for bullets as in
absolute security
we do not risk anything in an organism
architectural but others whose
standards do not fish to be poetic
to be an artist is my wish would be that
a day more and more of
and we live on the edge and their house
express this body envelope
and that’s what I call the coefficient
poetic inducing human tuning fork
of humanity thank you
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