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Need to Know | Steve Caras | TEDxTheBenjaminSchool


hi everybody everybody feeling good good

well here’s a reminder of what we need

to know and that’s to know who we are

the unique person that we were born as

no apologies move forward with that

inner truth and then you’ll be abuse to

yourselves nevermind countless others

here’s a kid in the picture with me who

was already in dance class it took me a

long time to get there and dance was and

is my passion see I was a different kid

I was not like the other boys certainly

not like my older brother or younger

brother I liked all the things girls

liked okay I had dolls I’m admitting it

you know and I played with them and I

love them I didn’t want to climb trees I

didn’t want to dig holes I wanted to

redecorate the living room I’m not

kidding and I did often and over again

because I had the coolest mother in the

world she was my best friend she said to

me hey so so you’re different you’re not

like the other boys God made you this

way she prayed a lot I liked her God she

said embrace it go forward she was so

wonderful she was heroic I would say she

was heroic so I felt empowered in her

company my father through a bit of a

wrench in the mix he felt the need to

change me unknowingly this wasn’t a good

thing I mean I think he was a good man

he just was really not good at being a

father for the middle different boy he

tore the baseball bat out of my hand he

tore the paintbrush out of my hand no

you know stomped away and unknowingly he

was teaching me to doubt myself and not

only that but to be afraid and that’s

not cool because kids have very open

clean fertile hard drives it’s not all

cluttered with adult junk yet so things

take and they take and they take a lot

of space my mother’s treatment she

taught me how to treat other people

because it felt so good and as I said I

was empowered I couldn’t wait to treat

other people that way my father’s

treatment confused me shall we say but

it wasn’t a bad family you know for

instance we did things together we went

to the Yankee Stadium off and I hated

that my brother’s loved it I hated it at

the end of the ninth inning I would say

oh god it’s a tie just shoot me if it

was a duck if it was a double-header I

said okay so my life is over right now

I’ll take care of it but we also watched

the ed sullivan show every sunday night

do young people know what that is or was

okay didn’t think so it was a variety

show and all kinds of talent were on it

and it was a black-and-white TV of

course in those days in the 50s the dark

ages but that was my first exposure to

the Performing Arts and I was blown away

by all those different shapes and sizes

of people and ages and colors all with

these unique talents paying it forward

passing it on and as a result millions

of people watching had needs fulfilled

in some cases needs we weren’t aware we

had until we laughed so hard had that

feeling afterwards and in my case

touched and moved by the dance because

they were communicating without speaking

and without words in my case I wouldn’t

be told stop talking like that you sound

like a girl from my father were left at

from the kids in eighth grade I saw a

high school production of a show called

Guys and Dolls I changed my life again

now those aliens third three planets

away on the black and white TV that

like-minded village of talented

different people were within reach it

was in color

was live music and it was my high school

so I could be a part of that village

perhaps and admit to myself who I knew I

was by high school I had the courage to

audition for whatever that show was

going to be and it was Brigadoon and I

auditioned courageously and they made me

a dancer now in 15 have no dance

training but have such a passion to be a

part of this village and now I’m in it

saw it on TV saw it from an audience and

now I’m in it and it changed my life

again I thought these are the people

that I will someday admit to myself who

I am I’ll have that courage and I’m

getting closer the choreographer and the

director came to me towards the end of

the run and they said you know you’re

pretty good but you’re old you’re 15

you’ve got to start ballet it’s the

foundation it’s the cement poor to build

any dance form on top of that’s all I

needed to hear mom ballet of course my

heroine she’s on the phone within two

days I’m taking two ballet classes a

week now I’m closer yet to finding my

purpose because this art form this pure

silent angelic art form communicating

without words was a strife for

perfection as Lincoln kirstine a famous

man look him up said in a world where

there is no such thing and there wasn’t

perfection in my life and I thought this

is a good goal I’ll sweep the floor in a

ballet I’ll take notes well yeah there

was a typewriter in those days oh I’ll

pull the curtain whatever it takes it

wasn’t long however before the bullying

started and i’m not going to go into

detail about that subject but i won’t

downplay how hideous it is and the

hideousness of my own experience so the

comments I used to get were louder there

were more of them they were uglier and

then the physical kicked in but those

efforts of those kids their knee

they’re misguided need to paralyze me as

a human being backfired because however

shaky my purpose was that I found to be

a dancer led me and it made me not upset

didn’t freeze me made me angry mom help

me find a school turns out New York City

was 20 miles from our home now on those

aliens on TV on another planet were

actually 20 miles away she helped me

find a school in New York where I could

finish high school and a group of of

young kids who were professionals who

wouldn’t laugh at me I started ballet

lessons now twice a day because I had a

lot of catching up to do I received a

scholarship at the Joffrey school and

they gave me special attention and it

was awesome and then I started attending

performances all over New York seeing

dance live blown away and then I saw the

New York City Ballet and that spoke to

me more so than any other dance company

that I had seen this was the strive for

perfection at Lincoln kirsteen spoke

about this was order this was it was so

pure there there are no words and I

thought that is the stage I will mop

that is the curtain I will pull I thumb

through the program who’s who’s the

architect of this George Balanchine one

of the most famous names in the history

of valet does he have a school School of

American Ballet off I went after a year

of the Joffrey I auditioned now I’m

really old I’m 16 1 year 4 months of

dance they said to me well you know you

can move but guess wat year old they

gave me a scholarship as luck would have

it this was like an international

airport this school compared to the

private Airport of Joffrey a lot of

special attention their golden boy right

so I thought now I’ve got teachers from

all over the world most of whom

speak languages I don’t understand and

tons of kids with tons of talent all

younger than me no snow special help no

take Steven aside sink or swim time

learned fast how do I figure this out

and keep up so I scrutinized the dancers

who struggled but then achieved and then

I watched the naturals and blown away

like how are they doing that but most

importantly company members came in and

they were sort of like hot messes at the

bar it’s like who’s that and they would

say that’s so and so and then I saw the

transformation to superhuman on the

stage and I thought wow I think I know I

learned most from them now two years

went by at this school and George

Balanchine himself called one day and he

said I need a boy I want the Greek boy

he had found out my last name was of

Greek origin I need him now I was 18 i

look like that that was me at 18 the

teachers at the school said oh no no no

he needs more classes he’ll fall by the

wayside Valentin said I have other plans

two days later I was in my first company

class with the thoroughbreds that I

admired 75 of them I shook I sweated i

dripped I quivered I did everything but

the steps now my father would have

marched away and probably said he’s not

ready that kind of thing was in my head

I had this fear of failure because of

that influence my mother would have said

you’re a winner Balanchine turned me

around to face his dancers to introduce

them to me me to them and he said this

is our new Greek boy everyone we will

make him strong and what he was doing

was assigning his thoroughbreds the

responsibility to get beyond the grade I

and and address a need help me pay

forward your information your knowledge

your

technique and lead me along with him and

there he is demonstrating and reaching

for me and a 47 years older than the

rest of us he’s in the position none of

us would ever achieve he was a

remarkable example Center not just

physically the next 14 years I flew all

over the world not as high as everyone

else was I great now was I scared often

did I love it more than I can explain I

learned very quickly I had studied piano

when I was young so they threw me into a

lot of ballets that I wouldn’t have been

good enough for but time is money in the

ballet world 30 minutes who’s going to

do it well Karis learns fast well you’re

not quite ready I got these parts you

see Stephen Karis I thought it looked

more important to spell my name with a

pH then but what happened was when i was

in to dance with three it was a ph when

they smooshed me in a big mob scene it

was with Abby so I looked like a split

personality which I was at this point so

I said just go with the V eventually so

this was life couldn’t have been more

perfect I had fulfilled that need I’m

dancing in this great company after

three years of training but when I’m not

facing is the elephant in my room this

is me with my back to myself my

homosexuality there I said it I’m gay my

mother would have said had we used that

word then you want to redecorate the

living room again how gay is that but of

course she knew I was different we

didn’t speak that way it was a whole

different time I had to think in terms

of someone else’s needs finally besides

my own it was a really selfish 25 years

I have to say in many ways I had a

girlfriend for years a beautiful dancer

my best friend in the company she had a

need she needed to hear the truth so she

could move on so I spoke to her about it

and it was hard but it was a relief and

then I spoke to mr. Balanchine about it

I said you know there’s a guy on a

company

is a best friend and he’s in a

partnership but I woke up realizing this

is not going to go away like a pimple or

a cold I’m gay I have to I don’t know

how to deal with this I I don’t had a

big I just AM so he said take some time

off all right he recognized that need he

didn’t say go away my father might have

so during that period I told my mother I

figured my best friend had to know and I

said mom I guess I’m going to have to be

a Democrat now because we were

Republican because I think all gay

people are Democrats how smart was I at

25 and she’s crying this is something

your father and I did isn’t that and

said no I think I can live with a

maggoty it’s just so small a part of a

big life mom she said no no no not that

are you sure you’re a Democrat she was

more concerned with that so the phone

rang nine months later was Balanchine I

need you can you come back to needs for

me to fill a small place in a giant

purpose from him and I was back and

loving it with a great sense of relief

two years go by donizetti comes back in

the repertory I’m not in it I’m not even

called to it I asked mr. Balanchine

respectfully is there any reason why I’m

not in it I think I’m a better dancer

you know it’s like nine years later now

so what am I yeah what it do they have

27 maybe he said no no no no don’t take

it personally I need to see new faces

now you’ve danced it enough so he’s

telling me think in terms of someone

else you might have come out you might

have been a little less selfish with

your girlfriend now think about the next

generation so it was tough but it was an

eye-opener wife after dance dance shelf

life without this big an artist painter

right musician dancer the good news in

all this well you see that that’s like a

young face see that’s a picture i took

of a boy at the school who’s ready to

join the company or ready to dance in

Donizetti

and this is what I was once and I had to

think in terms of their needs as well

but things were handleable because I now

lived with that very man who was my best

friend no longer in that relationship

and life was a complete perfect relief I

didn’t have to apologize i didn’t have

to hold my breath i was living as myself

finally and complete but he was so

supportive he said you know you gotta

you need a hobby you’re so blinded by

ballet you got to think in terms of what

else you like by that used camera that

you love I said you know what I will do

that so what did i do i bought the

camera and i started fooling around with

it my first lunch break with my camera

at the theater Balanchine noticed first

and he said he liked taking pictures and

I said yeah but I can figure out how to

work this machine he said well

experiment on us how generous was that

so I did I started taking this was a

this was a very very generous gesture

because it was only one person allowed

to photograph the New York City Ballet

it was a private world a company

photographer named Martha swope who had

been a trained dancer so he said you

show me everything I want to see what

you see how very generous so I’m

photographing and I’m learning and I’m

getting better and I’m showing him

pictures and a year later marth is not

available and the New York Times needs a

photo to accompany a review and

balancing without hesitation said send

the Greek boy I had I had an assignment

more importantly I had a need for him

finally another way to give back filling

a little hole in a big organization in a

court of ballet was great and important

but now a specific need for a newspaper

and for the New York City Ballet maybe

this can lead to more of that and it did

so over time this was so exciting I took

more and more pictures and I showed him

more in his guidance it with me as a

photographer was as critically essential

as his teaching was in dance he had that

great or

I and I found myself after about five

years juggling two real full-time

careers New York City Ballet wanted my

pictures and they needed me on the stage

Here I am taking pictures from the wings

because oftentimes I was in a costume

and photographing for them something

that happened right before or after I

danced here i am dancing and here’s one

of my photographs of Baryshnikov the

famous Russian dancer now I’d love to

say that’s a self-portrait but it is not

and then in 1983 mr. Balanchine passed

away he was 79 and we were like a ship

without a captain literally we hit a

brick wall we were devastated but I

heard a message from him hang up the

dance shoes Karis 14 years on the stage

is plenty there’s a need for you here

and elsewhere it’s called photos and

it’s about supplying the needs for these

companies so they can sell tickets and

promote their organizations and build

audiences so that’s what I did and I

traveled and I photographed dance

companies all over the country and the

world at some points and they started to

ask me to teach ballet and I thought

really I have all this information in me

now I guess I do and it was reminiscent

right away of mr. Balanchine telling his

his thoroughbreds to help this novice

this green boy all those years ago and I

thought how could I say no to this so

the teaching was inspiring and I had

more information in me that I realized

and this led to ballet master work do we

know what that is it’s like a conductor

of rehearsals and classes for an entire

company so I joined other ballet masters

in two different dance companies and we

work directly with dancers that sees

that is it frozen yeah and we were

responsible to train them in the morning

teach them their roles and make sure

they were in their places every night on

stage and it was awesome so 12 years of

this learning more I promise you the way

teachers here might learn more

their students I certainly learned more

from them and then I was invited to be

the director of development that’s a

fundraiser that’s a person responsible

for for raising money for an

organization a major ballet company and

I thought how can I possibly learn how

to do that egg strangers for money write

grants design galas and events where do

I come with those qualifications I don’t

understand that then I thought longer

and harder about it and this is an

organization asking me to be sort of a

voice of Pied Piper of sorts you know

messenger to raise awareness and

financial support to keep a healthy roof

over the head of the very art form that

changed my life and gave me a safe haven

to come out as a gay man and support in

the process could I say no to that what

made me afraid the most was public

speaking this I thought how can I open

my mouth in public and not hear my

father saying be quiet you sound like a

girl where the laughter and the Snickers

of the kids I had a hard time with it I

needed to gain my sea legs however

because the cause was enormous and the

need for me was it was so critical so

over time just like in dance I was a

little less shaky and I went on the road

as it were begging folks for money to

keep this beloved art form alive and

well there’s a picture of me two years

ago only minorly nervous compared to the

two years before of my photographic

archive there are over a hundred and

twenty thousand images that I’ve taken

in forty plus years this is my favorite

that’s mr. balanchine’s last bow it’s

1982 he died eight months later the New

York Times said about this picture the

most famous picture in the history of

dance has no one dancing in it

and I paraphrase but boy that was a nice

compliment but it’s true what you see

here is a great man my mentor and the

mentor of many others with a loving

family of dancers behind him obviously

the sense of a loving audience in front

of him but here’s also what you can see

here’s a man that was forced to leave

his own country I left New Jersey they

whoop okay I crossed a bridge he left a

country a country that was determined to

manipulate him as an artist and as a man

he wouldn’t turn back as a result he

became George Balanchine built a great

school built a great company and a

repertory of ballets impossible to

describe by the greatest writer you have

to witness them to understand and to

benefit all this because he followed his

heart he didn’t compromise he had

beautiful wives and loves and romances

and created this world that we all

benefit from as a result millions are

enhanced by his work then today and

forever into the future you guys there

are plenty of needs out there once we

clean this act up I’m clean with

ourselves we can recognize how we can do

the best for others right the benefits

are enormous and like Balanchine ballets

impossible to put into words you just

have to experience them so thank you everyone and let’s dance on shall we

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