[Music]
as it is not in my name is pamela
fraga and I am I forgive
the truth that this part of the
Presentations are always a problem
for me
every time they ask me what is their
profession
I honestly do not know what to answer
I do not know whether to start listing one by one
all the things that I do every day of the
most coherent way possible to define
all behind a teacher or leaving
running and going back to therapy
Jesus because you already know what is your
profession but what they are your
they study what they do every day to
survive what you know how to do this is what
that you love doing that I think this doubt
It has its origin when we were little
and they asked us what they want to be
when you grow up they wanted to be
you
the truth is that it was an unknown
It will be very small we think
astronaut determine me superhero but
let’s go this first adolescence where
they went character one way one
personality a dream we wanted
do and what happened in the middle
I wanted to be a choreographer and the truth is
that I did not even know that that was the name of the
profession because in my life I had gone
a dance class but if I saw the
shows and there to the science dances
I want to put on these dances so I
I spent whole summers in my house
neighbor arming choreography with all the
neighborhood
of course this game went from the playground
from my neighbor to a dance school and
what happened there I fell in love I fell in love with the
but something happened discipline could
observe
in this the ndi taught me and I learned
that the dance was not for anyone and
that the truth is that he wants to be
choreographer dancer first this tour
second the truth that we must turn
with the chest and I sew and if you want to dance
what to do all the dance classes
of the school that of course my
family could not bancada so from
exist a little bit of my dream and good
who seeks a secure career and I
give a stable life
then I wrote down this high house of
studies
five years later I received from
licensed in public relations
license that word gives me two
sensations
first security was impossible as
licensed to have work
second he forced me to close the
child clear during all this time
I never since I danced and how could I
because you had to bankroll careers
I kept taking classes and I would be training
and what I did was in the garage of a
friend who lent me to give classes of
dance
here someone to a group of kids
little ones who played with me do the
dancers and I the choreographer so
we started to prepare and train
these children started to give a lot of strength
but they became big
dancers because I forgot about
something very important I did not tell them that the
Nasa was not for anyone so
when I finish my career in this
college
I said before I started with my life safe
and stable
surely and shortly behind a
desk a super multinational
reviewing large communication plans
you’re going to enjoy this a little bit
generated in the garage and we will continue
dancing a little more little more
so every morning I woke up
in a kind of dance studio that
I had generated in my house with my team
from mate my music my headphones to
study what happens
with the movement in my body make a
kind of laboratory in which
will listen to music tried to understand
the stories I wanted to tell and how
do to convey that but first
what was happening with that in me and of course
see the way then pass that
laboratory to my students during
Afternoons with whom we work and experience
let ‘s dance
when we went on stage and the audience
I received it and it really was wonderful
but good life goes by and fracc
I am licensed stable stable life
is waiting for you let’s go ok let’s go for
there
so I started working was not a
multinational but something there we are
starting always worked center
commercial and three things happened first
clearly all the campaigns that
could do some promoter the cia
dancers and actors so the shopping
It was full of dancers and actors
all sides in second instance when
I had the opportunity to present a plan
of social responsibility was for
sponsor 30 boys who will study
musical comedy in this mall
who then presented a work in the
food court that was no longer a patio
of meals was a theater and in third
place
I thought I was inspired inspired in that
inspiration and I made the city
the office the maelstrom of work
running back watch your boss
expiration to realize that that is
part of a mechanical structure in
where to receive mails analysts projected
Almeida deliveries answer the phone
and this is repeated again and again one and
again my body
that is my body was a machine inside
of that space that was drowning me clearly how
do not do this dance
how they did a choreography of everything
this
then I started to work and prepare
my students put together a choreography
based on everything that happened in that
office
but as already to the impulse and read the this
skin flower we said why stay
in this we are going to do a campaign of
Photos
then we went with a designer
graphic a photographer two friendly colleagues
to the city to intervene the city and with
these guys
we did this a campaign called
dancing work because of course dancing
we work we work from this
this campaign was used by law
national dance a time later and already
we had this shipment a flower fur
we said ok
why do not we go to the contest more
important of the country that is made in
córdoba but we do not have a mango we are
by isidro casanova good does not matter
we go trained so some were
among others in micros 60 pesos the passage
between round trip
our costumes were clothes that we have
bought in Emmaus house where he sells clothes
used weights 5 pesos we had been and
well we did not go like this to córdoba with everything
that the prize of the contest
it was a trip to new york for the
dancers and listen to this the choreographer
we won and we went united states and
we represent the same photo in that place
this changed my life totally but in
the trip does not know that city but the
understand that I could believe in myself that
I had to listen to myself
I had to learn how to make that person
that was inside of me that I had to
make that same laboratory that had
made to understand my dance to
understand my emotions but for
understand me and deal with this
person for life and he had to
to silence all the voices that had
said that I would be happy
only having a safe life and with
stability in a fixed job
Of course it’s not easy, nobody said
it’s easy it’s very difficult to demand
a lot of effort but this effort is
beautiful because we are doing it with
something we are passionate about
so clearly we are totally
delivered to this and what is important and that
you have to keep in mind is that we have
that being in motion always the
action brings the reaction my dream never
He stopped being there, he imposed himself
emotionally before my scheme of
contraband in the garage of miami oy in
third place
third is to understand where
my career goes when my voice opens my eyes
maybe it’s not the best reality I do not know
if I’m going to do the choreography with which
dreamed the 10-year-old skinny in the
my neighbor’s yard and neither clearly
I’m going to do the ballerina but maybe
I learned a lot of things and I can
teach and transmit those things so
that is my goal in this race as well
that to go closing I would like
tell them that I try to transmit them to
my students or my colleagues when I have
the opportunity there is not a recipe for
fulfill your dreams
the truth is that adversity is so much
water we do not do an independent job
that there is not a fixed recipe did not come
next to the ingredients I put it in the
oven and zarco a cake that is my dream
ready to taste but yes a series of
ingredients that should not be missing first
the will the will and the love the
love for what we do if there is no
will there be no gasoline for this engine
second to believe if I do not believe in this
I’m exhausted and thirdly it ‘s not at
monoculture and what is this
if one walks through a wild field give
account that there are hundreds of species
different plants and animals
with this nature knew it
nature can face adversity
thanks to the diversity of that
ecosystem but if we go to a field that
it is only cultivated by one species
two species
surely before the first change
climatic in the middle this field is
destroyed
then diversity is our
tool like the kid is not going to
frustrate when you do not step out of
dance teaches her the teacher if the teacher
what he is teaching you is that this is
Dance
this pirouette this foot this one also not yes
or yes to the dance is the pirouette the foot
is new press a way to
communicate and necessarily have to
be linked to what happens to us
so all that are a series of
tools that we have to
transmit to our children
teenagers and ourselves but
also understand that the dance
It depends on what happens inside
that you have to teach them the child that
investigate that begins to discover which
is his language and that he has the
ability to create words because no
are all the words invented yet
at least in the dance
we sow seed seeds in the
guys and teenagers and in us
that we still have time we will have
seeds to have an ecosystem
totally full of different species
of animals and plants that can
face adversity
I want to present them the four boys
lola nine years of mendoza do not have it
the cutest eyes I saw not for his
shape and its color but because it has
the ability to see to really look
he looks at everything that happens to his
around and transforms it into art the
look at the space he understands he is nahuel
13 years of isidro casanova
the black listens to the music and vibrates
disc every sound that enters your body
it becomes movement and really
can not control it disappears
the world disappears to do the same
the music and his dance is nothing but araceli
hours the ies santa fe is 16 years old and
now it ‘s pure push pure heart
now he works with his 16 years old or he collaborates
your teacher’s school to be able to
bank studies and dreams of coming
to buenos aires to dance
I do not know if now it will reach good
airs to dance but I know what dance
where everyone dances to be able to
appreciate their particular dance and their
be so wonderful and finally
They have seriously rejected nine years
laferrére and the truth is that his family
makes a huge effort to bring the
class and she makes a huge effort
class to class but does not have a link
very strong between his being and his movement
their dance is honest with everything that
happens can not separate is so too
sometimes it is a problem dancing equal to
rest because it is very difficult
connect with what happens next and
be very connected with what happens to
self so they caught we do a
double work with cast
we work so that you learn to dance
just like your colleagues and so that
never forget what happens inside
of his body and that language every time
stronger
They threw nahuel araceli and lola
I wish all of us could see from
truth how the cell could have
the push Araceli has could we
have the ability to disappear from
world to connect with us
same as they do to google and
we could be
these with which it happens to us as the
I seal the truth is that I would like
leave two messages
3 these guys need us
we believe in them and we need
believe in ourselves
the only tool against
destruction is the action you have to do
we must always do and we are not the
circumstance but what we do with
this circumstance is not the step that I do not
I leave but all the work I do
so that step out and me
tools that I discover to carry
go ahead my dance
I am not even my dream but everything
what am I going to do to fulfill my dream
the truth is that I do not know if the dance is
for anyone but anyone who
move from the dance from love from
the will of the work will be launching
will be creating and will be going to
start over my name is pamela
frank and I’m a privileged person who does and
live from what you love
thank you very much
and
[Music]
all the
as it is not in my name is pamela
fraga and I am I forgive
the truth that this part of the
Presentations are always a problem
for me
every time they ask me what is their
profession
I honestly do not know what to answer
I do not know whether to start listing one by one
all the things that I do every day of the
most coherent way possible to define
all behind a teacher or leaving
running and going back to therapy
Jesus because you already know what is your
profession but what they are your
they study what they do every day to
survive what you know how to do this is what
that you love doing that I think this doubt
It has its origin when we were little
and they asked us what they want to be
when you grow up they wanted to be
you
the truth is that it was an unknown
It will be very small we think
astronaut determine me superhero but
let’s go this first adolescence where
they went character one way one
personality a dream we wanted
do and what happened in the middle
I wanted to be a choreographer and the truth is
that I did not even know that that was the name of the
profession because in my life I had gone
a dance class but if I saw the
shows and there to the science dances
I want to put on these dances so I
I spent whole summers in my house
neighbor arming choreography with all the
neighborhood
of course this game went from the playground
from my neighbor to a dance school and
what happened there I fell in love I fell in love with the
but something happened discipline could
observe
in this the ndi taught me and I learned
that the dance was not for anyone and
that the truth is that he wants to be
choreographer dancer first this tour
second the truth that we must turn
with the chest and I sew and if you want to dance
what to do all the dance classes
of the school that of course my
family could not bancada so from
exist a little bit of my dream and good
who seeks a secure career and I
give a stable life
then I wrote down this high house of
studies
five years later I received from
licensed in public relations
license that word gives me two
sensations
first security was impossible as
licensed to have work
second he forced me to close the
child clear during all this time
I never since I danced and how could I
because you had to bankroll careers
I kept taking classes and I would be training
and what I did was in the garage of a
friend who lent me to give classes of
dance
here someone to a group of kids
little ones who played with me do the
dancers and I the choreographer so
we started to prepare and train
these children started to give a lot of strength
but they became big
dancers because I forgot about
something very important I did not tell them that the
Nasa was not for anyone so
when I finish my career in this
college
I said before I started with my life safe
and stable
surely and shortly behind a
desk a super multinational
reviewing large communication plans
you’re going to enjoy this a little bit
generated in the garage and we will continue
dancing a little more little more
so every morning I woke up
in a kind of dance studio that
I had generated in my house with my team
from mate my music my headphones to
study what happens
with the movement in my body make a
kind of laboratory in which
will listen to music tried to understand
the stories I wanted to tell and how
do to convey that but first
what was happening with that in me and of course
see the way then pass that
laboratory to my students during
Afternoons with whom we work and experience
let ‘s dance
when we went on stage and the audience
I received it and it really was wonderful
but good life goes by and fracc
I am licensed stable stable life
is waiting for you let’s go ok let’s go for
there
so I started working was not a
multinational but something there we are
starting always worked center
commercial and three things happened first
clearly all the campaigns that
could do some promoter the cia
dancers and actors so the shopping
It was full of dancers and actors
all sides in second instance when
I had the opportunity to present a plan
of social responsibility was for
sponsor 30 boys who will study
musical comedy in this mall
who then presented a work in the
food court that was no longer a patio
of meals was a theater and in third
place
I thought I was inspired inspired in that
inspiration and I made the city
the office the maelstrom of work
running back watch your boss
expiration to realize that that is
part of a mechanical structure in
where to receive mails analysts projected
Almeida deliveries answer the phone
and this is repeated again and again one and
again my body
that is my body was a machine inside
of that space that was drowning me clearly how
do not do this dance
how they did a choreography of everything
this
then I started to work and prepare
my students put together a choreography
based on everything that happened in that
office
but as already to the impulse and read the this
skin flower we said why stay
in this we are going to do a campaign of
Photos
then we went with a designer
graphic a photographer two friendly colleagues
to the city to intervene the city and with
these guys
we did this a campaign called
dancing work because of course dancing
we work we work from this
this campaign was used by law
national dance a time later and already
we had this shipment a flower fur
we said ok
why do not we go to the contest more
important of the country that is made in
córdoba but we do not have a mango we are
by isidro casanova good does not matter
we go trained so some were
among others in micros 60 pesos the passage
between round trip
our costumes were clothes that we have
bought in Emmaus house where he sells clothes
used weights 5 pesos we had been and
well we did not go like this to córdoba with everything
that the prize of the contest
it was a trip to new york for the
dancers and listen to this the choreographer
we won and we went united states and
we represent the same photo in that place
this changed my life totally but in
the trip does not know that city but the
understand that I could believe in myself that
I had to listen to myself
I had to learn how to make that person
that was inside of me that I had to
make that same laboratory that had
made to understand my dance to
understand my emotions but for
understand me and deal with this
person for life and he had to
to silence all the voices that had
said that I would be happy
only having a safe life and with
stability in a fixed job
Of course it’s not easy, nobody said
it’s easy it’s very difficult to demand
a lot of effort but this effort is
beautiful because we are doing it with
something we are passionate about
so clearly we are totally
delivered to this and what is important and that
you have to keep in mind is that we have
that being in motion always the
action brings the reaction my dream never
He stopped being there, he imposed himself
emotionally before my scheme of
contraband in the garage of miami oy in
third place
third is to understand where
my career goes when my voice opens my eyes
maybe it’s not the best reality I do not know
if I’m going to do the choreography with which
dreamed the 10-year-old skinny in the
my neighbor’s yard and neither clearly
I’m going to do the ballerina but maybe
I learned a lot of things and I can
teach and transmit those things so
that is my goal in this race as well
that to go closing I would like
tell them that I try to transmit them to
my students or my colleagues when I have
the opportunity there is not a recipe for
fulfill your dreams
the truth is that adversity is so much
water we do not do an independent job
that there is not a fixed recipe did not come
next to the ingredients I put it in the
oven and zarco a cake that is my dream
ready to taste but yes a series of
ingredients that should not be missing first
the will the will and the love the
love for what we do if there is no
will there be no gasoline for this engine
second to believe if I do not believe in this
I’m exhausted and thirdly it ‘s not at
monoculture and what is this
if one walks through a wild field give
account that there are hundreds of species
different plants and animals
with this nature knew it
nature can face adversity
thanks to the diversity of that
ecosystem but if we go to a field that
it is only cultivated by one species
two species
surely before the first change
climatic in the middle this field is
destroyed
then diversity is our
tool like the kid is not going to
frustrate when you do not step out of
dance teaches her the teacher if the teacher
what he is teaching you is that this is
Dance
this pirouette this foot this one also not yes
or yes to the dance is the pirouette the foot
is new press a way to
communicate and necessarily have to
be linked to what happens to us
so all that are a series of
tools that we have to
transmit to our children
teenagers and ourselves but
also understand that the dance
It depends on what happens inside
that you have to teach them the child that
investigate that begins to discover which
is his language and that he has the
ability to create words because no
are all the words invented yet
at least in the dance
we sow seed seeds in the
guys and teenagers and in us
that we still have time we will have
seeds to have an ecosystem
totally full of different species
of animals and plants that can
face adversity
I want to present them the four boys
lola nine years of mendoza do not have it
the cutest eyes I saw not for his
shape and its color but because it has
the ability to see to really look
he looks at everything that happens to his
around and transforms it into art the
look at the space he understands he is nahuel
13 years of isidro casanova
the black listens to the music and vibrates
disc every sound that enters your body
it becomes movement and really
can not control it disappears
the world disappears to do the same
the music and his dance is nothing but araceli
hours the ies santa fe is 16 years old and
now it ‘s pure push pure heart
now he works with his 16 years old or he collaborates
your teacher’s school to be able to
bank studies and dreams of coming
to buenos aires to dance
I do not know if now it will reach good
airs to dance but I know what dance
where everyone dances to be able to
appreciate their particular dance and their
be so wonderful and finally
They have seriously rejected nine years
laferrére and the truth is that his family
makes a huge effort to bring the
class and she makes a huge effort
class to class but does not have a link
very strong between his being and his movement
their dance is honest with everything that
happens can not separate is so too
sometimes it is a problem dancing equal to
rest because it is very difficult
connect with what happens next and
be very connected with what happens to
self so they caught we do a
double work with cast
we work so that you learn to dance
just like your colleagues and so that
never forget what happens inside
of his body and that language every time
stronger
They threw nahuel araceli and lola
I wish all of us could see from
truth how the cell could have
the push Araceli has could we
have the ability to disappear from
world to connect with us
same as they do to google and
we could be
these with which it happens to us as the
I seal the truth is that I would like
leave two messages
3 these guys need us
we believe in them and we need
believe in ourselves
the only tool against
destruction is the action you have to do
we must always do and we are not the
circumstance but what we do with
this circumstance is not the step that I do not
I leave but all the work I do
so that step out and me
tools that I discover to carry
go ahead my dance
I am not even my dream but everything
what am I going to do to fulfill my dream
the truth is that I do not know if the dance is
for anyone but anyone who
move from the dance from love from
the will of the work will be launching
will be creating and will be going to
start over my name is pamela
frank and I’m a privileged person who does and
live from what you love
thank you very much
and
[Music]
all the
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