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Light Art Photography | Jeshwin Rebello | TEDxPSGTech


I hope that all of you saw me moving all

those light right left and right up and

down so can you guys guess and tell me

what I was exactly exactly trying to do

any ideas almost another thing just take

out the picture actually I forgot to

switch on the TEDx so it won’t come up

it’s not exactly they’re flinging out

so can you figure out what this is

actually actually if you’re still

confuse it is like tree almost I think

it almost came out out was a tree to

tell the truth it’s actually a kind of

practice around for three nights

actually to get this perfection alone so

yeah I slept and this thing always I

think this piece you take this I think

so one of the beauty of light painting

is that only the painter alone knows

what he does so through through your

naked eye unless I finished my picture

and show it to you guys

you won’t understand what I’m trying to

do so it’s one of the beauty of light

painting and so before I talk about more

about my story how are the experience

about me going into light painting I

just want to give a little define how

like what light paintings do you guys so

the word light painting itself you can

understand that it’s light and painting

so it’s basically a painting with light

and it’s much similar to normal painting

so if you take a normal painting I think

everyone needs the three things to do a

normal painting right can you guys tell

me like what can was a brush and a color

right so the same thing applies to

normal light painting only thing is that

you feel like you’ll be blindfolded so

in light painting my brush is whatever

the light source I use that’s my brush

and the color is the different colors I

use and the whole world is my canvas so

in case I frame my take my camera and

frame this whole hall this is my canvas

and in case I’ve trained this stage this

is my canvas so the whole world can be I

can meet my canvas and you can change

any place into a beautiful into a

beautiful piece of art through light

if you see this a normal picture there

say this is kind of a normal tunnel

under highway bridge and if you take a

normal picture through like put a flash

and economic base this is how it looks

so if you imply a normal light painting

technique this is how it turns out and

this is another one so to light painting

as lot of visualization goes on so you

have to visualize everything before

and and you need a lot of patience and

practice while you do a light painting

the thing is that if I if I come if I

come up with a concept and if I want to

execute that concept it doesn’t

I won’t I won’t succeed only one attempt

alone I have to try I have to go for

another almost like five to six atoms so

sometimes my light painting comes around

like two seconds or 10 minutes the

maximum I have done a light painting is

eight minutes so that for that eight

mate alone I have to plan for like three

days and four days sometimes I have to

take three hours and for us so patient

space plays a big role in this light

painting thing and to practice alone I

can I can bring new styles I can bring

new styles in to light painting so the

more I looked the more I started to

learn about light painting the light

painting itself taught me a lot that two

things that the talk loves thought was

patience and practice so after learning

experiment with light painting a lot I

learned that to patience and practice

you can achieve a lot you can do the

impossible to patience and practice and

coming to earth and this light painting

is not something that it is a new topic

to be talked about

so if you take this is like this is the

first light printer we explore light

painting his name is man ray it was done

around 1935

this is one of his light painting he

called it as he called it as base

writing and this person I know

can you guys recognize this person so

this because a person with lot of

talents and he himself was a light

painting artist also it’s another one of

his life any so I know what he’s was

trying to do actually I think it was a

face or something so so why I talk about

the history of light painting is that

people think when they see light

painting they see they think it was done

with Photoshop or something and things

things like that so it’s not something

you sit in your computer and do this you

need all physical form all physical

movements to do a light painting proper

light painting and when I come to my

story of like ending my exploration

towards night painting started from with

this image this this picture made me who

I am today so it made it might look like

a normal picture this pictures looked

like a normal bike picture but this was

taken back around like 6 years 7 years

back when I was doing my finally a

become one of my friend took me to this

bike race was a super big race and I

used I had a point-and-shoot camera I

used to take a lot of pictures

apart from this picture I used to take a

lot of peaches but this picture alone

made me curious a lot because all this

motion created in this picture can’t be

taken just by clicking a picture you

have to go along with the subject to get

all this motion in this picture so I

didn’t know that all those things so I

started to explore more about it I

started to search more about it through

internet so Internet is kind of a guru

for me like it tasting me a lot about

light painting so coincidently when I

was learning about this picture I

started to learn about light painting so

the more I started to experiment about

light painting I wanted to write an

experiment like painting out so so I

design I made a decision to get my first

DSLR so I asked my parents about

investing in my first DSLR

and obviously they said no and and there

are one good thing about my dad is he

used to give me a lot of broken vase so

I said around a wonderf years all the

pocket Minya

I could get and bought my first deer

slaw and I was so excited and even tried

my first this was my first light

painting with my first DSLR so it was

nothing much just a star like normal

people can anyone can do it stuff

because I didn’t have much knowledge

about light painting that day I didn’t

know is about any light source and what

camera settings you have to put I didn’t

have an even a tripod like this to

invest on I just bought my camera I kept

in my bookshelf and started doing doing

this and this is where all my experiment

has started and in order to do in order

to do a much better light painting you

have to know all the basics about a

photograph you think so the light

painting cannot be done in an automatic

mode like ideas like we’ve put in an

automatic mode a week and everything it

can’t take so if you only in your manual

mode you have to control all the

settings of the camera in order to do a

proper light printing so I started to

join a three-months was a basic light

painting aspect photography aspects

course to learn more about the aperture

shutter the composition everything and I

joined mr. lokanathan

wonderful a photographer through him he

introduced me to a mr. Morgan’s dushman

there’s a person he’s a photojournalist

of Dena mala and he offered me he

offered me a chance to publish my book

in the dynamic recognition for me so I

said yes and I met him on one fine day

and I explained all those aspects of

fourth light painting photography and I

even I even did a light painting using

him as a model so I didn’t have much

tools all those days or the one single

tool I or I all had so this was picture

and after few months my article got

published and it was a surprise for me I

didn’t know that when it when the date

what date it was going

publiced I started to receive calls from

early morning a six to seven like people

started calling me and complimenting and

appreciating my work everything like

that

apart from all that call ID I remember

one particular call it was a call from a

person that they called me and said that

he was an illiterate and once hero once

he read my article once he once he read

my article and he told that he’s so

proud that I was I was only I was one of

the only Indian to be among the 72 72

artists around the world to get to be

exhibited in first international life

enjoy the spirit so he even gave his

phone to his six-year-old daughter and

even she appreciated me everything and

and that was the best compliment I ever

got till today so this was the article

published in the nebula and I love I’d

like to show you that first two images

that I exhibited first international

exhibit IIT IIT Mumbai tech fest this is

one of the image so all these are done

so all this exploration like when I

started to expend a lot about like

training and I started to learn more

about like penny I saw that there was

less exposure for light painting like

many people doesn’t know about light

painting India particularly India even

around the world it’s still a wrap and I

started to do workshop especially for

students in colleges and the normal

question I like the basic question I you

are normally get from this college but

in they said how do you create all those

light painting tools how do you create

all those LEDs and Alize everything

so being become graduate myself I didn’t

have much knowledge about electronics

but in order to for me to create in

order to meet for grow and create more

light paintings I have to learn more

about electronics so the ripening is not

all not only about learning about

photography but it’s all about learning

about more about electronics and

traveling and even I have to draw

frequently in order to keep my the

movement of this movement of my hand

while doing light painting so all those

all those all those experimentation and

experiences led me to meet a sattvic

Sharma one of the mastermind behind the

Guinness world record we did along with

the friends uncor Sun sheet show bit and

so we broke this record by creating the

old the first record was done by people

from USA and it was around like all the

small dog I think you can I see only all

the small dots right I’ll show the next

picture so this is exactly like a ball

shape we call it as AAB in light

painting term and in u.s. they made

around 200 ops in a single picture and

made the record for Guinness record and

we may be made around 900 ops

in a single picture too broke to break

actually we planned 4,500 after doing

this 900 weed we went for further 4500

but since even Freud took it took around

30 minutes first for the single picture

so we did a lot of test shots and and it

was like pretty cold that night and the

batteries are almost died out and like

almost all our cameras switched off in

the middle of 2400 a turn so we couldn’t

provide much evidence for the thousand

pointed so we went for the 900 and it

looks a great experience like after

getting my actually we waited for six

months to get the result our one for the

organist record they asked us for two

hundred pounds in order to make now to

get the wrestle like one they said they

will give me in one week if you if you

gave them two hundred pounds but

actually we waited all wrong and the

wait was worth it and this this is one

so this has been my journey being a

light painting artist and I like to conclude by doing another light painting

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