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Inside the Mind of a Guitarist | Amyt Datta | TEDxJadavpurUniversity


ah graviton later I don’t have a screen

I have a guitar so pay attention to this

especially can you cut the highs okay ah

I’ve been playing and studying music for

45 years I think yeah but you know I

mean and as I was studying I’m still

studying it I realized how those are

life do we hear the way the way you

organize yourself in your day-to-day

life and how you organize your harmonica

structure music is almost to say almost

the same but and then I kind of start to

study what I do in the life from music

and the other way around

– so and by the way that you don’t have

to be acquisition to understand what I’m

talking about it’s just basically about

life because music is within life and

it’s not absurd life okay so let’s

having said that let’s just I just pull

[Music]

okay now what does it be just a lonely

person somewhere without any point

embassy that can go anywhere does it

make sense but the moment I play another

note with it is pretty close to it like

for example from there to there the next

note or person and another one so three

notes or in this case let’s imagine

three people it begins to exact on a

sense like familiarity I’ve heard those

notes or music or whatever but the

problem is we have to exist

simultaneously you have to go it exists

in the society that’s upset it’s so

close

so let me just play them together so

sounds awful sounds disturbing and

clashing and you know unsuited

non-musical sure well having said not

musical this is also part of music but

it’s a different aspect of life we’ll

talk about it all the time but let’s

talk about the beautiful part of music

so so if that sounds disturbing and

almost like each knot is fighting with

each other and say I’m the main guy I’m

the boss I set the rules and the other

one they have a massive fight there I

can hear it

the pasta so what’s the problem here

they are too close to

they’re too close for comfort you know

they are like if you can see my

fretboard guys it’s like you went next

door

all right next door and if you played

them together isn’t different because

it’s too close to because you know it so

many people I can’t see so many people

but if you you know if you sitting too

close to each other you say hey you got

space they’re going to go there

excuse me so we leave it space so what

are we doing here we move the notes for

further apart so it’s not playing that

note here we go and put the third note

not there but there so now so now if you

put them together again it sounds like

this slightly better that this one it’s

but I still the degree of dissonance is

still there now what do we do

so now we cut the technique we know and

we do understand we have to be even

further apart if meaning give each other

space and respect and give our views a

chance

each one can believe in different things

and each one has their own place there

but not on top of each other but we have

to still exist so we have to find a way

to kind of have you know connected and

played up together so let’s just take a

some people might call it is a scale

doesn’t matter it’s just a series of

notes like a ladder steps and then the

moment I played this let’s imagine I

played seven nodes or eight nodes let’s

imagine there are people each one is a

is a person

[Music]

it’s like a community it’s like a little

family that is formed you know and

without you knowing a certain rules are

set you know what I mean I’ll show you

the rules are said and then someone in

truth this sounds awful it sounds wrong

is that intruder what is he doing here

unless he or she has a special license

to enter that’s another technique

destiny ado there’s another aspect of

life and hardly so the moment you play

the series of notes or some group of

people they set rules like an exam in a

society we have certain rules you know

you have to abide by those rules so what

do we do now so what they’re those notes

someone fine individually so I what I

mean is that we one note and then

another one people people people like

linear like this but if what if happened

what what if I play them together right

earlier we found out that we need space

for each other which is a little bit of

a problem in in this country there’s no

place for space you know that’s a

problem because it’s so highly competent

in anyway so what do we do let’s take

this series of notes which I just played

and take every other note you leave of

this one live or the next one hmm there

was the next one what did you get that

sounds pretty cool that sounds pretty

cool and go to the second step of the

ladder all the major scale or the series

of notes and do and play every other

note that

[Music]

so these are what we get from that

series of notes it’s like a small little

family’s out of the main load off so

that becomes the head the boss of the

family and we are like subgroups like

little families are the main big family

so this in this case this is a root

which is that thing the title of the

family liquor like dad or uncle G your

sin or singular so you know like so on

now let’s experiment by playing them

together individually sake

so let’s see the first four holes

this still sound fine so now we just

found out that you’ll get students so I

or coexist in a group if you maintain

some of the techniques and respect each

other give yourself space exactly like

the guitar or harmonic music if you play

two notes together like that three notes

together sounds dissonant and disturbing

not soothing well if you space them out

it’s the same exact note sounds fine but

there’s a problem

you freak up if you get music you have

to play to sad melodies you cannot just

play all along it’s like say okay you

know what I wrote for tunes for you guys

so he said which is the first song I

said okay

okay that’s nice what’s the second song

oh okay not sounded the same

what’s the third song ooh now it’s a bit

boring

okay what’s hotshot

what’s going on here so what we need is

variety it’s actually not but variety

same exact notes but different

combinations different spaces different

time variation sounds okay so what we

need is understand and study and pay

attention to the you break different

things but still within the same

parameters of the series of notions

pretend if you like that

similarly we play those little punching

groups of notes together which in

musical terms we call them cause again I

can color cannot keep playing them and

say okay I wrote a song analysis repeat

them so let’s just instead of taking one

two three four five let’s make a

combination like a different combination

like play it’s a three six three six two

five one so three six two five one fact

ladies

sounds kind of musical right familiar

notice here is every time I’m moving

from the chord at the last the second

last chord has the highest excuse me

highest tension area what I mean by

tension is is that it has a tendency to

resolve into the root chord which is the

number one chord or the number one place

which is the the main ski center or the

sector of the sound to resolve it to

that so tension release question okay so

so what do we do now is at least like

but us you provides a musician is

harmonic positions are greedy and we

want to kind of add more tension to it

so the resolution sounds sweeter I mean

I’m not asking you to go fight with

someone to create tension and then make

friends with them so now you know it’s

like what I mean is it stuff like that

so in your in other words in life when

you’re outside the house maybe have

hunger hungry and not being really doing

well and necessarily come back to your

same simple house so your room your bed

sounds like or feels like wow you know

this second palace it’s like a couple

fighting for three days and then after

that we they make up that off the

tension create the makeup and the first

eye contact this is like a heaven that

you want to dwell on the feeling that

emotional feeling you know then if Oh

life is good you know so the tension and

then you release

[Music]

like that but for that you have one set

what’s going on just like into life in

society never understand what is going

on what that we our friend or your

neighbor is feeling a might disturb

again am i doing too much am I getting

into his way you know what I mean what

if I keep doing the disagree thing it’s

a basic you know because if you don’t

have like everyday and you do like we

wake up with thinking odd same routine

every day and then I am looking for

surprises which is fine but unless you

do the same basic thing every day your

life is the necessities are not met you

know surprise separate but let’s stop

what surprises before that I’ll just

play the tension and release and carry

on play till you get bored to death I’m

gonna keep going and it’s a good thing

but it’s still getting boring so I did

surprise so I keep ball you little bit

[Music]

see it’s a different color their cups

different emotional expression so it’s

like he said you’re working every day

and then you want to go out on a holiday

I know but I think you come back fresh

it’s a different color different

emotional expression so what do you do

is you bring in variety surprises but

there’s a problem

if I keep going too many surprises that

gets predictable and boring too you know

what I mean so what is the best way to

get all that palettes the middle way is

the best way they say yeah so it’ll be

with basically balancing and

understanding the emotional content of

your musical is music or just living the

society you have to kind of go deeper a

little bit deeper and then understand

was the next person is really you know

so if you if you play this it sounds

kind of funny and then resolve it then

both of them sound good and they have a

point to each other why should you do

that and why should you do this

it’s like Miles Davis said once it’s not

the note that you play is it not after

subjection release and then one to the

right surprises but surprises if you

like a holiday if you go to the same

destination every time every year you

get bored of that too

so I gave him to change your destination

then you change the destination and then

go holidays every six months you get

bored of that and it’s an aha man I’m

tired of these holidays I want to just

chill out put my feet and have a drink

and watch TV a chill at home so what you

did you just come back to where you

started so you know what this is the

cycle of life music that this is exactly

what we do in a second as well so now I

tell you a little bit so I’ll try and

keep your demo of keeping the sameness

the pattern which is this what we start

with the basics with the variety this is

a magic we have this note or this person

this kind of wanted to hang out with the

budge guys the budget Isis and he acts

and then you said okay I like the

feeling and then one member of this

group leaves and another another member

joins the group the same guy is there

and then he said Oh another another

and then this guy says oh I’m bored now

I’m gonna move him another place so he

shifts from there too and he hangs out

and meets an entirely new bunch of guys

so now if you pick the whole thing

together

this guy is stayed in one place three

times and then move please and say there

see the because to sound like a pattern

and musical then he likes this pattern

of let’s take that place for some time

then moving on to note this so hip sees

so now it sounds like that whole pattern

is Johnny with all these beautiful

friends and hanging out with them and

the musical dogs he called them three

harmonizing that means you’re taking the

load and changing the background like

color filters like the white light and

the filters are changing at the back

green yellow blue and red whatever and

therefore the red lighting or the white

light is changing accordingly but the

white light is actually constant so this

is the white light the filters of these

th of light because it’s getting too

boring so you can see from music I can

feel I will not life about life at the

final senses of life from music from

this society to me we live in a subset

of people this is the Society of notes

at time and frets and strings and

whatnot dynamic system so what do we do

here is it’s like understanding the

differences and then try to work out

with the careful thinking and a little

bit of an open-mindedness you can work

out how to coexist you know I just

harmonize a whole heap of notes that

means people with minor changes here and

there we can’t coexist you know so it’s

not difficult but what we have to do is

first see where we can water where we

can work out and what we can do to solve

the problem so unresolved

in harmony you know so now these notes

are at peace with each other so peace

and harmony is possible and coexistence

is possible if you to understand how it

works how it functions so what I have

done is studying music and focusing and

play music or living together without

really only pointing out to the

differences and also embracing the

differences and enjoying the beauty and

admire the different beauties of varied

forms it’s a better life you know it’s a

better life and it is it’s great to

understand and then peace and harmony

comes like the music and we can co-exist

together coexistence is possible that

harmony and peace and therefore a better

society our guitar player my name is

Amitabha thank you for this [Applause]

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