[Music]
[Applause]
[Music]
ah
ah
Y
[Music]
[Music]
do not
[Music]
[Applause]
[Music]
now
to
Y
[Music]
ah
ah
ah
ah
[Music]
do not
[Music]
[Applause]
[Music]
to
[Music]
ah
[Music]
and
[Music]
[Music]
ah
ah
ah
[Music]
[Music]
[Applause]
[Music]
[Applause]
thank you very much and good afternoon to
you have all just heard
Castilian Spanish is a composition
own and that I want to talk to you a little
before saying goodbye with the next
theme of composition and
creativity they say that each teacher
has your booklet in my case my booklet
of the composition is always based on the
experiences in the emotions and in the
states of the year
I find it almost impossible or very difficult
compose in a daily work routine
my work routine maybe one will
establishes schedules to tell the
four I start to study technique
guitarrística the guitar technique
is that part where even the expense
that I have at home is running and that
it’s literal that’s true I’m not going to put
no example is not that I’m left alone
here then for example you say at 5
I’m going to do the concert repertoire
some concert that I have to prepare
but I’ve never done it at 6 in the afternoon
I ‘m going to start composing because I think
that as I said before comes before
that having an experience an emotion something
that moves you inside that moves you and
makes you put you with the instrument and there
there are no longer hours and all hours are
few
then in the case of this subject
Castilian I had the idea very clear
I had been around for a long time
idea of looking for points in common between the
traditional music of my land
Flamenco is not good and there are many but
in this particular topic look for the idea
rhythmic and the melodic idea is a theme
that fuses the main melody to me
remember maybe one to one more jota
developed
and the rhythm is a bulería
if we talk about rhythm and now I’m going to
ask for your participation I have seen you
to give palms or that is is very clear
what are you going to do great the jack
has a ternary rhythm like the
bulería but with nuances the bulería that
then a ternary compass will be explained in
this case is a compass that has three
times and time one is time
strong if I do it with some palms
right now it’s very easy 1 2 3 1 2 3 1 2
3 and that’s what I’m going to ask everyone
you who follow I will mark two
time
you’re going to play a ternary rhythm and I’m going
to play the main melody of this
theme that I later develop and that I
remember me one to one melody of
here from the earth to a jack did not mark 1
2 3 1 2 3
[Music]
nothing
[Music]
well well well it out
contracted
well then what happens what do you have in
common this with the bulería the bulería is
a 12- beat rhythm
and in what resembles the jota because
the first six times of the bulería
they are ternary too
the next six are binaries of
ordinary way or we would be
talking about six times 1 2 3 1 2 3 and
the other six would be marked 21 2
points then a whole compass of
bulería would be 123 1 2 3 1 2 2 points 1 2
3 seems easy
we make it more complicated for the flamingos
because within those 12 times to 11
12 we call it a 2
and we started time 1 for us is
the time 2 or 2 the way
mark the bulería is 2 1 2 3 4 5 6 7 8 9
10 12 1 2 3 4 5 6 7 8 I did not want
this is what llevais of homework assignment
because we are not going to do it here
so
regarding the next topic that I’m going to
touch I do the opposite process if in
Castilian look for a melody that
remember a jota Castilian
about a flamenco rhythm of bulería in
this topic I’m looking for a rhythm of the earth
that does not constitute a flamenco suit
for what we call each
flamenco styles
what is a 5 time rhythm is that yes
that is in the traditional music of
our land that is
concretely the charro rhythm of
salamanca
with a melody or a harmony a form
of interpreting what does have more
what to do with the filament this topic is
call between my earth and your light for me
your light would be flamenco that’s already the
poetic part of each
a little story we have also
and well, between my land and your light
that would be a five- beat time
it’s not flamenco and a harmony or a
melody that sounds more flamenco and with
this topic I say goodbye
I thank you for your participation
and I say goodbye with a phrase that to me
love that you have heard many times
which is from picasso which is the inspiration
it exists but it has to find you
working
thank you very much
[Applause]
[Music]
[Applause]
[Music]
[Music]
[Music]
ah
[Music]
ah
ah
ah
ah
[Music]
or not
[Music]
i
do not
[Music]
ah
[Music]
this
[Music]
now
[Music]
ace
[Music]
glen
fucking
[Music]
[Music]
but no
[Music]
m
[Music]
[Applause]
[Applause]
[Music]
[Applause]
[Applause]
[Music]
ah
ah
Y
[Music]
[Music]
do not
[Music]
[Applause]
[Music]
now
to
Y
[Music]
ah
ah
ah
ah
[Music]
do not
[Music]
[Applause]
[Music]
to
[Music]
ah
[Music]
and
[Music]
[Music]
ah
ah
ah
[Music]
[Music]
[Applause]
[Music]
[Applause]
thank you very much and good afternoon to
you have all just heard
Castilian Spanish is a composition
own and that I want to talk to you a little
before saying goodbye with the next
theme of composition and
creativity they say that each teacher
has your booklet in my case my booklet
of the composition is always based on the
experiences in the emotions and in the
states of the year
I find it almost impossible or very difficult
compose in a daily work routine
my work routine maybe one will
establishes schedules to tell the
four I start to study technique
guitarrística the guitar technique
is that part where even the expense
that I have at home is running and that
it’s literal that’s true I’m not going to put
no example is not that I’m left alone
here then for example you say at 5
I’m going to do the concert repertoire
some concert that I have to prepare
but I’ve never done it at 6 in the afternoon
I ‘m going to start composing because I think
that as I said before comes before
that having an experience an emotion something
that moves you inside that moves you and
makes you put you with the instrument and there
there are no longer hours and all hours are
few
then in the case of this subject
Castilian I had the idea very clear
I had been around for a long time
idea of looking for points in common between the
traditional music of my land
Flamenco is not good and there are many but
in this particular topic look for the idea
rhythmic and the melodic idea is a theme
that fuses the main melody to me
remember maybe one to one more jota
developed
and the rhythm is a bulería
if we talk about rhythm and now I’m going to
ask for your participation I have seen you
to give palms or that is is very clear
what are you going to do great the jack
has a ternary rhythm like the
bulería but with nuances the bulería that
then a ternary compass will be explained in
this case is a compass that has three
times and time one is time
strong if I do it with some palms
right now it’s very easy 1 2 3 1 2 3 1 2
3 and that’s what I’m going to ask everyone
you who follow I will mark two
time
you’re going to play a ternary rhythm and I’m going
to play the main melody of this
theme that I later develop and that I
remember me one to one melody of
here from the earth to a jack did not mark 1
2 3 1 2 3
[Music]
nothing
[Music]
well well well it out
contracted
well then what happens what do you have in
common this with the bulería the bulería is
a 12- beat rhythm
and in what resembles the jota because
the first six times of the bulería
they are ternary too
the next six are binaries of
ordinary way or we would be
talking about six times 1 2 3 1 2 3 and
the other six would be marked 21 2
points then a whole compass of
bulería would be 123 1 2 3 1 2 2 points 1 2
3 seems easy
we make it more complicated for the flamingos
because within those 12 times to 11
12 we call it a 2
and we started time 1 for us is
the time 2 or 2 the way
mark the bulería is 2 1 2 3 4 5 6 7 8 9
10 12 1 2 3 4 5 6 7 8 I did not want
this is what llevais of homework assignment
because we are not going to do it here
so
regarding the next topic that I’m going to
touch I do the opposite process if in
Castilian look for a melody that
remember a jota Castilian
about a flamenco rhythm of bulería in
this topic I’m looking for a rhythm of the earth
that does not constitute a flamenco suit
for what we call each
flamenco styles
what is a 5 time rhythm is that yes
that is in the traditional music of
our land that is
concretely the charro rhythm of
salamanca
with a melody or a harmony a form
of interpreting what does have more
what to do with the filament this topic is
call between my earth and your light for me
your light would be flamenco that’s already the
poetic part of each
a little story we have also
and well, between my land and your light
that would be a five- beat time
it’s not flamenco and a harmony or a
melody that sounds more flamenco and with
this topic I say goodbye
I thank you for your participation
and I say goodbye with a phrase that to me
love that you have heard many times
which is from picasso which is the inspiration
it exists but it has to find you
working
thank you very much
[Applause]
[Music]
[Applause]
[Music]
[Music]
[Music]
ah
[Music]
ah
ah
ah
ah
[Music]
or not
[Music]
i
do not
[Music]
ah
[Music]
this
[Music]
now
[Music]
ace
[Music]
glen
fucking
[Music]
[Music]
but no
[Music]
m
[Music]
[Applause]
[Applause]
[Music]
[Applause]
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