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Demain, il fera jour | Hélios Azoulay | TEDxBeauvoisine


[Music]
[Applause]
you do not imagine how much I
find this situation unlivable all a
game first of all first of all i’m
prisoner of this red circle stranded on
this platform as a fatal drop of
blood falling from the ceiling and then
I am prisoner of the presentation
be all to me I finally
mean m but how do I get out at
what sinking are soft and all relies
it’s going to be a disaster
the first thing is that it’s
impossible to get hold of a
beginning there are not two first
valid sentences I mean that at
whenever I try to go up the
during my thought I find a beginning
who upset another
influences of my beast and all
rivers that not for my mind are in
fire impossible to know what is the
first sentence there is no first
phase so the better it would be even
start with an end ie I
go away
we would save 17 minutes of
mess and me 16 minutes of genius
since I know he always has
a minute of silence pretty much in my
word because of listening anyway and
when I say that the situation is
ridiculous it’s not that she’s ridiculous
since you just really I
very happy to be there light in the
light but what am I going to do this
bee – eater what are you waiting for words I
mean what are we waiting for words I have
the impression every time I speak
that the words live under an ice floe
who cracks and ptt the names of god
and that sense and meaning of dresses
to chax me I do not know how to play the game
I do not know it’s unthinkable
conquest of the palm have such a big subject
test
conquest gives it no no no no no
I hope you do not expect me
only one second that that I
dress me nice to answer a question
not that the question is
ridiculous is that me I more I
move me away from the circle plus I
the impression of being in the center of
subject in other words I’ll talk about
everything but conquest and to and to
end of habit I do that in two hours
and half and said I’ll put my hand on
a typing strikes and you go again
with a legacy suffered I hope it’s
also an art of rites and finally I want
to say you understand what I know it’s
a hardy marc rites and it’s this year
in the summer it’s an art truth it’s a
art truth is an art of inheriting purpose
of the costume I’m wearing there you see
so I je je je je je I wear the costume
from my grandfather who got married in
1944 in more around my appearances
public
I do otherwise dressed in fact in
start you know when you are
musician finally when you are a man
of scene the first question that
pose it’s good you have to dress well
good after I said good listen my
to rely well is still his
success is still little of
put a lot of money in the
clothes so I told myself hey he
just have to get pity simply
as you have blick occupies when you
hand crosses I stand in front of
assemblies everything all everything everything
everything all everything
there it’s funny because my
grandfather gets married in 1944 under the
shelling and and and here I am carrying
this costume when I wear this costume
I do not feel at all
bear the weight of the past
I have the contrary how the draw
on the contrary, the desire to offer the future to
this stuff I’m wearing with me then plus the
luck that I have is he is
obviously too short as you
see generates ridiculous the ridiculous being
in my opinion in my opinion IMHO
the ridiculous being really the must
start with ridicule
there is really a sentence completely
grotesque that you all know who
says that ridicule does not kill but no
but ridicule does not kill it’s not
that ridicule does not kill is that the
ridiculous does exist I hear about
since just now philosophers and
closed by renault is one of the first
Diogenetic story movies furry in
a barrel really offers suffocating in
his shit and his urine finally you
understand what I mean risk
exists only by ridicule and starts
that nantes makes you laugh like me
I’m trying to make you laugh
no i’m not trying
but as soon as you find a man
ridiculous bah actually he’s challenging himself
to say a serious word even more
high that the life they wear
so so this costume is found
precisely in the center of my existence
in other words, there is so much to pass
behind him that future of boredom
the horizon is a funny thing to
every time I move forward and fix
the horizon I ask myself the question
next I say to myself but my elders but
is what is what or decline horizon
does the horizon advance with me?
am I was fired from the conservatory
I studied at the conservatory and
I was fired I think I was
know an insoluble in the institution
but I do not really have what makes me
nothing anymore because now
I understood how much
institution is an instrument of
devitalization so then I was I was
returned because obviously I
a lot more talent than my
professor who became a man
really absolutely sublime of
mediocrity with a lot of talent but
the mediocre despite everything and we joined there
at this precise hour of the end of my
free teen
but free you know me I’m going to you
to say something very important do you
noticed that the lélés have them you
noticed no reason to shout at aa
did you notice that the
good students as bad
teachers do all the same
notice he tells you the thing
next and tell you the importance of
learning is first of all defining
the frame is then to feel and
to try to find freedom within
of the frame then we teach you by and he
thought with an introduction a thesis
antithesis synthesis of a conclusion that
these lands no no no no but not named
no no but so no no no no no
no no no
yeah but it’s completely silly but
not the first is freedom
the prerequisite is freedom
preliminary is not the framework is a
knowledge or that but not the prior
it is first of all freedom yes he the
freedom then forces you to define
you even your own look
and that’s even more sublime I you
do the eloquent demonstration I
the musical hope the better I
can you of my learning in
as a clarinettist at the beginning when
he entered the conservatory were you
learn the classic technique you
play by mozart mozart the poor mozart
the poor mozart the poor mozart I am
always suspicious of music lovers you know
i do not understand mozart september 7
mozart it’s tangy
kikititi who dies in misery the
more total context in a pit
common and century after we made the
chocolate had really judged but but
how not to want
until the end of time but our hands
truly I find it terrible I
I said to myself same month but heliose
rather dating from dying manufactures
chocolate helios end already you will do
the metaphysical experience of the
posterity
because we are all sit in and
we are two I said we are
all decided to finish in a box
chocolates or in a tie watching
Arthur to death for me I see that the
people wear a tie to turin I’m
I say not told me he loves me and
better i will play you mozart
I’m going to play mozart and you’re going
see you’re going to hear noticed see
hear is not it to play mozart
for example some know
maybe the clarinet concerto
de mozart plays a part of the movement
not launch
[Music]
I was expecting applause
but at the same time I do not require
completely
so we mostly ask especially
especially not a single fact there is nothing
worse than the cap like that slams
either everyone is finally nobody
actually to work like that I had
the impression of staying on the surface of
his so he before I headed for
a lot more music but another
thing for example at jazz let’s try
[Music]
it comes to my mind a scandal
well involuntary as a certain
number of scandals I have already created
so I came alive and
donkeys but it’s rarely happened to me
empty scenes and a day that I
gave a concert of the music of
django reinhardt with musicians this
we call gypsy jazz and there
had the solo guitarist who had to
take the chorus right after me
is not it and then then the end of my
body and I turn around like that
will help you and he was gone
and then obviously I did not understand
but I found them between the two
sets
Is not it outside but
but but but but what is it
you get bullets so that the patient
years and aristide something and you have
suffered an illness
I would not have subodor well done and
says no helios she plays without
not at all in the way of
further reinhardt the django style
Reinhardt it’s not you you can not
do not you see how such clause is
of his pastures morena and there I say my
big that she would not be the last of
morons
because django reinhardt did not play at the
way that django reinhardt giorgo
temporal reinhardt for good time
listen neither do these ladies am I obliged to
explain to you the following thing the
style the weapons style said especially
not exceed the red round the style
the style is not your miles davis
saw me play that we publish why not
me the style of django reinhardt the
style in general but not
the occupation of a territory already
conquered her surroundings where she the style the
site precisely locates it’s a the
style precisely it’s a conquest not
but I was coming to blow almost
and then I happened to cut my
clarinet in two you know
it’s enough to break in two a
certainty so that continent is
cool
see
as soon as we try poetry there are two
three who grows and let me you
present this instrument that I called
the supreme because we did not laugh
supreme cayron here it comes here
right line of arthur rimbaud vowels
to the supreme bugle full of this
strange thriller silence crossed
mounts and angels with Omega ray rape
and his eyes
[Music]
yeah
[Music]
bah
if I believe the stopwatch
I have one minute and fifteen minutes
seconds to give you to see
[Music]
no
[Music]
m
[Music]
[Music]
do not abuse too much overcoming six there one
knows it’s it’s a purpose
possible goodbye
[Applause]
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