and there is a word that
talk it’s there predicted
something that comes from very very
far far back well before the
birth
socrates by the way says he says we are
to relearn
so I’m telling you that because
finally my course went pretty
banal at the beginning a very schooling
mediocre I tested them school I
could not stand being in a group I
could not stand being locked in a
local in a sitting room a whole
day
I did not see the point
my caring parents allowed me
to start the music by the piano a
instrument that many do at the beginning
I started very young so and my
piano teacher it was courses
private at the beginning my piano teacher
teach in a traditional way series
had sales marc ranges
there was the boring pink method
also there was very very good solfeggio
beard in short so they had yet
want to play like the others
I really wanted it to be these
different notes speak to me
I manage to get out sounds that
I already had in mind
so I improvised I improvised
I told myself stories in
music by the way it’s a little bit
which allowed me to go so far in
music is for me it’s good
more than seals it’s more than
marks
there are perfumes there are colors there
there are smells there is everything really related to this
that music goes through little like the
wind you know like the cone love
as the giant spirituality read and so
I ‘m going to improvise and through
improvising you tracking created my
own technique that eat find my
own path then of course
all alone without luggage does not give
big thing so after that I listened
a lot of music that was greedy
of all the directories I remember
I’m going to start with the hyenas of
bizet with Provencal music themes
festive
I was further vt upset by the
requiem of mozart
and then then after a few years of
piano
I went back to the conservatory the same
did not do much I was fired from
conservatory of angoulême
of course when I was not working
it was normal I was not working
were working quite something else than
what we gave and then once
fired I had to continue to
to make music and that I develop
something in me
so my mother had the idea to take me to
the angouleme cathedral did not know
that one day I would become a holder
and there I was dazzled by the instrument
it’s true that the homily told me
not much against the music
yes she was talking to me there I heard a
true preaching that is to say that there was
a voice that transfigured me
that I had something there I tell you
still who was crossing and who led me
to writers I could not
suspect me I call that now
god here
and so I heard from the bac and there I
fell madly in love with this bins
music for me the biggest the most
great preachers and through this
music I found my calling
I knew it would be that and it would be
the composition so I went back to
new organ conservatory and I was
reinstated in piano and improvisation
gave me the strong desire to create two
compounds do not stay on a harki
fugitive and that is done via bench for
disappear and especially who stays when
even not only ephemeral cases not
even its limits
whereas the composition as it is
writing we can clear we can go in
back come back polish the structure
So here I am, I have this moment
I really wanted to invest myself in
conservatory it must be if it becomes
lovers of music theory
because I rejected at the beginning because
that it served me here it is so everything
which was all that was
lesser theory sign the orchestration
harmony the counterpoint the lookout for
all that I absolutely needed
so I went I went to the
search further than the conservatory
it’s studied all the hits
orchestration that I could find
he is described fresh standards and man him
everything I found as music and
I created my own language through
sometimes because ultimately when
is creator we are creator versus
to his desires that is to say that we make
choice we note because what we like
we ‘ve been wearing gloves since we
please do not do it and it creates a style that
create a style so I wanted to create
after several trial and error
it’s the work of the creator these two
thirty years of perpetual trial and error
every now and then to find a stone
precious
I found a technique for the
composition it’s the training it’s
really write even when you have nothing to
to say I want to say write write I
you have a lot and keep a little bit of
from time to time this mouse training
to doors or to a sky
that’s given an incarnation and then
so I wrote what do you connect to
string quartet piano pieces
pieces for harmonious for quartet
of brass and my first big
a mass for a mass
new century is in the year 2000 so
it’s not I’m not going to look far for
the title that was successful later
that is to say a decade written
a requiem and there I had a revelation
first the work was created at the
madeleine the church of the madeleine to
paris you know these women the church where
was created the work 200 holder of
the era that is to say strong and gabriel
fauré so there was a symbolic
very strong and besides the body the
madeleine who is françois henri houbart
participated in the creation
there was a double heart of zorg a
piano and four soloists what is
unique in the in the orchestration
musical
this training more right to a
documentary devoted exclusively to
artwork
amazing and then good I wanted to go
even further in the music but
as I told you well beyond the
music ie a search a
time for her a need to meet
god the absolute and especially me from me
find not only to walk in
the steps of Jesus but also to be
dazzled by the light by this this
light plays music talks
not the light sailboats and one is going
with the other
so I wrote a passion you go
to hear an excerpt in time of the
end of passion just after my
intervention
and I can tell you in fact the writings
after running I was waiting for this
part there I was waiting for meetings enough
scary and finally I was in
the case where that and that will explain a
thing had to for generate a
dancing star you have to be in the
where
and finally I saw this 7th tare this
creation both in a peace in
a peace but also in a certain case
where the case you which is peculiar to the
creation and that breeds light and
beauty and stars
[Applause]
[Music]
and as a jesus
and
no
[Music]
Oh
Oh
in the row
[Music]
[Music]
1
j
[Music]
[Music]
[Applause]
talk it’s there predicted
something that comes from very very
far far back well before the
birth
socrates by the way says he says we are
to relearn
so I’m telling you that because
finally my course went pretty
banal at the beginning a very schooling
mediocre I tested them school I
could not stand being in a group I
could not stand being locked in a
local in a sitting room a whole
day
I did not see the point
my caring parents allowed me
to start the music by the piano a
instrument that many do at the beginning
I started very young so and my
piano teacher it was courses
private at the beginning my piano teacher
teach in a traditional way series
had sales marc ranges
there was the boring pink method
also there was very very good solfeggio
beard in short so they had yet
want to play like the others
I really wanted it to be these
different notes speak to me
I manage to get out sounds that
I already had in mind
so I improvised I improvised
I told myself stories in
music by the way it’s a little bit
which allowed me to go so far in
music is for me it’s good
more than seals it’s more than
marks
there are perfumes there are colors there
there are smells there is everything really related to this
that music goes through little like the
wind you know like the cone love
as the giant spirituality read and so
I ‘m going to improvise and through
improvising you tracking created my
own technique that eat find my
own path then of course
all alone without luggage does not give
big thing so after that I listened
a lot of music that was greedy
of all the directories I remember
I’m going to start with the hyenas of
bizet with Provencal music themes
festive
I was further vt upset by the
requiem of mozart
and then then after a few years of
piano
I went back to the conservatory the same
did not do much I was fired from
conservatory of angoulême
of course when I was not working
it was normal I was not working
were working quite something else than
what we gave and then once
fired I had to continue to
to make music and that I develop
something in me
so my mother had the idea to take me to
the angouleme cathedral did not know
that one day I would become a holder
and there I was dazzled by the instrument
it’s true that the homily told me
not much against the music
yes she was talking to me there I heard a
true preaching that is to say that there was
a voice that transfigured me
that I had something there I tell you
still who was crossing and who led me
to writers I could not
suspect me I call that now
god here
and so I heard from the bac and there I
fell madly in love with this bins
music for me the biggest the most
great preachers and through this
music I found my calling
I knew it would be that and it would be
the composition so I went back to
new organ conservatory and I was
reinstated in piano and improvisation
gave me the strong desire to create two
compounds do not stay on a harki
fugitive and that is done via bench for
disappear and especially who stays when
even not only ephemeral cases not
even its limits
whereas the composition as it is
writing we can clear we can go in
back come back polish the structure
So here I am, I have this moment
I really wanted to invest myself in
conservatory it must be if it becomes
lovers of music theory
because I rejected at the beginning because
that it served me here it is so everything
which was all that was
lesser theory sign the orchestration
harmony the counterpoint the lookout for
all that I absolutely needed
so I went I went to the
search further than the conservatory
it’s studied all the hits
orchestration that I could find
he is described fresh standards and man him
everything I found as music and
I created my own language through
sometimes because ultimately when
is creator we are creator versus
to his desires that is to say that we make
choice we note because what we like
we ‘ve been wearing gloves since we
please do not do it and it creates a style that
create a style so I wanted to create
after several trial and error
it’s the work of the creator these two
thirty years of perpetual trial and error
every now and then to find a stone
precious
I found a technique for the
composition it’s the training it’s
really write even when you have nothing to
to say I want to say write write I
you have a lot and keep a little bit of
from time to time this mouse training
to doors or to a sky
that’s given an incarnation and then
so I wrote what do you connect to
string quartet piano pieces
pieces for harmonious for quartet
of brass and my first big
a mass for a mass
new century is in the year 2000 so
it’s not I’m not going to look far for
the title that was successful later
that is to say a decade written
a requiem and there I had a revelation
first the work was created at the
madeleine the church of the madeleine to
paris you know these women the church where
was created the work 200 holder of
the era that is to say strong and gabriel
fauré so there was a symbolic
very strong and besides the body the
madeleine who is françois henri houbart
participated in the creation
there was a double heart of zorg a
piano and four soloists what is
unique in the in the orchestration
musical
this training more right to a
documentary devoted exclusively to
artwork
amazing and then good I wanted to go
even further in the music but
as I told you well beyond the
music ie a search a
time for her a need to meet
god the absolute and especially me from me
find not only to walk in
the steps of Jesus but also to be
dazzled by the light by this this
light plays music talks
not the light sailboats and one is going
with the other
so I wrote a passion you go
to hear an excerpt in time of the
end of passion just after my
intervention
and I can tell you in fact the writings
after running I was waiting for this
part there I was waiting for meetings enough
scary and finally I was in
the case where that and that will explain a
thing had to for generate a
dancing star you have to be in the
where
and finally I saw this 7th tare this
creation both in a peace in
a peace but also in a certain case
where the case you which is peculiar to the
creation and that breeds light and
beauty and stars
[Applause]
[Music]
and as a jesus
and
no
[Music]
Oh
Oh
in the row
[Music]
[Music]
1
j
[Music]
[Music]
[Applause]
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