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you
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you
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and
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well that was different it was to be
always different
indeed it is it’s different every time
yeah I I really actually this time I
really liked the part where you dropped
away the peel and went straight back to
just the guitar I felt there was a lot
of space in there and I could engage
with it and it gave me a space to draw
yeah they both understand I thought it
was being too busy and I thought that’s
like having a conversation you think our
God and Saint Chalmers just shut up so
you know I decided to drop back and then
I kind of reengage with you it yeah it’s
always different
indeed um it’s like we are having a
conversation but we’re using different
languages your language is music my
language is drawing and in my language
I’ve got lines and dots and flex and
there’s that that wiggly line love the
wiggly line I’m right on that wiggly
line I know
and in this color as well and sometimes
sometimes I see a color when I’m hearing
the sound and sometimes it just looks
really yellow I think in that one there
was definitely like these speckles of
orange I could hear them but other times
it it’s it’s multi-sensory and sometimes
I can kind of get a taste and I think oh
well that tastes a little bit leafy I’m
just gonna I’m gonna do that
so hurry it’s a worry yeah I know I mean
it’s um it’s not like it’s just one
language because for me there’s a
language of architecture going on as
well really it could yeah well I penny
the layers are happening here you’re
building things up with layers I am
building things up with layers and it
seems to me this kind of like
architectural space happening here with
us both is creating an atmosphere I know
what you mean about the atmosphere I
think I build an atmosphere by sometimes
really notating what you’re playing I’m
making my
max are in a rhythmical way and yeah
like I’m writing your music but other
times I kind of stand back and I realize
I’m drawing a picture and I’m working in
a rectangle and there’s a composition
going on and so there’s a kind of like
several approaches to building that
atmosphere hmm
you’re absolutely right and I think when
you’re talking about a vocabulary before
you’ve got your flicks and your
splatters and your wiggly line I’ve got
a vocabulary too and for me it starts
with laying down picks a rhythm section
and then some bass over the top and it’s
like having a field to play on so
there’s this field and you just kind of
wander out and to it and have fun but in
that field there’s also things you can
do and for me it’s like you know funky
little bass lips or funky little kind of
guitar licks or just stepping back and
just coloring something just with a
couple of little notes
that’s very faintly of you gentle very
yeah very um but you know every time we
do this and we do this I on a regular
basis we have we’re having jams and
that’s what we call it
it’s improvisation and every time we do
it it comes out the front and I’m making
marks and I’m drawing in a way that I
wouldn’t normally get to drawing like
that just on my own so that is the power
of of working with Jayne in this
collaboration it is it is a clever
process and both drawing in musica
improvisational you know you’ve got a
home base to go to but then you can
range out from their base and in wood
together so that’s how we make a
difference isn’t that inner and making a
difference for us is making a difference
in a moment yeah in the moment thank you
thanks thank you hello Ricky Jay
[Applause]
[Music]
[Music]
[Music]
[Music]
you
[Music]
you
[Music]
[Music]
[Music]
[Music]
and
[Music]
[Music]
[Music]
[Music]
[Music]
[Music]
[Music]
[Music]
[Applause]
well that was different it was to be
always different
indeed it is it’s different every time
yeah I I really actually this time I
really liked the part where you dropped
away the peel and went straight back to
just the guitar I felt there was a lot
of space in there and I could engage
with it and it gave me a space to draw
yeah they both understand I thought it
was being too busy and I thought that’s
like having a conversation you think our
God and Saint Chalmers just shut up so
you know I decided to drop back and then
I kind of reengage with you it yeah it’s
always different
indeed um it’s like we are having a
conversation but we’re using different
languages your language is music my
language is drawing and in my language
I’ve got lines and dots and flex and
there’s that that wiggly line love the
wiggly line I’m right on that wiggly
line I know
and in this color as well and sometimes
sometimes I see a color when I’m hearing
the sound and sometimes it just looks
really yellow I think in that one there
was definitely like these speckles of
orange I could hear them but other times
it it’s it’s multi-sensory and sometimes
I can kind of get a taste and I think oh
well that tastes a little bit leafy I’m
just gonna I’m gonna do that
so hurry it’s a worry yeah I know I mean
it’s um it’s not like it’s just one
language because for me there’s a
language of architecture going on as
well really it could yeah well I penny
the layers are happening here you’re
building things up with layers I am
building things up with layers and it
seems to me this kind of like
architectural space happening here with
us both is creating an atmosphere I know
what you mean about the atmosphere I
think I build an atmosphere by sometimes
really notating what you’re playing I’m
making my
max are in a rhythmical way and yeah
like I’m writing your music but other
times I kind of stand back and I realize
I’m drawing a picture and I’m working in
a rectangle and there’s a composition
going on and so there’s a kind of like
several approaches to building that
atmosphere hmm
you’re absolutely right and I think when
you’re talking about a vocabulary before
you’ve got your flicks and your
splatters and your wiggly line I’ve got
a vocabulary too and for me it starts
with laying down picks a rhythm section
and then some bass over the top and it’s
like having a field to play on so
there’s this field and you just kind of
wander out and to it and have fun but in
that field there’s also things you can
do and for me it’s like you know funky
little bass lips or funky little kind of
guitar licks or just stepping back and
just coloring something just with a
couple of little notes
that’s very faintly of you gentle very
yeah very um but you know every time we
do this and we do this I on a regular
basis we have we’re having jams and
that’s what we call it
it’s improvisation and every time we do
it it comes out the front and I’m making
marks and I’m drawing in a way that I
wouldn’t normally get to drawing like
that just on my own so that is the power
of of working with Jayne in this
collaboration it is it is a clever
process and both drawing in musica
improvisational you know you’ve got a
home base to go to but then you can
range out from their base and in wood
together so that’s how we make a
difference isn’t that inner and making a
difference for us is making a difference
in a moment yeah in the moment thank you
thanks thank you hello Ricky Jay
[Applause]
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