boom before buskers were busted before
skateboarders skated before iron was
pumped before oil was dumped what was
Venice Beach before the universe banged
and bigness aspiration is my subject not
the physical action of breathing and not
the charming romantic News’s coming to
whisper in the ear of a poet no speaking
but a strong word inspiration which goes
with creation and sharing those are the
words who have been in the middle of my
working life no look at that box it’s
full of DVDs of all my films and other
things 60 years of creation not even
four pounds it’s like nothing sorry
nothing this is you can have it so it
could be this could be the end I could
be finished could be like going to
retire but it’s not I felt I should not
retire so what keeps me on it’s
motivation inspiration desire of
creating well it hasn’t stopped so we
don’t know exactly because what I know
is that desire is the essence of life
aspiration is the essence of creating of
creation so how does it come you know
it’s it can be vague things invading the
brain it could be some thoughts and
sometimes it’s just emergency after tell
you story this is in 1967 I’m in San
Francisco there is a Film Festival and
Tom Lodi said to me there is a man named
vada is a painter in Sausalito we should
go and meet him but we went
and he was a man tom introduced me to
that mad-beautiful hippy type long hair
big pants loving loving look and he said
he was a real cousin of my father so we
were family and there was love at the
first sight – salut – we were so happy
to me and I was impressed and I think
I’ll have to I have to capture that I
should make a film right away this is
where on Wednesday you know I know how
to leave on Monday I call a distributor
called greens fella I said look I need a
35-millimeter camera film stock and he
brought me – Tom put – David Meyers
known DP and we started to shoot on
Friday we shot you know Yonko his
paintings the house what was around and
on Saturday he invited friends everybody
spoke about what he was doing in on
Sunday he invited young people and some
animals to go in a little boat and he
went to sail on the way and then I did
some wild sound in English and in French
so the thing is that when I filmed I
thought they already kind of editing I
want you to do because I knew I wanted
to tell the meeting but not just tell
the meeting I should express the
excitement the surprise the joy that
happened so I did what I did
and I succeeded to do a baroque editing
that the retailer
i delegated my friend time to get
information and introduced me without
imaginary families I love you
I dedicate to your sketch which will
follow when we play for you the
adventurer recognition oh oh
ankle ankle acknowledged his knees and
knees by bringing someone who would like
to meet you samia’s pardon use it left a
notion you are the daughter of a
gentleman he say Corre to avnu but since
I attacked her he say he called to do
Varna to avian you sound music Lafitte
saying visit say a the daughter of a Jen
mother
[Music]
because here it is true that I love that
meeting and Junko became an aspiration
for me like Picasso I never met Picasso
but I was so impressed by the way could
reinvent his own art every five years
changing inventing and other artists
also like Cal they had loved Cathy those
artists and spiders we we did you know I
think art feeders that’s the way I feel
but sometimes it’s most simple thing
that inspired me like everyday life you
know this is in 2000 it was the end of a
farmer market and the van der the farmer
we’re putting their boxes and basket
back in the truck and the city cleaners
with their you know their plastic green
rooms were waiting and I could see
people coming young on old people
bending their bodies to get something on
the floor and what was left you know sub
salad
some boxes of eggs some eggs were broken
so the vendor left the box fruits not
very in good shape different things and
it was very impressed a sentence came in
mind in my mind right away it said they
will eat what we throw away and it
became I thought you think I should do
something about that I should van was
cleaning well what can be green in the
fields in the in the cities in the
cities mostly the garbage cans and in
the field current you know April’s sir
and potato so that’s how I started the
documentary called
the gland era like liners in English the
Bakula is on so fast roman agora IBM PC
in wasabi and racism
no wonder from the terror the
ingredients 19 millimeters was
uncharacterrized to Tusker to to
only disabled who de nada taiga OSA oh
yeah Yankees non-default from the okay
Avila telecare tell Co prism Jetta
cotton Jersey
Osito Phil Mader pre-pre Jang Hong dal
amezo cerveza regard a jet or Nikolas
can say cancer huh 13 deserve the Hadees
cell Jericho masala film a le
I’ll switch to visit faces pity but that
utopia
each fellas satsang kilo de patata koo
hairless aloha the sacrum sitting upon
me a Caucasian cell it was a cow I was
impressed by the beauty of these old
potatoes the hot chick booties became a
very important feeling that you know
that’s the way you look at things that
make them beautiful and I love the
thought of another more typical way of
discussing about beauty you know the
classical the beautiful face of a
beautiful woman
this is Cohen Masha who acted as clue in
my film clue from 5 to 7 this is in 1961
and the time was very strange because in
the late 50s in the late 60s heard the
word difficult things about the Algerian
war and it was a very general feeling
afraid of cancer like a fear for
everybody and I thought cancer should be
a subject and I thought I should tell
the story of a woman expecting medical
result she’s afraid to have a cancer
she’s afraid to die and I wrote the
story of her ninety minutes of her
expecting those result I was near her
trying to understand her feeling trying
to go you know really go with her and
but there was something which was more
complicated for me I had a secret
aspiration and sometimes it’s a painting
and I’ve been very inspired by a
painting from hands between this is 15
her
and used to do these beautiful women
with skeleton this one pulls her hair
also are speaking to her here and it was
for me the kernel beauty and the dryness
of the skeleton flesh and bones and that
emerge was in me like a metaphor of the
story of Clue
sometimes I had the postcard with me put
it on the wall where we were shooting
you know the pressure unclear the
pressure of death is strong and I wanted
to to understand what she felt and
understand how she will be as a
beautiful singer attacked even by the
[Music]
so blue I just did that benefit today if
you serve a Lemu caramely sheet click on
remove curled onion are you a chance
unless you execute a move today I miss
you nailed mundo la chanson limo because
go seconds also commute the Todd York 10
Jeffries please cut please when I mix
the mole and a bush with a cookie for
the winter Chris use tapas with uni
judge you not kept adding to bed soon
Matt knows where I’m not able to show me
the moment Cabo mrs. Travis often charm
is that excite you Felix I tell you see
comin up tell Molly book Ramon who
what’s up in men never mix wet paint
I was done no so much let me only where
we shop Sasuke don’t under I could
either move so lady levy
figured a poopy to shoreline man
it’s a pretty good
the member by.ya by pop up there to be
do those opposed go to the monarch out
nirrti gonna call your class Yangon yeah
but you see even in a fiction film I
love to have part of the commentary that
was true that’s the way that man was
doing and other people in the street
because I’m very interested in real
people that’s why I do documentaries
among other things you know the it’s not
the power of truth but the truth is very
interesting it’s very it’s attaching
it’s difficult you know and and most of
the time I tried to grab what his life
would inspire documentary one day pushed
to a very sudden spirit which happened
because the world the field director for
umbrellas are frevo dragged me who also
was my husband was sick very sick and he
was writing his memories the memories of
his childhood and he would show me the
pages every other day and he said I
would like to do the film but I don’t
have the strength to do it would you
like to do it so I said I will do with
him from his memories so I felt I enter
in his head to remember I shared the
same time of the war have shared the
bombing unknown you know where we’re
trying to play as children but I was not
interested in my memories but his
memories during the world so when I did
a film I understood I had to go sail one
was to be near him as near as possible
in a cinema language I would have to do
close up almost macro filming and I
wanted to get that the camera will be
near him get the Simpson get the texture
of his hair texture of his skin the
and the other hand though as a part of
the fiction was a fiction about his
childhood and how in the doing sis
difficult time it was a young boy who
was who had a very early vocation and
how alone in his attic he started to
make animated film his wish was to learn
about sin his wish to be to go in a film
school but he was doing his own work
attitude Anatomy all it was in criticism
oh yeah see your fear he left those
whose solutions are you – Nene much it
was that song to me much good night Jean
– Tony image we see common with mapache
cpython
often moi tak tak tak tak tak sedan a
mutiny
their complete my OTD songs go so
sakru CVG
so a homophone you know I was very
impressed by that early vocation and
Jack became a a wonderful director but
at the end of our shooting he passed
away it has been a difficult time and my
life has been fulfilled with love family
a lot of work and sometimes bitches also
it’s difficult to say that I felt that
have been a lot of work and but I became
known but in the margin have been always
interested in people in romaji
and some of my documentaries are related
to what I would say squirters Gleaners
poor people
anonymous courageous right he was gentle
of people saving Jewish people during
the war and we owe them love you know so
I took some time to do these
documentaries about those people that I
I want to share I want to make people
share and then I feel some time I’m a
go-between
people have filmed and the audience’s
because sharing is more interesting than
anything and I was lucky to meet
recently Jaya
an artist and I’m photographer and we
decided together to do the same thing we
like you know empathy for people trying
to catch the best of them listening to
them and making big images of them on
the wall and all these people were
people out of power and we never spoke
politics we want to do person-to-person
share what what could be understood when
we speak can be to people so we did that
feel
s corner faces places here now Francis a
Vizag village and the way we did was
that his basic big images we did it
because we were traveling and we have
been so so friendly at first sight
we travel in his magical truck and maybe
it’s around here it’s a truck in which
there is a lab so you enter to have a
little photo you got you get a person
and you want to paste it you do it so we
we went there and during the the road
movie time we learn to know each other
better
discovery shop just five two years of
difference of age but we got along so
well that age was not a problem but no
the understanding and I understood my
age inspired him he was interesting in
the fact that I looked not very well my
my eyes awake
I cannot go up sucess and he started to
take picture of me photos of pieces of
me I didn’t know what he wanted to do
will feel but I can load it to the soul
so there is an accept you will see what
he did with my with my pieces of body
but meanwhile you see I was expressing
explaining to work in a factory
what was our project what was the Utopia
okay oh dear I creep a competetive a
Dvinsk is reef arabic Septimus udoit the
city water misogyny
she said the Kissick led me and Pamela
what you’ve actually tasted more to say
we keep our super t70 passivity may feel
apologetic who you religious about the
peaceful even go to the beach a sip of
our imagination
Rocco sitaji hosonaga share my imaginary
shows in the de Mendoza as compared
furniture emerging assertion a park or
not he did to Zeus 80 that of occlusion
is Hawaii Tom suppose economy little
group document on and this year the
pattern of a beautiful to cook a pizza
Filipino visually
Sakina Felicia on the spare
acceptability hosel Bosque beautiful
section which is a lipid signaling
so try i don’t please don’t want
power of imagination freedom in creation that’s what is that