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Unorthodox Sculpting | National Geographic


estoy seguro I am convinced that Gaudi
is the kind of genius we need now and
that we will need in the future
I am sure that if we learn from gaudi’s
thoughts our future will change Japanese
sculptor at SU Rosso tool is currently
working on a bronze door for the
nativity facade he visited here in 1978
and never left
simple ermine I just came to Europe to
carve stone I was looking for stone and
stone introduced me to La Sagrada
família and la Sagrada família
introduced me to Gaudi Atsuto became
obsessed with trying to understand this
brilliant man and with honoring him
through his own work now continue on
over at a Gaudi to continue the work of
Gaudi is a lot of responsibility I try
not to think about it I try to do a good
job to fulfill my responsibilities
because it is not just a construction
this place is alive and we are not just
building the creating a great life
greater than our working on the nativity
facade puts a lot of pressure on a gaudi
disciple it’s the only facade of la
sagrada família completed by gaudi
himself and it’s rumored that in his
quest to follow nature he may have used
some rather unorthodox methods this was
a baby girl
Gaudi had some friends in the hospital
and when some children died they would
let Gaudi know and he would go with his
workers and with plasters they would
make the mole photo of the dead newborn
yes four years our other state even the
donkey in this scene is rumoured to have
been cast from an actual animal
it said gaudi even watched people die so
he could portray the soul going to god
pelvic area cereal
porque cali wanted to do it to convey
the message of eternity so it had to be
real the eunuch is here
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