[Music]
so today we’re getting set up on free
light day
for national Geographics killing Kennedy
this is where we’re doing the
assassination recreation we’re just
moving the grass out of the truck inside
lot stuff lots of uh lots of big lights
sorry Jesse
we’re hanging a tent feet by 30 feet big
softbox about 48 thousand watts of light
limos about to pull up kick this mirror
to 80 we’re here capturing all the
materials to promote the upcoming film
killing Kennedy on the National
Geographic Channel can I get that
platform of Apple boxes definitely
nothing traditional it’s it’s completely
out of the ordinary lots of moving
pieces here today you have three sets
all running at the same time it’s
definitely a team effort a collaboration
is probably the most important thing
because we had to bring in a lot of
talented creative people to capture this
moment in history and show it in a way
that hasn’t been seen before
Chris drama Thank You incredible
lighting what’s gonna hit the first
layer diffusion in the second layer
diffusion and the third layer of
diffusion and they’ll give me the
softest light you can think of was
incredible there’s a couple teams that
were just fantastic capturing these
really concentrated emotions beautiful
my friends the shot photography for the
big billboard net print ideas
beautiful beautiful yet one of the
concepts today we are photographing on
period-correct film expired in 1962 the
same time we’ve got a visual effects
unit we’re going to see the bullet
vacuuming in the end of the sniper rifle
and we shot the bullet at 10,000 frames
fine in the hall warning action so at
any time we’ve got three to four sets
running simultaneously we’re moving
talent around it’s a very heavily
choreographed thing you got hair and
makeup and wardrobe and props all these
different things so without
collaboration just simply couldn’t
happen maybe even a little lower relax
the mouth like the floor but I love that
one that’s the pose you know the killing
Kennedy campaign sort of came to
fruition first with sketches our job on
set is to start with a sketch and then
take things a step further a little bit
away
it’s equally important is to leave
yourself open and sometimes there’s just
that one little incidents that you
didn’t count for that takes a picture
from an 8 to a town and that happened
today
Jennifer put her head on JFK’s shoulder
and just sort of like started to solve
it expression here as soon as we saw
that me and Andy looked at each other
like okay let’s keep doing more kiss
because it’s as if Jackie Kennedy is
almost grieving for her husband before
he’s dead we’re creating a really
elaborate visual effects idea for our
maj inglish body this is basically about
the second half of time the promo is
unbelievably cinematic and really
emotional and moving we are slowing down
time and taking what’s right side up and
turning it upside down we’re also
capturing the snapshots of life for JFK
and Jackie and for Oswald and marina
we’re shooting a lot of 8 millimeter
film and keeping in a very vintage feel
the content that we got was just
unbelievable we had two really strong
days on these really intense moments
that you just says it yeah that’s a wrap
[Music]
you
so today we’re getting set up on free
light day
for national Geographics killing Kennedy
this is where we’re doing the
assassination recreation we’re just
moving the grass out of the truck inside
lot stuff lots of uh lots of big lights
sorry Jesse
we’re hanging a tent feet by 30 feet big
softbox about 48 thousand watts of light
limos about to pull up kick this mirror
to 80 we’re here capturing all the
materials to promote the upcoming film
killing Kennedy on the National
Geographic Channel can I get that
platform of Apple boxes definitely
nothing traditional it’s it’s completely
out of the ordinary lots of moving
pieces here today you have three sets
all running at the same time it’s
definitely a team effort a collaboration
is probably the most important thing
because we had to bring in a lot of
talented creative people to capture this
moment in history and show it in a way
that hasn’t been seen before
Chris drama Thank You incredible
lighting what’s gonna hit the first
layer diffusion in the second layer
diffusion and the third layer of
diffusion and they’ll give me the
softest light you can think of was
incredible there’s a couple teams that
were just fantastic capturing these
really concentrated emotions beautiful
my friends the shot photography for the
big billboard net print ideas
beautiful beautiful yet one of the
concepts today we are photographing on
period-correct film expired in 1962 the
same time we’ve got a visual effects
unit we’re going to see the bullet
vacuuming in the end of the sniper rifle
and we shot the bullet at 10,000 frames
fine in the hall warning action so at
any time we’ve got three to four sets
running simultaneously we’re moving
talent around it’s a very heavily
choreographed thing you got hair and
makeup and wardrobe and props all these
different things so without
collaboration just simply couldn’t
happen maybe even a little lower relax
the mouth like the floor but I love that
one that’s the pose you know the killing
Kennedy campaign sort of came to
fruition first with sketches our job on
set is to start with a sketch and then
take things a step further a little bit
away
it’s equally important is to leave
yourself open and sometimes there’s just
that one little incidents that you
didn’t count for that takes a picture
from an 8 to a town and that happened
today
Jennifer put her head on JFK’s shoulder
and just sort of like started to solve
it expression here as soon as we saw
that me and Andy looked at each other
like okay let’s keep doing more kiss
because it’s as if Jackie Kennedy is
almost grieving for her husband before
he’s dead we’re creating a really
elaborate visual effects idea for our
maj inglish body this is basically about
the second half of time the promo is
unbelievably cinematic and really
emotional and moving we are slowing down
time and taking what’s right side up and
turning it upside down we’re also
capturing the snapshots of life for JFK
and Jackie and for Oswald and marina
we’re shooting a lot of 8 millimeter
film and keeping in a very vintage feel
the content that we got was just
unbelievable we had two really strong
days on these really intense moments
that you just says it yeah that’s a wrap
[Music]
you
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