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HUSTLE – Jennifer Lawrence – #Entspresso


good moring believe nation today’s
message is hustle over to you Jennifer
Lawrence the interesting thing for me to
talk to you and what makes you so
fascinating is the talent that you see
on the screen but but at the same time
there is a certain innocence and yet a
certain power and it seems to me it’s
it’s both artists and also business
thank you would you believe that yeah
all right that’s I’ve worked very hard
to make that is just to make not true so
thank you but it’s both that thank you
because without gaining some sort of
control over the business I lose some
control over the over creative which is
most important how I want you to control
of the business the more you can give
flower to the creative exactly I’ll give
links to the create yeah so I used to
stay out of it i don’t care i don’t i am
and I earnest I don’t need it you know
and but this is my business now is it
might you know it is important at my
agent that bank agent only says I’m as
I’m his only client and I’m for call
them back as soon as he because it’s my
business and I respect my choices that
you only klonda calls him back to say
immediately it means I as a miss call i
calling probably the only i return
emails a return phone calls because you
want to know what the options there are
yes I’ve worked really hard to build
this and I want to continue building it
and it’s my business my personal
business so I don’t understand how
people do slack thank you guys so much
for watching the question of the day
today is I’m curious how much are you
guys hustling in your business right now
how much were you husband leave in the
comments below I’m going to join in the
discussion I also wanna give a quick
shout too young you will you thank you
so much for picking up a copy of my book
your one word it really really really
really means a lot to me so thank you
guys again for watching I believe in you
I hope you continue to believe in
yourself and whatever your one where it
is let’s love and i’ll see you again
tomorrow morning another shot events
hey believe nation if you want a little
more hustle motivation stay tuned for
some special bonus clips I worked for
Miss Hughes for about eight months and I
got an a weekend gig in New York so I
would do weekdays at WOL in Washington
and drive up on fridays after my shift
which would end at seven o’clock and I
to be on all weekend long over in Queens
that’s where the radio stations located
and then I would drive back to DC and I
would never even stopped at my parents
house never had time for friends because
everybody was kind of not understanding
my dream and kind of laughing at me or
something or trying to you know my
friends were like real immature and
stupid and wanting to party and hang out
and I’m on a path and my parents were
very you know who do you want so I mean
what is this crazy thing you’re doing
called radio I would sleep in my Subaru
they gave me a silver room for college
graduation and I I would sit in my car
at every rest stop between new york and
and washington DC to block out the noise
of people telling you you can’t do it
right I would literally be I’d have a
blanket and alarm clock and a quilt and
I would take a bird bath in the bathroom
might be woken up by the man sleeping
next to my Subaru looking at me because
I’m like the crazy you know girl in
there and I had a baby shade without a
baby pull the baby shade down you know
and that was my life for about two
months I was going back and forth how
did you get an agent talk about some
names drop it right so I I had a friend
that at the time was good friends with
keenan ivory win okay and I got to meet
Kenan and we became very good friends I
ended up doing low down dirty shame
which oh sure yeah but I didn’t have an
agent as peaches right I didn’t
and I was like you know how am I I was
just going through you know the list of
agencies and I was like I kind of get an
agent and so I literally called this one
agent her name was Nancy Rainford and I
said I’m a really good friend of Keenen
Ivory where he told me to call you
specifically small agency Oh Melrose but
you know he had me she had Michael
Rapaport at the time oh well yeah kids
Michael Rapaport at the time so I said
he told me to call you specifically oh
you know so I’m running this whole game
if she was like really she was like well
why don’t you come in and see me so I
went in to see her you know and I put on
the jab head yeah she was like you know
what I like you I’m gonna represent you
and I’m gonna tell you she was she was
an awesome agent she was an awesome
agent she said she had Michael Rapaport
and I and she started my career she won
her to my career and then she eventually
got out of the business but she was the
one that started my whole career when I
got in the door because the key to this
that attitude I was like he told me you
specific hahaha that’s good like and
there’s not one thing Baltimore taught
me it definitely taught me how to hustle
you know people are you need a vacation
or something i don’t have a que shun
from what I love my life I feel I’m
healthy thank God and you know I have
these incredible directors that that are
interested in working with me and I’m
going to jump at that as long as there’s
enough time to prep and i feel like i
can add to it you know yeah yeah for
sure has it changed in terms i guess
there’s a point where you don’t have to
chase quite as hard and you know it
depends on the project i still chase i
wrote an email to a director about six
months ago about a project that i just
felt so connected to and never got a
response excellent surprising yeah but
you know you never you know yeah we just
think professional courtesy would be
enough to
monastic start to finish it takes about
nine months to sometimes longer
sometimes you know ten months it’s
roughly a year between the time that the
story is pitched to the time it gets on
the air takes roughly a year to do it
and it’s you know no one has ever
figured out a quicker way to do
hand-drawn animation in prime time and
it’s all still hand-drawn it’s colored
with computers but every single frame is
still done by hand you know the season
is a little smoother than last season
last season was a little smoother than
the one before so it gets incremental e
easier it’s still in many ways a
seven-day-a-week job to get this thing
done I mean it’s a virtually impossible
thing to do a prime-time animated series
yet somehow there’s a bunch of people
that do it I you know I it’s it’s I
don’t know how the simpsons you know
does it for as long as they they’ve been
doing it but it’s a it’s a it’s just a
very very intense process that just in
many ways gets easier when you get
cancelled
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