imagine for a moment of living
at the beginning of 1900 you are walking for
road and at a certain point you see one
guy hanging by his feet upside down
in a straitjacket looking for
free all the people around col
Vocals will make it will not make it and also
you stop to look at this madman
furious by the name harry houdini in italy
we have always called it houdini and per
we will call this video useful now
I can not tell if houdini was the
greatest wizard in snow history
copperfield I heard the interview is
said obviously it was not the most
great magician of history but it was more
big marketer was the most skilled a
know how to promote leave the ball to
magicians escapology and illusionists in
I listen to the task of 10 in the comments
technically how good the
old dini but what interests us
it’s understanding how he did it
this incredible character
maybe people did not know who it was
president of the united states ma
absolutely knew who was the
great houdini as he did then
number one has fished perfectly
in the collective imaginary beginning of
nine hundred but one thousand thousand problems
Casini and they arrive denis who manages to
get rid of any handcuffs from
any straitjacket makes
possible the impossible when in the end
it was possible to free the gesture of udine
it was what you wanted you to be
that dream of freedom of possibility
number two was obviously a super one
prepared I saw a couple of
Houdini’s documentaries have me a lot
hit see who he was training to be
ambidextrous for which to use absolutely
in the same way go to the left and hand
right more he was training his feet for
to be able to use them like your hands
getting rid of a handcuff could use
human feet then indifferently
we had to go often in conditions
very difficult to plunge into the water
very cold in a river or things of the
gender and always had this side
jerrycan with water with ice
inside of the rum type wi move that today is
what at the record of the crazy cold
that was one of that cuffed shirts
force and gigi various knew everything in the
minimum detail from points is right
technician prepared the designed me
his tools himself another aspect
interesting that he used anything
it was possible to use it from shaved
trying to make a trick had lost i
teeth in front and even that used it
as a secret compartment to hide it
i know the wizards number 3 was the first one
to make public performances they had
this characteristic of being super
dangerous and super newsworthy had
understood that doing a great performance
out of the theaters was what he would have
brought people to buy ticket
for his show at the theater it was done
chained naked in a cell of one
prison because he had to prove that
he had no key on him and then
he could get out but this was useful for
bring people then to his show
number 4 was a total master in knowing
direct attention once they do
this challenge and the daily mirror says
look let’s see if you can free yourself from
these handcuffs have been designed for
five years in bra bla bla blue valleys
he does his show and after an hour and 10
he finally manages to free himself but now he does not
you know how he did it if his wife did it
he kissed the key, but one says
no, the key was too big for him
they passed under a teacup with
they hypothesize that it had been instead
same houdini go from the daily mirror
to design this great performance
the trick is even before the beginning
performance number 5 could hold
the attention so strong so attached
because everything he had put it
on stage when I saw one
houdini’s performance you knew him
he would have put sweat and tears of blood
all he had left him there
an interesting thing, for example, was
this trick at the beginning of him
came out of the shirts of force but for
getting out of the force shirts was going
behind a curtain then with his brother who
he too was a magician escapologist
illusionist instead they decided to do
see everything he did
while trying to get out of his shirt
of strength and for which you came one that yes
he wagged like a madman like an eel
and appreciate this effort and effort
of the hero trying to get his
result fighting against whatever
kind of adversity number 6 so many small
tricks one thing he did was
before doing this show inside
in the morning of milk where he immersed himself
full of water chained and then came out
out I told the public try to
keep you breathing for a minute
public try in the breath for a
minute after a while not
at that point when houdini immersed himself
and the audience was within 23 minutes
He knew perfectly how he felt
he lived the performance as if it were
inside that tub tied with chains
number 7 played emotionally on
this paradox on one side was one
po on the balls because it was very much one
boaster
put the handcuffs I will free myself from
any network but on the other
side when you saw me so stuck in
Tortured difficulty did not play then
always on this subject of torture
you have Chinese torture
immersed in water upside down at that
point, however, you wanted in some way
this feeling came out of it
visceral was that on which houdini
used to hold the hook
public from an emotional point of view
the number 8 in general was a super
phenomenon of story telling why his
history was always that of the hero who
goes on against any difficulty
to realize impossible businesses in the
final part of his career yes
he masked the mediums who said
who talked with the afterlife and it was always
the hero fighting against the impossible e
the crazy thing if we think about it and that
as he himself designed his own
instruments or their own performances
He knew perfectly what the
operation were very difficult
maybe some tricks but he knew
perfectly seen that he had designed
he, too, the public lived at that
moment like a big moment
uncertainty where no one knew how
it would have ended number 91 dini was the
father of public relations if there
we think master to play with the
journalists brought a journalist and
every time I will always give him a new one
news
remember that there was no
television the radio is there played on
this relationship with journalists for
create more and more legend and from
last was really a phenomenon a
always focus on his points of
power
at the beginning we do a lot of tricks
that were not just the force shirts or
free yourself from the cuffs at some point
he understood that that was what
attracted the attention of the public and to
that point took away everything else and yes
it is focused exclusively on that
that was the heart that was vibrating the
his audience
harry houdini when they asked him but
what is the secret key that he uses
to get rid of all these handcuffs
he answered the secret key for
free me and my brain
at the beginning of 1900 you are walking for
road and at a certain point you see one
guy hanging by his feet upside down
in a straitjacket looking for
free all the people around col
Vocals will make it will not make it and also
you stop to look at this madman
furious by the name harry houdini in italy
we have always called it houdini and per
we will call this video useful now
I can not tell if houdini was the
greatest wizard in snow history
copperfield I heard the interview is
said obviously it was not the most
great magician of history but it was more
big marketer was the most skilled a
know how to promote leave the ball to
magicians escapology and illusionists in
I listen to the task of 10 in the comments
technically how good the
old dini but what interests us
it’s understanding how he did it
this incredible character
maybe people did not know who it was
president of the united states ma
absolutely knew who was the
great houdini as he did then
number one has fished perfectly
in the collective imaginary beginning of
nine hundred but one thousand thousand problems
Casini and they arrive denis who manages to
get rid of any handcuffs from
any straitjacket makes
possible the impossible when in the end
it was possible to free the gesture of udine
it was what you wanted you to be
that dream of freedom of possibility
number two was obviously a super one
prepared I saw a couple of
Houdini’s documentaries have me a lot
hit see who he was training to be
ambidextrous for which to use absolutely
in the same way go to the left and hand
right more he was training his feet for
to be able to use them like your hands
getting rid of a handcuff could use
human feet then indifferently
we had to go often in conditions
very difficult to plunge into the water
very cold in a river or things of the
gender and always had this side
jerrycan with water with ice
inside of the rum type wi move that today is
what at the record of the crazy cold
that was one of that cuffed shirts
force and gigi various knew everything in the
minimum detail from points is right
technician prepared the designed me
his tools himself another aspect
interesting that he used anything
it was possible to use it from shaved
trying to make a trick had lost i
teeth in front and even that used it
as a secret compartment to hide it
i know the wizards number 3 was the first one
to make public performances they had
this characteristic of being super
dangerous and super newsworthy had
understood that doing a great performance
out of the theaters was what he would have
brought people to buy ticket
for his show at the theater it was done
chained naked in a cell of one
prison because he had to prove that
he had no key on him and then
he could get out but this was useful for
bring people then to his show
number 4 was a total master in knowing
direct attention once they do
this challenge and the daily mirror says
look let’s see if you can free yourself from
these handcuffs have been designed for
five years in bra bla bla blue valleys
he does his show and after an hour and 10
he finally manages to free himself but now he does not
you know how he did it if his wife did it
he kissed the key, but one says
no, the key was too big for him
they passed under a teacup with
they hypothesize that it had been instead
same houdini go from the daily mirror
to design this great performance
the trick is even before the beginning
performance number 5 could hold
the attention so strong so attached
because everything he had put it
on stage when I saw one
houdini’s performance you knew him
he would have put sweat and tears of blood
all he had left him there
an interesting thing, for example, was
this trick at the beginning of him
came out of the shirts of force but for
getting out of the force shirts was going
behind a curtain then with his brother who
he too was a magician escapologist
illusionist instead they decided to do
see everything he did
while trying to get out of his shirt
of strength and for which you came one that yes
he wagged like a madman like an eel
and appreciate this effort and effort
of the hero trying to get his
result fighting against whatever
kind of adversity number 6 so many small
tricks one thing he did was
before doing this show inside
in the morning of milk where he immersed himself
full of water chained and then came out
out I told the public try to
keep you breathing for a minute
public try in the breath for a
minute after a while not
at that point when houdini immersed himself
and the audience was within 23 minutes
He knew perfectly how he felt
he lived the performance as if it were
inside that tub tied with chains
number 7 played emotionally on
this paradox on one side was one
po on the balls because it was very much one
boaster
put the handcuffs I will free myself from
any network but on the other
side when you saw me so stuck in
Tortured difficulty did not play then
always on this subject of torture
you have Chinese torture
immersed in water upside down at that
point, however, you wanted in some way
this feeling came out of it
visceral was that on which houdini
used to hold the hook
public from an emotional point of view
the number 8 in general was a super
phenomenon of story telling why his
history was always that of the hero who
goes on against any difficulty
to realize impossible businesses in the
final part of his career yes
he masked the mediums who said
who talked with the afterlife and it was always
the hero fighting against the impossible e
the crazy thing if we think about it and that
as he himself designed his own
instruments or their own performances
He knew perfectly what the
operation were very difficult
maybe some tricks but he knew
perfectly seen that he had designed
he, too, the public lived at that
moment like a big moment
uncertainty where no one knew how
it would have ended number 91 dini was the
father of public relations if there
we think master to play with the
journalists brought a journalist and
every time I will always give him a new one
news
remember that there was no
television the radio is there played on
this relationship with journalists for
create more and more legend and from
last was really a phenomenon a
always focus on his points of
power
at the beginning we do a lot of tricks
that were not just the force shirts or
free yourself from the cuffs at some point
he understood that that was what
attracted the attention of the public and to
that point took away everything else and yes
it is focused exclusively on that
that was the heart that was vibrating the
his audience
harry houdini when they asked him but
what is the secret key that he uses
to get rid of all these handcuffs
he answered the secret key for
free me and my brain
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