I will speak
today with you about that
what worries me that
I am concerned about this
than I actually
today doing
topic of the report
project emotions as
multimedia
technologies are changing
our perception
reality and I want to
say that we will
it is not easy to talk
design
emotions and
design
emotions there in those
spaces where we
looking for credibility
the space where
it seems to us that we
speak the truth and
represents some
objective
reality to me
it seems 99 percent
report now generally
which I listen to
begin with the fact that
here we all go to
some kind of virtual
reality and understandable
what is this process
started quite
long ago everything in general is
remember the movie or not
movie or story about
arrival of the train and
brothers lumiere yes
when in the hall people
sincerely believed that
it’s true and ran away
from the hall and in general we
talking about what
although
the reality that we
go virtual
emotions that we are there
I feel quite
really we experience
fear anger pride
joy even build
there’s a relationship but
we are a being
be combined with
social and us
I probably want to
the pendulum is sure
swings back
we will look for the side
the place where we can
talk to each other
other where we can
we can touch to see
feel the main thing
see what
confirms our
Existence
where we go, let’s go
look for it
space here
living real
space to
let’s go on believing that
for us, someone took
information
material or anything
gathered in some sort
the real
the reality is
all go to the fact that
I have here
but called Museum
it’s not obligatory
the museum
it can be
some kind of space
created by
exhibition or
we will be
say something
likely that
space that
perceive as
space
authenticity
Here’s the one here
a remarkable
photo but many
I have a grandmother here
absolutely here such
here at home and environment
This is museum
this is a museum of the city and I
enough at all
see
reaction of seven seven-year
children who
are in this
they Museum
perceive this as
reality already
past it already
gone nevertheless
goes there for that
to see how
how was it like
actually
occurs
most cases
now we are falling
here in a museum
space in a
space that
it seems to us
space
credibility and
understand that we do not
experience here
no no emotion
of what we are
And most importantly
no language to communicate
which you are used to
we started early
conference in the
what have you been offered
communicate in telegraph
with bots and this is such
enough already
habitual for us language
[music]
narration of us
can not carry away
reality can us
be absolutely
indifferently so
which we
represents this
space
the world
actually responded to
this is quite a lot
museums
worldwide
are engaged in such
direction
activities as
scenography is
creature
the term came from
theater is creation
space of emotions
this
interdisciplinary
philosophy there and theater
and design and so
interpretations
complex such
name is created
spaces which
you are experiencing
quite a lot of emotions
and communicate with you there
the law in which
we are used to
language digital media
music
technology today
as I said
quite familiar
way of communicating with what
you can come across
when we start
to work on
the creation of
project
reliability of carrying
his society we
we face two
different positions
not the first
position this position y
We must have everything
digital all
emotional all
vivid
I remember everything old
position is not this
space
conservatively and
we do not need to restrain ourselves
scientist now
you can twist
we begin
act
consciously begin
design this
reality and what are we
can do what
emotions we can you
I call now
give a small
number of examples
to you
it was clear than I
actually speaking
quite so
small that we
can with the help of those
most and for
technology to do
obviously we can
impress
by the way it’s perfect
do not know what
form in
Anyway, we can
impress
we can immerse myself
literally a couple of words
I say yes to both
works for this
installation we had
such a halo list
players is a museum
football club
Spartacus
such a list of players
there are a lot of them
during all this time
almost
there are more than 90 years
club and we thought like
create this world in
which exists
this player and here
came to mind such
the idea that this world
is born around us
he is born from a video
children’s pictures
his children from
some of its
hobbies that are here
also presented here
such a living
peace we can do it
we can do
focus
Attention
concentrate it
and makes a person
accept
certain it is a hare
body memory
certain sex with
with which
this is his
attention will be
we concentrate
we can even oppress
this is also
multimedia
installation to hear
sound can only be
if you
take this pose
this is vibro acoustics
it is again a museum
Dr. munir Dr. is this
story and stance a
interrogations and in fact
the only thing you
you can only
way you can
know about it
having accepted here such here
will be different
in another way you about it
do not know honestly
against man scientist
a man of light
so we can even
we can oppress
use different
channels of perception we
can thus
refer to you as a
visuals as
kinesthetic acoustic
acoustic channel
used in the
we can create
space for
special people then
there are if people are bad
they can hear
more visually
get the content
bad sees more
acoustic in general
we can work with this
can disclose
a story
in this case we
wanted just
show the context to
a ticket including up to
attached for example
newspaper clippings
clicked so on the ticket
failed the subject and
We have not seen around
emerging history
price- linked prize
imitate
imitating buckwheat in
this moment is also
we can do
told
object by the way one
of the richest
multimedia
installations that
ever
saw it, too, such
large three-dimensional table
behind it are placed 12
human
they put out drawers
while everyone sees
such a figurative
picture that
right on the table
it is formed also
we can even
set the rhythm here this
installation for example
this installation
which the
is located directly
at the entrance to the museum bmv and
it’s moving
slow moving
balls people really
spend next to it
kinetic
installation
five or ten minutes here
they can not be dragged off
you are
resort to
space you
rather
you carry with you
some trail of their
emotions and you directly on
the entrance is stopped
the rhythm of your heart
palpitation yes
slightly regulates
you calm down
these spaces
completely different
we even
we can control
Interest and this is such
simple media function
as you understand
because everything
transitions are all what you are
see how you are
detain it all
can
monitored and
Thus, we
we can change
picture when
we understand that she
somewhere fails
or vice versa somewhere
too
concentrates
and so what happens
we get used to
virtual world
get used to the language
new media
speak with
this language we can
person pick up in
the real
space
immerse it there in
this space
talk to him at his
language and make
his test those
emotions that he
is experiencing
virtual world and
here I want
say that
worries me
really we
approaching this
more than that I saw
the score of the best
the world’s designers
which say that
that in the Sparta tours
just the same large
plans in which
each
step and your emotions
which are expected from
you and this movie
there will be that too
interesting
demonstrates here
this phenomenon
emotion testing
inside the space
credibility to
washington to the hero
this movie is perfect
come home
ask friends
who ask
him
but where can we go
have fun and the hero
meets the museum
the Holocaust because
exactly there it is made
Exposition where you
you can experience very
bright well, that’s it.
amazing in this
context of emotion to
what do I want you
why should I call
here what i want
I want to speak
talk to you about
call you to
that you were
are responsible if you
are engaged in
sheep design
and remembered that you
are responsible for those whom
tamed and want you
call for
Be responsible
those emotions
which in these
spaces you
feel and then
we can move
forward
today with you about that
what worries me that
I am concerned about this
than I actually
today doing
topic of the report
project emotions as
multimedia
technologies are changing
our perception
reality and I want to
say that we will
it is not easy to talk
design
emotions and
design
emotions there in those
spaces where we
looking for credibility
the space where
it seems to us that we
speak the truth and
represents some
objective
reality to me
it seems 99 percent
report now generally
which I listen to
begin with the fact that
here we all go to
some kind of virtual
reality and understandable
what is this process
started quite
long ago everything in general is
remember the movie or not
movie or story about
arrival of the train and
brothers lumiere yes
when in the hall people
sincerely believed that
it’s true and ran away
from the hall and in general we
talking about what
although
the reality that we
go virtual
emotions that we are there
I feel quite
really we experience
fear anger pride
joy even build
there’s a relationship but
we are a being
be combined with
social and us
I probably want to
the pendulum is sure
swings back
we will look for the side
the place where we can
talk to each other
other where we can
we can touch to see
feel the main thing
see what
confirms our
Existence
where we go, let’s go
look for it
space here
living real
space to
let’s go on believing that
for us, someone took
information
material or anything
gathered in some sort
the real
the reality is
all go to the fact that
I have here
but called Museum
it’s not obligatory
the museum
it can be
some kind of space
created by
exhibition or
we will be
say something
likely that
space that
perceive as
space
authenticity
Here’s the one here
a remarkable
photo but many
I have a grandmother here
absolutely here such
here at home and environment
This is museum
this is a museum of the city and I
enough at all
see
reaction of seven seven-year
children who
are in this
they Museum
perceive this as
reality already
past it already
gone nevertheless
goes there for that
to see how
how was it like
actually
occurs
most cases
now we are falling
here in a museum
space in a
space that
it seems to us
space
credibility and
understand that we do not
experience here
no no emotion
of what we are
And most importantly
no language to communicate
which you are used to
we started early
conference in the
what have you been offered
communicate in telegraph
with bots and this is such
enough already
habitual for us language
[music]
narration of us
can not carry away
reality can us
be absolutely
indifferently so
which we
represents this
space
the world
actually responded to
this is quite a lot
museums
worldwide
are engaged in such
direction
activities as
scenography is
creature
the term came from
theater is creation
space of emotions
this
interdisciplinary
philosophy there and theater
and design and so
interpretations
complex such
name is created
spaces which
you are experiencing
quite a lot of emotions
and communicate with you there
the law in which
we are used to
language digital media
music
technology today
as I said
quite familiar
way of communicating with what
you can come across
when we start
to work on
the creation of
project
reliability of carrying
his society we
we face two
different positions
not the first
position this position y
We must have everything
digital all
emotional all
vivid
I remember everything old
position is not this
space
conservatively and
we do not need to restrain ourselves
scientist now
you can twist
we begin
act
consciously begin
design this
reality and what are we
can do what
emotions we can you
I call now
give a small
number of examples
to you
it was clear than I
actually speaking
quite so
small that we
can with the help of those
most and for
technology to do
obviously we can
impress
by the way it’s perfect
do not know what
form in
Anyway, we can
impress
we can immerse myself
literally a couple of words
I say yes to both
works for this
installation we had
such a halo list
players is a museum
football club
Spartacus
such a list of players
there are a lot of them
during all this time
almost
there are more than 90 years
club and we thought like
create this world in
which exists
this player and here
came to mind such
the idea that this world
is born around us
he is born from a video
children’s pictures
his children from
some of its
hobbies that are here
also presented here
such a living
peace we can do it
we can do
focus
Attention
concentrate it
and makes a person
accept
certain it is a hare
body memory
certain sex with
with which
this is his
attention will be
we concentrate
we can even oppress
this is also
multimedia
installation to hear
sound can only be
if you
take this pose
this is vibro acoustics
it is again a museum
Dr. munir Dr. is this
story and stance a
interrogations and in fact
the only thing you
you can only
way you can
know about it
having accepted here such here
will be different
in another way you about it
do not know honestly
against man scientist
a man of light
so we can even
we can oppress
use different
channels of perception we
can thus
refer to you as a
visuals as
kinesthetic acoustic
acoustic channel
used in the
we can create
space for
special people then
there are if people are bad
they can hear
more visually
get the content
bad sees more
acoustic in general
we can work with this
can disclose
a story
in this case we
wanted just
show the context to
a ticket including up to
attached for example
newspaper clippings
clicked so on the ticket
failed the subject and
We have not seen around
emerging history
price- linked prize
imitate
imitating buckwheat in
this moment is also
we can do
told
object by the way one
of the richest
multimedia
installations that
ever
saw it, too, such
large three-dimensional table
behind it are placed 12
human
they put out drawers
while everyone sees
such a figurative
picture that
right on the table
it is formed also
we can even
set the rhythm here this
installation for example
this installation
which the
is located directly
at the entrance to the museum bmv and
it’s moving
slow moving
balls people really
spend next to it
kinetic
installation
five or ten minutes here
they can not be dragged off
you are
resort to
space you
rather
you carry with you
some trail of their
emotions and you directly on
the entrance is stopped
the rhythm of your heart
palpitation yes
slightly regulates
you calm down
these spaces
completely different
we even
we can control
Interest and this is such
simple media function
as you understand
because everything
transitions are all what you are
see how you are
detain it all
can
monitored and
Thus, we
we can change
picture when
we understand that she
somewhere fails
or vice versa somewhere
too
concentrates
and so what happens
we get used to
virtual world
get used to the language
new media
speak with
this language we can
person pick up in
the real
space
immerse it there in
this space
talk to him at his
language and make
his test those
emotions that he
is experiencing
virtual world and
here I want
say that
worries me
really we
approaching this
more than that I saw
the score of the best
the world’s designers
which say that
that in the Sparta tours
just the same large
plans in which
each
step and your emotions
which are expected from
you and this movie
there will be that too
interesting
demonstrates here
this phenomenon
emotion testing
inside the space
credibility to
washington to the hero
this movie is perfect
come home
ask friends
who ask
him
but where can we go
have fun and the hero
meets the museum
the Holocaust because
exactly there it is made
Exposition where you
you can experience very
bright well, that’s it.
amazing in this
context of emotion to
what do I want you
why should I call
here what i want
I want to speak
talk to you about
call you to
that you were
are responsible if you
are engaged in
sheep design
and remembered that you
are responsible for those whom
tamed and want you
call for
Be responsible
those emotions
which in these
spaces you
feel and then
we can move
forward
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