thanks for being here in this kind of
stakes in the end the public to
has behaved very well and that we are
presenting a new format
well seeing seeing all your baghlan
it impacted us a lot and it makes us happy
being citizens of Monterrey who since
here the industry of the
audiovisual content and I wanted
start and you understand the effects
visual effects that are what if they are
that are not
good first of all the effects
visuals is everything that is impossible to
create and reproduce in real life not
those of monsters explosions that are
too dangerous to perform in set
these fluid simulations everything
I see it is very expensive or impossible to
play in can be done by
medium of computer graphics and it’s
our specialty recreate what
that is not possible and and tell us a little
how did you get there and what did you start to move
when was the sales kid that
I really like this this content
I want to see the very restless child of
many movies still keeps a guy
reserved and that suddenly goes
I do not know how to get there how you discovered
that good world I think that I always
I was the family which g
starting because good as a kid
I always like a lot explained from
science fiction and the history of
visual effects and go hand in hand with the
Science fiction
then I watching documentaries of
how the movies were made
always surprised how they can
how can they achieve to do that yes in
reality are those things those scenarios
characters that really can not
exist in real life then that
it took to have the thorn of not
investigate on my own and
originating from sonora and investigate what
more like what I wanted was the
animation career and that was what
brought me here to monterrey to aa start
my career
then it is easier to have clearer
it was growing a little bit more
Yes, of course, as you shape your
profession you realize that what
What was more interesting was not leaving aside
what interests us so much to want
specialize in what is called the
attention what you enjoy doing more and
what counts does it make us a little bit when we go
the movies and
so let’s go personally for me
is very interested in the history that has a
content but it is true that the
voters do not lead to another invention
and sometimes maybe we do not appreciate it from
we all look a little bit more at the
narrative and fire and behind this
is happening and very much
a lot of things not then ducati
likewise the visual effects is another
narrative or yes clear
unfortunately with how the
unfortunate because there have been many cases
Abuse of true visual effects
for me it is my point of view the
best visual effects will be of
agree with me are those who support
tell the story not the ones who
they are merely support for the narrative
to achieve the vision of what the
director wants to tell
there are a lot of movies that go from the
hand and they are favorites nothing of them
I do not know if you see the opportunity
I had the opportunity to see machine and
they wear that first one goes very hand in hand with
that vision and we have the other extreme
which is the case that the effects
visuals as they sell they do not sell they sell
tickets at the box office and and here and there
cases in which those have been abused
also announced that the story is
secondary and stops being a story
told with visual effects to do
pure visual effects there with a
middle history bizarre half that not that
not really do not need to be told
with effects the most more example
Of course we have is transformers not
you can do or what the work is
very well done do not misunderstand me
I’ll see reason but I either what
be what I bach and it can happen that
let’s have friends that I support only today
to the movies with effects because I
I’m asleep in 1
We really like minetti hits for
example I loved narrative the
scenography in addition and perhaps for
help more but it is an extra that
it’s worth giving a movie that’s worth
It’s worth seeing even if it’s not full of
visual effects
how do you imagine the future of respect
and salsa I do not think I ‘m going to get to sas
technology still to be seen
for developing so much in the cinema in the
physical space that we go as
neighbors to come up with a vision that
yes it will end with that question that I
do you come to mind a
conference that existed in vancouver
where he defended the tri which is the one that was
the visual effects supervisor of
avatar to present the letters of
visual effects cameras of the young man who
at that time I had just released
choice exactly one question what
you’re doing and I think I ‘m going
to steal because I liked it
really liked the way that in that
responded and is that the whole depends on
the vision that the director has if
steven spielberg not having come with the
idea that today or create a few years and that
be real and we are going to use the
computers we support computers
but you can achieve this effect nobody will
I would have realized that today in
graphics with professionals at the end of
accounts are used to create effects and
that are real no and that’s what
that boosted the industry with jurassic
park
that is our strong here is the way
to continue using graphics we can
perform unthinkable things
then returning to your question
everything depends on how far you want
get this one every director and I
I think that we are going to
photorealism and but we’re going to get to a
point where we’re going to stop seeing a
movie with visual effects exculpates
so he cheated us completely on
the reality not and the example more
next I can think of only in the
avatar movies that scream my
colleagues are
we are in the hands for what because
come very good things so that is
to the visual effects they will see
hyperrealistic hopefully it will touch us already
I do not know what to say and how was the
approach to aguirre showed that
there lately and has not
the moment if the contact
the expectation surprised you was already
there and there was black as easy clear
what he showed was a very
special because I’m a co-founder
of pixar herrán allegretti that I sent him
a greeting had had the experience of
work with the fex rodeo people
in montreal
then from there of those contacts
what he does during his work in
montreal points could contact for
to be able to do author work and via
remote and and it was not
fortunately it was a very boost
great for our company because I do not know
they recognized him as as ernesto
ok, really, and if they come with
everything to revolutionize the industry that
monterrey
happiness is why that takes you
well from learning to
many things that surprise you more
the way they work in the way
that you work a lot of pressure and that
let’s go together the day this or not
make them all the bench wait for
today from here you can dedicate yourself
autumn men what what you
surprised more than good in general not
nothing more than he showed his desire to
work in the industry is the degree of
level of quality you need is that it is
quite high and it’s a status that many
and many artists that monterrey
do not know what it is
practically every pixel of the image
It must be perfect, and it’s very
hard to get though sometimes
sound ridiculous
feedback that can be given
you have to work that way because
is how you work in movies a standard
very high and it’s the new standard that
we want to put here both
monterrey or as in Mexico and the one
connected with another question there is a boom
of Mexican cinema and we talk about cinema
the golden age does not and then will speak
with the managers that we have but well
it’s true that you need something from
production is a neighborhood school to
who can be the managers and are
succeeding but with some houses
from behind other countries we are dealing
how to make a Mexican school of
production that we are far from it
stop in mexico
we always wherever he goes
What we will co
we say there is a lot of talent there is a lot
where exploit knows where to grab the
question is to take us on the road to
join a drink team whether they are in addition to
visual effects artists of
producer directors that go that we
we are knowing that monterrey and there
many people who have a lot of talent and
we all want a same goal
this dream is to reach
high quality products here in
monterrey and is talking about that from that
look with the same quality standard
or even more than the
US productions or
Canada is very encouraging
you who are watching from within
and if we wanted that what that
will breathe not to be lived and we have
here an oven that you are looking for
expand and create wealth and believe and
grow in the cinema
you what skills they need to
devote to that sab
when we are growing because
we have an education more
standardized
I did not have at home because you
vancouver to find that those same
ingredients that are needed to
so this is not a very art
abstract is to say at the end of accounts
we are artists and used the subjective
can get to do is then what
what I recommend is always have
the curiosity to go a little further
of what the teams that the school is
Orient in a certain way you can guide
in the sense that it is which is which
It is what you love to choose
a specialty but at the end of
accounts are you and you the one to say anything
more than you the one who decides if he’s going to take
you win and after talking every day I was going
sac a abbas to do on air at school
and after unveiling why those who because
here there is a lot of competition too and
the competition that we have is
directly and indirectly from
vancouver and go that yes it exists is very
very strong all to be able to be
catch up with dating is counted as
if you went to the Olympics you have to
to train every day
so if I said train a day 2
well stop you are already at a disadvantage with
with respect to its competitors
so the question I think is to go
give more than what they ask in the
school that has the job does not
it will come sometimes I have tired but
in this case to work but did not stop
be called to investigate what that
I can keep doing to stop
attract more contacts to bring more
contracts and so that work does not fall
here here in Monterrey and tell us a
little psuv went up a lot the moment
of throwing ourselves and chin we return here to
Monterrey and now what do I do now to
who knocked on the door of that process
yes yes it was a little bit it was not so much what
we waited for the truth wherever it
let’s always ask us the question of
what do you guys already love
working the industry because it
they made the dismissals what happened
but neither and not the truth is that at all
we come here with putting with the
goal of training people with the
visual effects techniques that do not
use others we also have an academy
training where we go is in fashion
more workshop type workshops
where we train the effects people
visual and it’s our dream to form
the industry and that eventually already
we are talking about a series or of or of
a commercial but a movie
whole and that people trust us
us and what we can do
this the visual effects of a
film of and with the same caliber as
in the international struggle and have made a
short film something yes
fortunately, as I was telling you
a very large community of producers
and directors and therefore it is that
We are giving a breakthrough in this
industry and
we have had many many meetings where
where they say to him of affection he does not know that
that could not be what can be done
here in monterrey or I thought what
visual effects will be more explosions
or western bullets that if they are effects
visual teacher is much more than that
are not things that you can not
imagine there are many visual effects
invisible what do you think of that
actor is walking down real street since
is not on the street is on a set of
filming with an open screen after
this is a lot sometimes the sky that
sky was cloudy they had to
change us they just changed him that
had the scene was in winter and the
recorded in the fall to know what to change
all things things and that happen in
sets in career in postproduction and that
are visual effects are so good
facts that you do not notice and it’s our
work that people do not notice is not
work with visual artists work
is well done when i ii and iii in the
tute city imagine how to incorporate
the visual effects in our day to
day teaches us some example of
cities
it’s not too far away that
technology in getting a little more
visual effects not only the
film industry but go more
there you do not mean applications or if
definitely the facts to the ladies
covers audiovisual production
it can also goes hand in hand
with the virtual reality that avoids comes
along with the production in 360
degrees also imagine how what
what will make see a movie of
360 degree terror
it’s going to be a completely
different and people are scared to go to
emerging cinema that you hear nothing
a voice through ticket hypothesis
that it will show and it will not be a
totally new experience
so if there are many ways to
incorporate the visual effects to the wing to
technology like those and also
we are working on it last
you have some challenge of a plant not
just a project that this is now
same and that if we are going to miss a bit
declared liver and fast just
finish a music video clip for
a band that is nominated to the
grammy to latin grammy is called cat
kitsch
the song is called flirtatious they like p
look for it until the video is in
youtube is doing very well we did
approximately 35 shots in which
we add visual effects something that does not
it’s been done here in monterrey
he is very proud of that are the
directors so delighted and of course
that we will continue to collaborate to
continue to get things that look more
amazing and will continue to oppose
all and today a door is
short film also with myself
colleagues from vancouver are so
excited with this video when I
I showed that who want to come to me
make a short here in monterrey and of
terror of advancement and that he was going to have
many visual defects very good we
let’s do this if you have thought
add development creatures completely
computerized and it’s going to look really cool and
and we have we are very excited about
a project that is already partly because the
next
I hope I ‘m happy so let’s go
to be following this hopefully that
cheer and ige to the community of
tdt search and hopefully we have and will
It spread to more people more not because
thank you very much but no thanks to you
yes for any information or if
you want to know a little more about us
find us on facebook we are pixel
perfect and the area that we publish
everything we work and everything that
We are currently doing
if it is not to win it and for that it has
to be reviewed enough
thank you very much for the invitation and
have an excellent afternoon of lukas
[Applause]
stakes in the end the public to
has behaved very well and that we are
presenting a new format
well seeing seeing all your baghlan
it impacted us a lot and it makes us happy
being citizens of Monterrey who since
here the industry of the
audiovisual content and I wanted
start and you understand the effects
visual effects that are what if they are
that are not
good first of all the effects
visuals is everything that is impossible to
create and reproduce in real life not
those of monsters explosions that are
too dangerous to perform in set
these fluid simulations everything
I see it is very expensive or impossible to
play in can be done by
medium of computer graphics and it’s
our specialty recreate what
that is not possible and and tell us a little
how did you get there and what did you start to move
when was the sales kid that
I really like this this content
I want to see the very restless child of
many movies still keeps a guy
reserved and that suddenly goes
I do not know how to get there how you discovered
that good world I think that I always
I was the family which g
starting because good as a kid
I always like a lot explained from
science fiction and the history of
visual effects and go hand in hand with the
Science fiction
then I watching documentaries of
how the movies were made
always surprised how they can
how can they achieve to do that yes in
reality are those things those scenarios
characters that really can not
exist in real life then that
it took to have the thorn of not
investigate on my own and
originating from sonora and investigate what
more like what I wanted was the
animation career and that was what
brought me here to monterrey to aa start
my career
then it is easier to have clearer
it was growing a little bit more
Yes, of course, as you shape your
profession you realize that what
What was more interesting was not leaving aside
what interests us so much to want
specialize in what is called the
attention what you enjoy doing more and
what counts does it make us a little bit when we go
the movies and
so let’s go personally for me
is very interested in the history that has a
content but it is true that the
voters do not lead to another invention
and sometimes maybe we do not appreciate it from
we all look a little bit more at the
narrative and fire and behind this
is happening and very much
a lot of things not then ducati
likewise the visual effects is another
narrative or yes clear
unfortunately with how the
unfortunate because there have been many cases
Abuse of true visual effects
for me it is my point of view the
best visual effects will be of
agree with me are those who support
tell the story not the ones who
they are merely support for the narrative
to achieve the vision of what the
director wants to tell
there are a lot of movies that go from the
hand and they are favorites nothing of them
I do not know if you see the opportunity
I had the opportunity to see machine and
they wear that first one goes very hand in hand with
that vision and we have the other extreme
which is the case that the effects
visuals as they sell they do not sell they sell
tickets at the box office and and here and there
cases in which those have been abused
also announced that the story is
secondary and stops being a story
told with visual effects to do
pure visual effects there with a
middle history bizarre half that not that
not really do not need to be told
with effects the most more example
Of course we have is transformers not
you can do or what the work is
very well done do not misunderstand me
I’ll see reason but I either what
be what I bach and it can happen that
let’s have friends that I support only today
to the movies with effects because I
I’m asleep in 1
We really like minetti hits for
example I loved narrative the
scenography in addition and perhaps for
help more but it is an extra that
it’s worth giving a movie that’s worth
It’s worth seeing even if it’s not full of
visual effects
how do you imagine the future of respect
and salsa I do not think I ‘m going to get to sas
technology still to be seen
for developing so much in the cinema in the
physical space that we go as
neighbors to come up with a vision that
yes it will end with that question that I
do you come to mind a
conference that existed in vancouver
where he defended the tri which is the one that was
the visual effects supervisor of
avatar to present the letters of
visual effects cameras of the young man who
at that time I had just released
choice exactly one question what
you’re doing and I think I ‘m going
to steal because I liked it
really liked the way that in that
responded and is that the whole depends on
the vision that the director has if
steven spielberg not having come with the
idea that today or create a few years and that
be real and we are going to use the
computers we support computers
but you can achieve this effect nobody will
I would have realized that today in
graphics with professionals at the end of
accounts are used to create effects and
that are real no and that’s what
that boosted the industry with jurassic
park
that is our strong here is the way
to continue using graphics we can
perform unthinkable things
then returning to your question
everything depends on how far you want
get this one every director and I
I think that we are going to
photorealism and but we’re going to get to a
point where we’re going to stop seeing a
movie with visual effects exculpates
so he cheated us completely on
the reality not and the example more
next I can think of only in the
avatar movies that scream my
colleagues are
we are in the hands for what because
come very good things so that is
to the visual effects they will see
hyperrealistic hopefully it will touch us already
I do not know what to say and how was the
approach to aguirre showed that
there lately and has not
the moment if the contact
the expectation surprised you was already
there and there was black as easy clear
what he showed was a very
special because I’m a co-founder
of pixar herrán allegretti that I sent him
a greeting had had the experience of
work with the fex rodeo people
in montreal
then from there of those contacts
what he does during his work in
montreal points could contact for
to be able to do author work and via
remote and and it was not
fortunately it was a very boost
great for our company because I do not know
they recognized him as as ernesto
ok, really, and if they come with
everything to revolutionize the industry that
monterrey
happiness is why that takes you
well from learning to
many things that surprise you more
the way they work in the way
that you work a lot of pressure and that
let’s go together the day this or not
make them all the bench wait for
today from here you can dedicate yourself
autumn men what what you
surprised more than good in general not
nothing more than he showed his desire to
work in the industry is the degree of
level of quality you need is that it is
quite high and it’s a status that many
and many artists that monterrey
do not know what it is
practically every pixel of the image
It must be perfect, and it’s very
hard to get though sometimes
sound ridiculous
feedback that can be given
you have to work that way because
is how you work in movies a standard
very high and it’s the new standard that
we want to put here both
monterrey or as in Mexico and the one
connected with another question there is a boom
of Mexican cinema and we talk about cinema
the golden age does not and then will speak
with the managers that we have but well
it’s true that you need something from
production is a neighborhood school to
who can be the managers and are
succeeding but with some houses
from behind other countries we are dealing
how to make a Mexican school of
production that we are far from it
stop in mexico
we always wherever he goes
What we will co
we say there is a lot of talent there is a lot
where exploit knows where to grab the
question is to take us on the road to
join a drink team whether they are in addition to
visual effects artists of
producer directors that go that we
we are knowing that monterrey and there
many people who have a lot of talent and
we all want a same goal
this dream is to reach
high quality products here in
monterrey and is talking about that from that
look with the same quality standard
or even more than the
US productions or
Canada is very encouraging
you who are watching from within
and if we wanted that what that
will breathe not to be lived and we have
here an oven that you are looking for
expand and create wealth and believe and
grow in the cinema
you what skills they need to
devote to that sab
when we are growing because
we have an education more
standardized
I did not have at home because you
vancouver to find that those same
ingredients that are needed to
so this is not a very art
abstract is to say at the end of accounts
we are artists and used the subjective
can get to do is then what
what I recommend is always have
the curiosity to go a little further
of what the teams that the school is
Orient in a certain way you can guide
in the sense that it is which is which
It is what you love to choose
a specialty but at the end of
accounts are you and you the one to say anything
more than you the one who decides if he’s going to take
you win and after talking every day I was going
sac a abbas to do on air at school
and after unveiling why those who because
here there is a lot of competition too and
the competition that we have is
directly and indirectly from
vancouver and go that yes it exists is very
very strong all to be able to be
catch up with dating is counted as
if you went to the Olympics you have to
to train every day
so if I said train a day 2
well stop you are already at a disadvantage with
with respect to its competitors
so the question I think is to go
give more than what they ask in the
school that has the job does not
it will come sometimes I have tired but
in this case to work but did not stop
be called to investigate what that
I can keep doing to stop
attract more contacts to bring more
contracts and so that work does not fall
here here in Monterrey and tell us a
little psuv went up a lot the moment
of throwing ourselves and chin we return here to
Monterrey and now what do I do now to
who knocked on the door of that process
yes yes it was a little bit it was not so much what
we waited for the truth wherever it
let’s always ask us the question of
what do you guys already love
working the industry because it
they made the dismissals what happened
but neither and not the truth is that at all
we come here with putting with the
goal of training people with the
visual effects techniques that do not
use others we also have an academy
training where we go is in fashion
more workshop type workshops
where we train the effects people
visual and it’s our dream to form
the industry and that eventually already
we are talking about a series or of or of
a commercial but a movie
whole and that people trust us
us and what we can do
this the visual effects of a
film of and with the same caliber as
in the international struggle and have made a
short film something yes
fortunately, as I was telling you
a very large community of producers
and directors and therefore it is that
We are giving a breakthrough in this
industry and
we have had many many meetings where
where they say to him of affection he does not know that
that could not be what can be done
here in monterrey or I thought what
visual effects will be more explosions
or western bullets that if they are effects
visual teacher is much more than that
are not things that you can not
imagine there are many visual effects
invisible what do you think of that
actor is walking down real street since
is not on the street is on a set of
filming with an open screen after
this is a lot sometimes the sky that
sky was cloudy they had to
change us they just changed him that
had the scene was in winter and the
recorded in the fall to know what to change
all things things and that happen in
sets in career in postproduction and that
are visual effects are so good
facts that you do not notice and it’s our
work that people do not notice is not
work with visual artists work
is well done when i ii and iii in the
tute city imagine how to incorporate
the visual effects in our day to
day teaches us some example of
cities
it’s not too far away that
technology in getting a little more
visual effects not only the
film industry but go more
there you do not mean applications or if
definitely the facts to the ladies
covers audiovisual production
it can also goes hand in hand
with the virtual reality that avoids comes
along with the production in 360
degrees also imagine how what
what will make see a movie of
360 degree terror
it’s going to be a completely
different and people are scared to go to
emerging cinema that you hear nothing
a voice through ticket hypothesis
that it will show and it will not be a
totally new experience
so if there are many ways to
incorporate the visual effects to the wing to
technology like those and also
we are working on it last
you have some challenge of a plant not
just a project that this is now
same and that if we are going to miss a bit
declared liver and fast just
finish a music video clip for
a band that is nominated to the
grammy to latin grammy is called cat
kitsch
the song is called flirtatious they like p
look for it until the video is in
youtube is doing very well we did
approximately 35 shots in which
we add visual effects something that does not
it’s been done here in monterrey
he is very proud of that are the
directors so delighted and of course
that we will continue to collaborate to
continue to get things that look more
amazing and will continue to oppose
all and today a door is
short film also with myself
colleagues from vancouver are so
excited with this video when I
I showed that who want to come to me
make a short here in monterrey and of
terror of advancement and that he was going to have
many visual defects very good we
let’s do this if you have thought
add development creatures completely
computerized and it’s going to look really cool and
and we have we are very excited about
a project that is already partly because the
next
I hope I ‘m happy so let’s go
to be following this hopefully that
cheer and ige to the community of
tdt search and hopefully we have and will
It spread to more people more not because
thank you very much but no thanks to you
yes for any information or if
you want to know a little more about us
find us on facebook we are pixel
perfect and the area that we publish
everything we work and everything that
We are currently doing
if it is not to win it and for that it has
to be reviewed enough
thank you very much for the invitation and
have an excellent afternoon of lukas
[Applause]
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