in cinema and on the small screen the
great unknown provides plenty of
suspense this inching a single attitude
the glue consumes the Plymouth welcome
to watchmojo.com and today we’re
counting down our picks for the top 10
space has routines in movies and TV
before we begin we publish new videos
every day so be sure to subscribe for
more great content ridiculous we’re
counting down the most iconic of space
threat sequences in both television and
film of course a spoiler alert is now in
effect Oh number 10 black hole
Star Trek can even speak with Nero
having already destroyed Vulcan by
creating a black hole the Enterprise
crew finds himself in a sticky and
engulfing situation when the red matter
explodes it seems as though an
everlasting light may consume Captain
Kirk and company but they do in fact
escape within such a well received
reboot this scene reminds John rillettes
that director JJ Abrams is more than
capable of pushing a franchise forward
utilizing a time bending concept if you
will the film as a whole and certainly
sucking audiences in along with the
Enterprise crew
number nine
a dangerous Disney affair dinosaur
I don’t know is the inciting incident in
this Disney live-action CGI flick this
colorful meteor sequence represents both
a majestic and terrifying moment for the
islands inhabitants and at first the
visuals inspired childlike wonder for
dinosaurs and lemurs of varying ages but
the shower naturally turns deadly once
the apparent magic evolved into fireball
given the CGI nature of the family film
the horror doesn’t stand up to the other
space hazard event yet there’s just
enough to shake up the intended
demographic overall it works thanks to
the artistic design the suspenseful
pacing and certainly the visual of a
talking dinosaur wading through water
terrified for his life and family number
8 practice wait star trek 6 the
undiscovered country
kicking off the final cinematic go-round
for the original Star Trek cast a
Klingon moon blows up creating utter
chaos among the Empire the massive
shockwave keeps the crew floored as Sulu
panic and with good reason
praxis is gone well mostly and that’s
the bad news
of course as the Klingons will
ultimately have to seek peace with the
Federation for 1991 it’s an impressive
space Hazard scene even if the drama
occurs mostly within the USS excelsior
and given that the final frontier didn’t
go so well this moment ensured Trekkies
a more positive experience for the rest
of the undiscovered country as a whole
no job’ that was an immediate show
negative sir number 7 joint operation
missile strike the day the sky exploded
nah monster viene de los patio well
there it is directed by Paolo a oh Sh la
Madre viene de espacio is largely
recognized as the first science fiction
production of Italian cinema the exact
explanation of these phenomena is not
yet known but it is generally thought by
men of science that they are in some way
the results of recent experiments in
space travel once a rocket mission goes
wrong early on asteroids are sent flying
through space with the hope being that
the moon will protect planet Earth of
course it doesn’t and as a result all
hell breaks loose yet there’s still the
possibility of destroying the massive
cluster by engaging every missile
available shot in black and white the
film doesn’t necessarily have that wow
factor at least by today’s standards but
the explosive finale marks a significant
moment for the advancement of
international genre based film we’re
safe
whereas a merry number six the Biederman
fragment deep impact in many leaders pre
9/11 disaster flick Americans and the
world await the first of two comet
chunks that will create a mega tsunami
in the Atlantic Ocean as the tension
build the Biederman Rock finally hits
with the visuals becoming increasingly
stressful
of course the image of a giant wave
plowing through Manhattan and past the
twin towers has a powerful effect today
but for the time it was a staple of the
genre given the continuous advancements
in technology
granted the horror expressed by the
characters doesn’t match the chaos of
the visuals making deep impact more of a
popcorn flick and a product of its time
rather than an enduring classic still
this sequence will always have place in
blockbuster history families there yet
not know why I’m a Shia number 5
melancholia arrived melancholia
[Music]
throughout Lars von Trier is thoroughly
depressing film a sense of dread is
passed from one character to another at
first Kirsten Dunst just Dean succumbs
to the feeling of melancholia while her
sister Claire later fears the planet
melancholia which seems to be headed
directly for Earth more of a character
study than a disaster film melancholy oz
finale produces a sense of unity and
symmetry as the gassy mass emerges it’s
a terrifying conclusion but poetic as
well as the metaphoric nature of the
scene holds more power than the visual
itself curve on trees work any cinematic
hazard is typically more about the
internal character of the scene rather
than how it looks
[Music]
number four digital cornfields and
superhuman horror Smallville help me
help me please
a little over a month after 9/11 a Clark
Kent Superman origin series premiered on
the WB and while the opening meteor
shower brought Tom Welling superhuman
character to earth it also took away
Lana’s parents and Lex’s hair
terrorizing middle America the space
hazard kicked off the series with a
fiery bang perhaps somewhat distasteful
for the time but still impressive
nonetheless even so it’s a notable
Hazzard sequence of superhero
entertainment complete with digital
cornfields
[Music]
what the series ultimately proved to be
a legitimate hit for the network all in
all this jaw-dropping production marks a
new era for Superman and certainly for
the WB Martha number three goodbye Harry
Armageddon my Jewish Jessica hi
directed by Michael Bay Armageddon
suggests a Hazzard achoo with its title
alone but no one could prepare for the
teary farewell as a brave soul named
Harry Stamper sacrifices himself for
Humanity
come on Harry press the button Ron all
I’m asking you just one more minute
attempting to detonate a bomb
Harry struggles mightily as the world
washes but this man is a genuine hero a
concept supported by the poignant dialog
of one Ben Affleck of course Bruce
Willis never disappoints in action play
and his honorable move produces a
genuinely moving montage as his life
flashes before him as a rather nasty
explosion does the same given the
barrage of international images
Armageddon closes out with grace as does
Harry Stanford’s life’s
new demand number two the asteroid field
Star Wars Episode five the Empire
Strikes Back
we have asked to go into an ask for
experience in a film that inspired a
world of science-fiction fanatic this
asteroid sequence delivers on multiple
levels
surely one must bow down to the special
effect but the moment is complemented by
the cool composure of the character not
to mention the hilarious dialogue the
possibility of successfully navigating
an asteroid field is approximately 3,720
do whatever tell me the odds on Solo and
Princess Leia may seem a bit too relaxed
given the circumstances but the epic
nature of the Millennium Falcon sequence
lives on as a classic moment in cinema
and while the asteroid chase from Attack
of the Clones doesn’t have the same
legacy within pop-culture it’s still one
of the best as well and certainly a
stressful moment for die-hard fans and
first-time viewers alike before we
unveil our top pick here are a few
honorable mention
[Music]
what am I looking at that’s a black
holes black holes don’t need food
neither do nerds my manwich hahaha
number one debris chain-reaction gravity
debris from the missile strike has
caused a chain reaction hitting other
satellites and creating new debris many
space hazards are mentally experienced
in the movie theater and Alfonso Cuaron
jaw-dropping space debris sequence from
gravity only reinforces this idea
initializing I’m not going to ask you
again one second not one second now shut
it down with one continuous shot the
team takes audiences on a ride with a
small crew with Planet Earth
serving as the hypnotic backdrop
especially when things get hairy
the breeze probably at least set its a
legitimately engulfing moment as the
color palette and camerawork produce a
realistic vibe despite the obvious fact
that it’s not real
once the debris from a Russian missile
strike hits the space shuttle at a high
speed the dizzying effect takes viewers
into the mind of Brian stone and Matt
Kowalski and lend some humanity to an
otherwise effects driven filament do you
agree with our picks check out these
other great clips from WatchMojo and
subscribe for new videos every day
[Music]
great unknown provides plenty of
suspense this inching a single attitude
the glue consumes the Plymouth welcome
to watchmojo.com and today we’re
counting down our picks for the top 10
space has routines in movies and TV
before we begin we publish new videos
every day so be sure to subscribe for
more great content ridiculous we’re
counting down the most iconic of space
threat sequences in both television and
film of course a spoiler alert is now in
effect Oh number 10 black hole
Star Trek can even speak with Nero
having already destroyed Vulcan by
creating a black hole the Enterprise
crew finds himself in a sticky and
engulfing situation when the red matter
explodes it seems as though an
everlasting light may consume Captain
Kirk and company but they do in fact
escape within such a well received
reboot this scene reminds John rillettes
that director JJ Abrams is more than
capable of pushing a franchise forward
utilizing a time bending concept if you
will the film as a whole and certainly
sucking audiences in along with the
Enterprise crew
number nine
a dangerous Disney affair dinosaur
I don’t know is the inciting incident in
this Disney live-action CGI flick this
colorful meteor sequence represents both
a majestic and terrifying moment for the
islands inhabitants and at first the
visuals inspired childlike wonder for
dinosaurs and lemurs of varying ages but
the shower naturally turns deadly once
the apparent magic evolved into fireball
given the CGI nature of the family film
the horror doesn’t stand up to the other
space hazard event yet there’s just
enough to shake up the intended
demographic overall it works thanks to
the artistic design the suspenseful
pacing and certainly the visual of a
talking dinosaur wading through water
terrified for his life and family number
8 practice wait star trek 6 the
undiscovered country
kicking off the final cinematic go-round
for the original Star Trek cast a
Klingon moon blows up creating utter
chaos among the Empire the massive
shockwave keeps the crew floored as Sulu
panic and with good reason
praxis is gone well mostly and that’s
the bad news
of course as the Klingons will
ultimately have to seek peace with the
Federation for 1991 it’s an impressive
space Hazard scene even if the drama
occurs mostly within the USS excelsior
and given that the final frontier didn’t
go so well this moment ensured Trekkies
a more positive experience for the rest
of the undiscovered country as a whole
no job’ that was an immediate show
negative sir number 7 joint operation
missile strike the day the sky exploded
nah monster viene de los patio well
there it is directed by Paolo a oh Sh la
Madre viene de espacio is largely
recognized as the first science fiction
production of Italian cinema the exact
explanation of these phenomena is not
yet known but it is generally thought by
men of science that they are in some way
the results of recent experiments in
space travel once a rocket mission goes
wrong early on asteroids are sent flying
through space with the hope being that
the moon will protect planet Earth of
course it doesn’t and as a result all
hell breaks loose yet there’s still the
possibility of destroying the massive
cluster by engaging every missile
available shot in black and white the
film doesn’t necessarily have that wow
factor at least by today’s standards but
the explosive finale marks a significant
moment for the advancement of
international genre based film we’re
safe
whereas a merry number six the Biederman
fragment deep impact in many leaders pre
9/11 disaster flick Americans and the
world await the first of two comet
chunks that will create a mega tsunami
in the Atlantic Ocean as the tension
build the Biederman Rock finally hits
with the visuals becoming increasingly
stressful
of course the image of a giant wave
plowing through Manhattan and past the
twin towers has a powerful effect today
but for the time it was a staple of the
genre given the continuous advancements
in technology
granted the horror expressed by the
characters doesn’t match the chaos of
the visuals making deep impact more of a
popcorn flick and a product of its time
rather than an enduring classic still
this sequence will always have place in
blockbuster history families there yet
not know why I’m a Shia number 5
melancholia arrived melancholia
[Music]
throughout Lars von Trier is thoroughly
depressing film a sense of dread is
passed from one character to another at
first Kirsten Dunst just Dean succumbs
to the feeling of melancholia while her
sister Claire later fears the planet
melancholia which seems to be headed
directly for Earth more of a character
study than a disaster film melancholy oz
finale produces a sense of unity and
symmetry as the gassy mass emerges it’s
a terrifying conclusion but poetic as
well as the metaphoric nature of the
scene holds more power than the visual
itself curve on trees work any cinematic
hazard is typically more about the
internal character of the scene rather
than how it looks
[Music]
number four digital cornfields and
superhuman horror Smallville help me
help me please
a little over a month after 9/11 a Clark
Kent Superman origin series premiered on
the WB and while the opening meteor
shower brought Tom Welling superhuman
character to earth it also took away
Lana’s parents and Lex’s hair
terrorizing middle America the space
hazard kicked off the series with a
fiery bang perhaps somewhat distasteful
for the time but still impressive
nonetheless even so it’s a notable
Hazzard sequence of superhero
entertainment complete with digital
cornfields
[Music]
what the series ultimately proved to be
a legitimate hit for the network all in
all this jaw-dropping production marks a
new era for Superman and certainly for
the WB Martha number three goodbye Harry
Armageddon my Jewish Jessica hi
directed by Michael Bay Armageddon
suggests a Hazzard achoo with its title
alone but no one could prepare for the
teary farewell as a brave soul named
Harry Stamper sacrifices himself for
Humanity
come on Harry press the button Ron all
I’m asking you just one more minute
attempting to detonate a bomb
Harry struggles mightily as the world
washes but this man is a genuine hero a
concept supported by the poignant dialog
of one Ben Affleck of course Bruce
Willis never disappoints in action play
and his honorable move produces a
genuinely moving montage as his life
flashes before him as a rather nasty
explosion does the same given the
barrage of international images
Armageddon closes out with grace as does
Harry Stanford’s life’s
new demand number two the asteroid field
Star Wars Episode five the Empire
Strikes Back
we have asked to go into an ask for
experience in a film that inspired a
world of science-fiction fanatic this
asteroid sequence delivers on multiple
levels
surely one must bow down to the special
effect but the moment is complemented by
the cool composure of the character not
to mention the hilarious dialogue the
possibility of successfully navigating
an asteroid field is approximately 3,720
do whatever tell me the odds on Solo and
Princess Leia may seem a bit too relaxed
given the circumstances but the epic
nature of the Millennium Falcon sequence
lives on as a classic moment in cinema
and while the asteroid chase from Attack
of the Clones doesn’t have the same
legacy within pop-culture it’s still one
of the best as well and certainly a
stressful moment for die-hard fans and
first-time viewers alike before we
unveil our top pick here are a few
honorable mention
[Music]
what am I looking at that’s a black
holes black holes don’t need food
neither do nerds my manwich hahaha
number one debris chain-reaction gravity
debris from the missile strike has
caused a chain reaction hitting other
satellites and creating new debris many
space hazards are mentally experienced
in the movie theater and Alfonso Cuaron
jaw-dropping space debris sequence from
gravity only reinforces this idea
initializing I’m not going to ask you
again one second not one second now shut
it down with one continuous shot the
team takes audiences on a ride with a
small crew with Planet Earth
serving as the hypnotic backdrop
especially when things get hairy
the breeze probably at least set its a
legitimately engulfing moment as the
color palette and camerawork produce a
realistic vibe despite the obvious fact
that it’s not real
once the debris from a Russian missile
strike hits the space shuttle at a high
speed the dizzying effect takes viewers
into the mind of Brian stone and Matt
Kowalski and lend some humanity to an
otherwise effects driven filament do you
agree with our picks check out these
other great clips from WatchMojo and
subscribe for new videos every day
[Music]
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