well thank you for being here
we’re so happy to have the opportunity
to speak with you today
we hope we are oh my not Easter time or
the second time maybe Miami time but on
time I’m a composer and sound designer
and the same director to New York as on
time we create multimedia pieces and
experiences namely moving paintings we
create them for airlines hospitals
waiting rooms they don’t really be it
but we don’t go by walk when your death
saw what with consciousness a moving
painting comprised of 38 individual
paintings which simply what Sophia
creates and open process and that
besides the sound in one word can anyone
describe something yourself it’s not me
no faces can you have too late like hold
on it was just a normal nothing it mean
it’s great all right
as you see each of you had a different
experience you need the perception of
each one of us is as valid as a
perception of the next you look at when
I’m nervous my leg shaking scent of my
trousers but is movies a little magnet
it’s not visible on my face either I
didn’t mean you little you see I just
took what’s the PSF as a kid
how I handle my nervousness in public
well it was just right to express how I
feel when I’m nervous
I took it personally she could be
personal you know the story of thinking
things person is to drive me crazy
I always wanted how can it not be
personal I’m also the kind of person
that thinks that not because I’m
paranoid doesn’t mean they’re after you
back to me okay so how can it not be
personal
have you ever felt this way with the
moving paintings which are we go into
human perception we want to show you and
make you aware what’s personal and what
isn’t
in 2001 I made the first movie thing I
called the birth and it was sight and
I’ve made like one a year since then in
2010 Scott came on board and I think
that probably may include different
level and I think it was because of our
love which it also helped us get out of
our artistic isolation and it kept me
from giving up loving things together
yes you have to get them ahead of the
time but right now I think we are on
time can you imagine what it is like to
work with your mother the film director
what can you imagine what it is to stop
being yourself and begin to be Cosmo
needless to say our collaboration means
a lot of patience and the sense of humor
when we first started working together I
didn’t consider the fact that we are
related at all I was attracted to our
comments and specifics and ideas but I
was amazed my job become composure that
I admire and the thinker in her own
brilliance I’m sweet we both have very
strong personalities we are both very
opinionated here assertive women yes but
we’ve learned to recognize where we come
from the ego and keep that in check
we also work very hard at letting go of
control and we complement each other
very well we can read each other’s
writings and we predict each other’s
works honesty most importantly we are
learning not to take each other
personally this can be even more
difficult in a family setting when in
comparison to other relationship
dynamics but we try our best what we
regress only painting is a four
dimensional read the fourth dimension
being time there an abstract energy
between finites
digital painting cinematography
photography sound and music they are
designed to avoid old age discrimination
of gender race age language
their artwork anyone’s interpretation
to be able to create crushes work of art
you have to be able to let completely
both control Jim the creative process I
go into a trance and we might come out I
hope that what I’ve done and choose what
I’m going to use with the moving
paintings they contain a subconscious
narrative which transports the viewer or
me to a timeless spaceless realm once
there I allow visceral reaction to lead
me in the sound design process so we
create subconsciously in that space
where we all know everything your
subconscious or conscious minutes from
our story there’s a conscious extracts a
story that is relevant only to you to
each one of you your own story this we
consider effective communication the
feedback communication needs to be
effective is your story I have a
perfectly individual life and whether it
is comprised of my family my family line
my culture my language my neighborhood
right my prejudices so my perception of
my life is completely individual you
inhabit yours so by definition yours and
mine curves or Hills can never be the
thing and it isn’t so the moving
painting brings you to the right
hemisphere of your brain and you find
yourself in the
in the employee space where you can see
the liberal artists some say it’s like
looking at clouds for some its
limitations for others it’s like
listening to Lucy in the Sky with
Diamonds for us is oneness so in the
subconscious where we don’t everything
why do we get there because just as we
didn’t exercise any control you kind of
how can two people take something
personally if they are apparently
talking to each other but are actually
talking to themselves so no matter what
we perceive the result is seen through
the eye of the beholder so the next time
you feel like scratching someone’s eyes
out or something they said you might
want to pause and us peace what your
understanding is what they are saying
most of the time you’ll receive a
surprise reaction know what I meant if
what you see is when your eyes what you
think is on in your mind what you
witness is what you think
we’ve seen button but I here is not what
I hear what I see I project onto you as
on a screen but I feel I transfer onto
my image of you but there is my own
perception
maybe in the mirror you are somehow an
accidental bystander people think we are
seeing another we both feel sure of what
we see we are both Abba diluted by the
Maya the illusion a fantasy we don’t see
things as they are we see things as we are thank you
we’re so happy to have the opportunity
to speak with you today
we hope we are oh my not Easter time or
the second time maybe Miami time but on
time I’m a composer and sound designer
and the same director to New York as on
time we create multimedia pieces and
experiences namely moving paintings we
create them for airlines hospitals
waiting rooms they don’t really be it
but we don’t go by walk when your death
saw what with consciousness a moving
painting comprised of 38 individual
paintings which simply what Sophia
creates and open process and that
besides the sound in one word can anyone
describe something yourself it’s not me
no faces can you have too late like hold
on it was just a normal nothing it mean
it’s great all right
as you see each of you had a different
experience you need the perception of
each one of us is as valid as a
perception of the next you look at when
I’m nervous my leg shaking scent of my
trousers but is movies a little magnet
it’s not visible on my face either I
didn’t mean you little you see I just
took what’s the PSF as a kid
how I handle my nervousness in public
well it was just right to express how I
feel when I’m nervous
I took it personally she could be
personal you know the story of thinking
things person is to drive me crazy
I always wanted how can it not be
personal I’m also the kind of person
that thinks that not because I’m
paranoid doesn’t mean they’re after you
back to me okay so how can it not be
personal
have you ever felt this way with the
moving paintings which are we go into
human perception we want to show you and
make you aware what’s personal and what
isn’t
in 2001 I made the first movie thing I
called the birth and it was sight and
I’ve made like one a year since then in
2010 Scott came on board and I think
that probably may include different
level and I think it was because of our
love which it also helped us get out of
our artistic isolation and it kept me
from giving up loving things together
yes you have to get them ahead of the
time but right now I think we are on
time can you imagine what it is like to
work with your mother the film director
what can you imagine what it is to stop
being yourself and begin to be Cosmo
needless to say our collaboration means
a lot of patience and the sense of humor
when we first started working together I
didn’t consider the fact that we are
related at all I was attracted to our
comments and specifics and ideas but I
was amazed my job become composure that
I admire and the thinker in her own
brilliance I’m sweet we both have very
strong personalities we are both very
opinionated here assertive women yes but
we’ve learned to recognize where we come
from the ego and keep that in check
we also work very hard at letting go of
control and we complement each other
very well we can read each other’s
writings and we predict each other’s
works honesty most importantly we are
learning not to take each other
personally this can be even more
difficult in a family setting when in
comparison to other relationship
dynamics but we try our best what we
regress only painting is a four
dimensional read the fourth dimension
being time there an abstract energy
between finites
digital painting cinematography
photography sound and music they are
designed to avoid old age discrimination
of gender race age language
their artwork anyone’s interpretation
to be able to create crushes work of art
you have to be able to let completely
both control Jim the creative process I
go into a trance and we might come out I
hope that what I’ve done and choose what
I’m going to use with the moving
paintings they contain a subconscious
narrative which transports the viewer or
me to a timeless spaceless realm once
there I allow visceral reaction to lead
me in the sound design process so we
create subconsciously in that space
where we all know everything your
subconscious or conscious minutes from
our story there’s a conscious extracts a
story that is relevant only to you to
each one of you your own story this we
consider effective communication the
feedback communication needs to be
effective is your story I have a
perfectly individual life and whether it
is comprised of my family my family line
my culture my language my neighborhood
right my prejudices so my perception of
my life is completely individual you
inhabit yours so by definition yours and
mine curves or Hills can never be the
thing and it isn’t so the moving
painting brings you to the right
hemisphere of your brain and you find
yourself in the
in the employee space where you can see
the liberal artists some say it’s like
looking at clouds for some its
limitations for others it’s like
listening to Lucy in the Sky with
Diamonds for us is oneness so in the
subconscious where we don’t everything
why do we get there because just as we
didn’t exercise any control you kind of
how can two people take something
personally if they are apparently
talking to each other but are actually
talking to themselves so no matter what
we perceive the result is seen through
the eye of the beholder so the next time
you feel like scratching someone’s eyes
out or something they said you might
want to pause and us peace what your
understanding is what they are saying
most of the time you’ll receive a
surprise reaction know what I meant if
what you see is when your eyes what you
think is on in your mind what you
witness is what you think
we’ve seen button but I here is not what
I hear what I see I project onto you as
on a screen but I feel I transfer onto
my image of you but there is my own
perception
maybe in the mirror you are somehow an
accidental bystander people think we are
seeing another we both feel sure of what
we see we are both Abba diluted by the
Maya the illusion a fantasy we don’t see
things as they are we see things as we are thank you
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