Goon
Hello
Kobayashi who is a curator at the Fukushima prefectural museum where he said that he is a fine museum now
I will say
Thank you for giving us your opportunity to count your uncle today .
I influenced everyone
I tell you what I feel for the past few years that it is important through the work involved in the museum
I love you.
I have decided that I am allowed to talk
It is Fukushima Prefectural Museum Museum
100 The work of the officials is to investigate the history of the area, collect and leave and tell
So the Fukushima prefectural museum in which I work is examining the history of Fukushima prefecture and collecting it
of
5 and to tell it as a role
My job is to engage there and realize the role of the museum
But out of the role of the museum recently
I began to realize the importance of leaving what I leave
Especially for the past several years
Among them , as a museum I wonder how I should tell you how to leave it
Fukushima Prefectural over the three years up to 2012, from one of the businesses that started the 2010 year by
The museum has gone
Jun Aizu
It is a business that true art festival
This business is one of the cultural resources that there are a lot in the Aizu region of Fukushima Prefecture
I did it on the theme of lacquer
In Aizu, Urushi has a history since the Jomon Period 2400 years ago
By choosing the body with its history, various stocks dating back to the time as a museum
It was because I thought that having a business can play the backbone role of the project
If so placed Hotel of the people expressed in the incorporation of after that Arts Festival
With the power of sounds we can discover and meet the charm of Aizu through lacquer
I thought
100 people about the writer’s craftsmen are participating in the Arts Festival every year for three years Aizu lacquer
Done
Each and every piece of that work has a strong message
I can not introduce each one here, but I will introduce one of them here
First of 2010 I am seeing the lacquer artist Mr. Miyahara Kazuhito
Made
It is a work
At the time of this art festival everyone participates in a museum planning tour and makes a work
Whats going on?
I wanted I will tell as a work history of the land then on I learned the lacquer of tricks
is
Miyahara traveled around Aiguwakamatsu and the opening of Kitakata
We selected the Yamato River’s increase production of sake brewery in the shape we were in the result as an exhibition hall
And in this hill bra in a place that everyone’s now it is lined with liquor bottles as giving me a look
I made a work by modeling the lid of the prefecture with lacquer which used to be made of sake making once as a house
so
see
In history it is delicious water a turn rich home of the person who has this tree is very of this place of this land
It is also a proof that we have been making blessed and delicious slopes for hundreds of years
Now using the very high material persistence say it Miyahara’s the lacquer
It left me as a message to be left for the future
Thus the history of this land and house
Our attempt to tell richly from the perspective of football continues after 2011
I was preparing to go, but I have no choice but to make a big change here
East on March 11, 2011
Japan’s Great Earthquake Occurred Large since then TEPCO Fukushima Daiichi Nuclear Power Plant Exploded
So we changed the theme of the lacquer art festival to be held in 2011 to Yale to Tohoku
Messages to the Tohoku using expressive means of everybody of everybody of the large expression now and Tohoku
It expressed messages through the work that should be disseminated to the world from
Good luck side-by-side shoulder to the writer’s who of contemporary artists and his friends and other lacquer and various representations to the mountains of
It was
It is the creator of Aizu’s lacquerware
What I’m seeing now is that Kurasuke Keisuke who made the lacquer made himself
It is one that exhibited humidity
Mr. Open opened a title for yourself to the age of revitalization
Here is the message of Mr. Open
From what happened in 2011 we were able to learn a lot
Something that is not Sakai that consumes and uses a lot of energy to make it skin
There is no of the necessary modalities of such society, such as going to use to get to protect the important Repeat
Corner
This vessel of open prolific is on many of Aizu you have me to convey as a message
The cow creator tells me such a thing as a message, but it is a lacquer’s
Painted at the lacquerware station that the creators took for decades to make the wood split up over several decades
Make something from the nature of making things and make things in a long time span
I am a person
I think that it was because it was there
And in this way craftsmen of Aizu is in 2011, many in response to change our theme
I think very proud still to be with us to transmit a message
And it was the third year of 2012
We changed to the memory future of the theme loss of the lacquer art festival
I could also check the power of art here
The image you are viewing now is a place nearer than 9 days or so
Suehiro Sake Mr. I was allowed to exhibit the work in a reservoir that is to create the waist
Between born between handshake of people who are the people that there is a small white object on display here
It is a work
People accused of having a lot of temporary housing in Fukushima prefecture in 2012 could stand there
It was around time to be reflected in
Many people were evacuating to inns and hotels in Aizu too
Something hit to everyone who had taken refuge moves to temporary housing
Come hear those words of gratitude also like to express large
We talked to the writer and the idea that a writer issued
It was that how would it be if we recorded the clay between handshakes between those two people by recording it?
It is
And owners and employees of hotels and hotels
And the memories of handshake born among those who evacuated was put white glaze by writer
It is
Ya kicked bake bake it is the went this way become one one of the work
And this small small one of each one
Important work we are on top of the circular table lacquer of breath who’s the big black lacquered made me cues
It was exhibited in
There is the word “jet black” It is black of lacquer
Lacquer produces a very deep and shining struggle
A very polished black surface is like a slight reflection of our figure
Beautiful appearance like mirror surface may be issued
It was exhibited here
Roy was born among the hands of each individual
The shape of the memory is placed on the floor of the storehouse of this star-starring Sake brewery and reflects the memory of each person
If both the rich nature of memory and the land that has been the sake of Sakagura of this land
It looks like it was projecting
And I still think
In this way, art connects people with people and gives us a feeling of compassion to each other
Sometimes it showed me
When we evacuate in this way with the Aizu family and accepted a lot of Lyrici still now the damage of Fukushima Prefecture
It continues to support big beach street and middle street
I think that such things will become more necessary in the future
Because the signal is a field that is built on the rich time axis like the work you are viewing now
And it landed there that culture and history has been alive and unbroken even now to the land of Aizu Fukushima
I think that it will be very necessary in the future to meet you
Because it is called Hamadori
People in the area where the nuclear power station was located and suffered major tsunami disasters and people in the middle area will evacuate
Separated from the land and separated from the time axis of the land
Because it has also withered to the crisis that put away
There are places called Iidate village in some villages evacuating in Fukushima
It is not that you are going to chick immediately because the nuclear power plant is away from where you are located
What was done before June in 2011 in June
People of the villagers will evacuate in the thought that it is really like here indeed
Not being among the people of the village is that their culture will be interrupted by talking with the land
Sense of crisis is very big of whether
That is still the same .
Together we Fukushima Prefectural Museum and everyone of organizations that are helping the Iitate that meeting until Iitate
Into
The fact that the figure of the mirror in a former culture to be able to stop history even a little
I started the activity called Iidate Museum around 3 year 2012
This project will ask the villagers about the history of that person
Living in the village What kind of way of life has been done
From such a story I’ve been separating symbolic things in the story
For example, what you see right now is what a wasp pickled in shochu
Do you think that such things will become materials of the museum
But this is one of the museum resources Te’m good good
This is what I heard the story of someone, but those who retired after retirement
Charcoal is further developed from soba noodles with Takaji it was a buckwheat development
Also Irasshaimasu you know but already a little cold cold than in rice say the soba
It is a fruit that prefers land
Iidate village is not suitable for raising it as rice
Old days’s a cold land of about had also those who are not in the time of the exception, but buckwheat building is
It was very suitable
So who was the fun friends and buckwheat building after the retirement of the bees for their own
I will buy it
Then the man it that has been doing hornet aimed at the bees Hyu’ and the network
That’s right I wore to slip to shochu took in
Why was born this hornet
Shochu pickled in such a few years living like a food culture in a sense with their colleagues
It is also something to tell
It also tells the nature of Iidate village
From such casual things one by one now
The time value of Iidate village that may be interrupted
I hope to be able to connect the sky at least
And now what I am introducing is the god stuck in the room of someone’s house
The figures here are six months after the accident
From six months after March of 2011
The radiation dose and that measured around in the house every time the people of the evacuation was Iitate returns to the home
I made a memorandum.
It is an act of anyone who wrote an ebook on the back of the calendar and pasted it on the tea leaves
The thing is not casually that the radiation dose is accidentally Tokyo in its Naniki not living
It is the current situation of Iidate village It is also in other areas of Fukushima Prefecture It is
living
It is part of the fact that it was carved in one place on the time axis of the district land in a sense
We must also accept the reality that
Everyone like Do you been received by the people one of the events what the wind was Kizuma in this time axis
Since we are thus museums we do what we can do and we went together at the Aizu lacquer art festival
Like to borrow the artist’s power and borrowing the power of art to record about Fukushima
I am doing
Stage of Fukushima Prefecture called Hamanaka is cultural cooperation project
In the projects we are doing with each group npo , university and cultural facilities there are some
I am doing a project
Mr. Okabe Mr. Masao Okabe participates in the futtering artist who enters from 2012
It has received
This is to in Iitate’s Okabe
I am taking the stone monument’s flotation taste
People may not be able to live Maybe somehow someone sleeping on that time axis monthly
Masu nail has to leave the the the history of the land even a little in the land, such as no longer languished
There is also the thought that if possible
I went to the frottage of a stone monument
And the history of the afflicted area of the tsunami is also engraved
This image is a state of production of Frottage which was done in Minamisoma city
Big things went shed a lot by tsunami
Of course, the building also went to shed a lot
What we are seeing now is the foundation that residences in the coastal area of Minamisoma city are left behind and left behind
A scar on the foundation was left after a lot of large things were thrown
The technique called Philo Taj got a few signs
You can grab it on paper as you can
Where vision aphrodisiac load via is dented
The place which is drawn to remain black is on the top
After being marked with scratches Where has become the place is that is white, there are still concrete
What is it?
The heavier or harder thing that scratches the concrete has not been thrown off with a great momentum
I do not have such a scar
Mr. Okabe also recorded the record of this tsunami that became one of the time axis of this land
It records with us
And what has been done as an activity over the past few years was done by women and was born newly
It is a record of the situation of Fukushima
This is a shrine in Iidate village, but because of decontamination it has to cut a big tree
Was
I have been watching over the long years, Mrs. Miko and the shrines
It is a time when important When everyone of Mrs. Miyashi suffer from suffering and worry Results way
It seems he decided to be able to say that it was not there
I think that you can see that it is a very big tree even if you view it now
Mr. Okabe from the annual rings of the tree by taking rubbed with a technique of this stump bath Ttazu
The size of the tree
And it conveyed the length of the years that I watched the people of Iidate here and at the same time
very much
The scar of the low-rise which remained absurd is a choice for us to cut down it in this land
It also conveys the fact that it has laid it on them
This is one of the things inscribed in the time axis of Iidate
The work born in this way can be conveyed by the method called exhibition
Also I wonder if that fulfill in that the role of the museum is thus to exhibit called tell
I am thinking
Since we are thus museums we’ve been trying to tell what we can do
And it is only a few of the activities that we have done so now but for you
I think that I want you to tell me and think about because every one of you every one time area
It is that there is
Not to mention the time axis leading to its ancestors at the moment everyone here comes to sex
Even though I
You can share the time you are having me with Mr. Suehiro Sakebu of course here
Noah
For this hundred years we have been making sake brewing here to Mr. Naruhiro ‘s place
With the accumulation of history of us we are standing here now
As you can see, each of you has a time axis with many different time axis combinations
It is made by weaving the textile
Please take a moment to look back on each of your time axes
Our museum is sure to be useful for you when you look back on its time axis
I am thinking
And
Looking back on the time axis means that everything that you are involved in and then that
land
Land that I visited Working land There might be some power to change the feelings of various land again
Both I think
If you let me say one more thing, aggregates of various time axis tips are now
This time axis of our same living modern time will share the time like this
Although they may intersect with each other but they do not know how to open each time axis stacking up
There is also
But I do not put a voice like a rock away from a different place Large I know the time axis that he has
Or
I think there may be something else discovering by finding it
Will it lead to knowing another society or another way of thinking station?
At that time surely the artist’s and art’s eyes are something switch in your heart
I am thinking that I will help you when you enter the switch
Believe in the museum and art and find the switch in your time axis and mind
Try to do so I think that society will change little by little
It is more than you thought
[applause]
Hello
Kobayashi who is a curator at the Fukushima prefectural museum where he said that he is a fine museum now
I will say
Thank you for giving us your opportunity to count your uncle today .
I influenced everyone
I tell you what I feel for the past few years that it is important through the work involved in the museum
I love you.
I have decided that I am allowed to talk
It is Fukushima Prefectural Museum Museum
100 The work of the officials is to investigate the history of the area, collect and leave and tell
So the Fukushima prefectural museum in which I work is examining the history of Fukushima prefecture and collecting it
of
5 and to tell it as a role
My job is to engage there and realize the role of the museum
But out of the role of the museum recently
I began to realize the importance of leaving what I leave
Especially for the past several years
Among them , as a museum I wonder how I should tell you how to leave it
Fukushima Prefectural over the three years up to 2012, from one of the businesses that started the 2010 year by
The museum has gone
Jun Aizu
It is a business that true art festival
This business is one of the cultural resources that there are a lot in the Aizu region of Fukushima Prefecture
I did it on the theme of lacquer
In Aizu, Urushi has a history since the Jomon Period 2400 years ago
By choosing the body with its history, various stocks dating back to the time as a museum
It was because I thought that having a business can play the backbone role of the project
If so placed Hotel of the people expressed in the incorporation of after that Arts Festival
With the power of sounds we can discover and meet the charm of Aizu through lacquer
I thought
100 people about the writer’s craftsmen are participating in the Arts Festival every year for three years Aizu lacquer
Done
Each and every piece of that work has a strong message
I can not introduce each one here, but I will introduce one of them here
First of 2010 I am seeing the lacquer artist Mr. Miyahara Kazuhito
Made
It is a work
At the time of this art festival everyone participates in a museum planning tour and makes a work
Whats going on?
I wanted I will tell as a work history of the land then on I learned the lacquer of tricks
is
Miyahara traveled around Aiguwakamatsu and the opening of Kitakata
We selected the Yamato River’s increase production of sake brewery in the shape we were in the result as an exhibition hall
And in this hill bra in a place that everyone’s now it is lined with liquor bottles as giving me a look
I made a work by modeling the lid of the prefecture with lacquer which used to be made of sake making once as a house
so
see
In history it is delicious water a turn rich home of the person who has this tree is very of this place of this land
It is also a proof that we have been making blessed and delicious slopes for hundreds of years
Now using the very high material persistence say it Miyahara’s the lacquer
It left me as a message to be left for the future
Thus the history of this land and house
Our attempt to tell richly from the perspective of football continues after 2011
I was preparing to go, but I have no choice but to make a big change here
East on March 11, 2011
Japan’s Great Earthquake Occurred Large since then TEPCO Fukushima Daiichi Nuclear Power Plant Exploded
So we changed the theme of the lacquer art festival to be held in 2011 to Yale to Tohoku
Messages to the Tohoku using expressive means of everybody of everybody of the large expression now and Tohoku
It expressed messages through the work that should be disseminated to the world from
Good luck side-by-side shoulder to the writer’s who of contemporary artists and his friends and other lacquer and various representations to the mountains of
It was
It is the creator of Aizu’s lacquerware
What I’m seeing now is that Kurasuke Keisuke who made the lacquer made himself
It is one that exhibited humidity
Mr. Open opened a title for yourself to the age of revitalization
Here is the message of Mr. Open
From what happened in 2011 we were able to learn a lot
Something that is not Sakai that consumes and uses a lot of energy to make it skin
There is no of the necessary modalities of such society, such as going to use to get to protect the important Repeat
Corner
This vessel of open prolific is on many of Aizu you have me to convey as a message
The cow creator tells me such a thing as a message, but it is a lacquer’s
Painted at the lacquerware station that the creators took for decades to make the wood split up over several decades
Make something from the nature of making things and make things in a long time span
I am a person
I think that it was because it was there
And in this way craftsmen of Aizu is in 2011, many in response to change our theme
I think very proud still to be with us to transmit a message
And it was the third year of 2012
We changed to the memory future of the theme loss of the lacquer art festival
I could also check the power of art here
The image you are viewing now is a place nearer than 9 days or so
Suehiro Sake Mr. I was allowed to exhibit the work in a reservoir that is to create the waist
Between born between handshake of people who are the people that there is a small white object on display here
It is a work
People accused of having a lot of temporary housing in Fukushima prefecture in 2012 could stand there
It was around time to be reflected in
Many people were evacuating to inns and hotels in Aizu too
Something hit to everyone who had taken refuge moves to temporary housing
Come hear those words of gratitude also like to express large
We talked to the writer and the idea that a writer issued
It was that how would it be if we recorded the clay between handshakes between those two people by recording it?
It is
And owners and employees of hotels and hotels
And the memories of handshake born among those who evacuated was put white glaze by writer
It is
Ya kicked bake bake it is the went this way become one one of the work
And this small small one of each one
Important work we are on top of the circular table lacquer of breath who’s the big black lacquered made me cues
It was exhibited in
There is the word “jet black” It is black of lacquer
Lacquer produces a very deep and shining struggle
A very polished black surface is like a slight reflection of our figure
Beautiful appearance like mirror surface may be issued
It was exhibited here
Roy was born among the hands of each individual
The shape of the memory is placed on the floor of the storehouse of this star-starring Sake brewery and reflects the memory of each person
If both the rich nature of memory and the land that has been the sake of Sakagura of this land
It looks like it was projecting
And I still think
In this way, art connects people with people and gives us a feeling of compassion to each other
Sometimes it showed me
When we evacuate in this way with the Aizu family and accepted a lot of Lyrici still now the damage of Fukushima Prefecture
It continues to support big beach street and middle street
I think that such things will become more necessary in the future
Because the signal is a field that is built on the rich time axis like the work you are viewing now
And it landed there that culture and history has been alive and unbroken even now to the land of Aizu Fukushima
I think that it will be very necessary in the future to meet you
Because it is called Hamadori
People in the area where the nuclear power station was located and suffered major tsunami disasters and people in the middle area will evacuate
Separated from the land and separated from the time axis of the land
Because it has also withered to the crisis that put away
There are places called Iidate village in some villages evacuating in Fukushima
It is not that you are going to chick immediately because the nuclear power plant is away from where you are located
What was done before June in 2011 in June
People of the villagers will evacuate in the thought that it is really like here indeed
Not being among the people of the village is that their culture will be interrupted by talking with the land
Sense of crisis is very big of whether
That is still the same .
Together we Fukushima Prefectural Museum and everyone of organizations that are helping the Iitate that meeting until Iitate
Into
The fact that the figure of the mirror in a former culture to be able to stop history even a little
I started the activity called Iidate Museum around 3 year 2012
This project will ask the villagers about the history of that person
Living in the village What kind of way of life has been done
From such a story I’ve been separating symbolic things in the story
For example, what you see right now is what a wasp pickled in shochu
Do you think that such things will become materials of the museum
But this is one of the museum resources Te’m good good
This is what I heard the story of someone, but those who retired after retirement
Charcoal is further developed from soba noodles with Takaji it was a buckwheat development
Also Irasshaimasu you know but already a little cold cold than in rice say the soba
It is a fruit that prefers land
Iidate village is not suitable for raising it as rice
Old days’s a cold land of about had also those who are not in the time of the exception, but buckwheat building is
It was very suitable
So who was the fun friends and buckwheat building after the retirement of the bees for their own
I will buy it
Then the man it that has been doing hornet aimed at the bees Hyu’ and the network
That’s right I wore to slip to shochu took in
Why was born this hornet
Shochu pickled in such a few years living like a food culture in a sense with their colleagues
It is also something to tell
It also tells the nature of Iidate village
From such casual things one by one now
The time value of Iidate village that may be interrupted
I hope to be able to connect the sky at least
And now what I am introducing is the god stuck in the room of someone’s house
The figures here are six months after the accident
From six months after March of 2011
The radiation dose and that measured around in the house every time the people of the evacuation was Iitate returns to the home
I made a memorandum.
It is an act of anyone who wrote an ebook on the back of the calendar and pasted it on the tea leaves
The thing is not casually that the radiation dose is accidentally Tokyo in its Naniki not living
It is the current situation of Iidate village It is also in other areas of Fukushima Prefecture It is
living
It is part of the fact that it was carved in one place on the time axis of the district land in a sense
We must also accept the reality that
Everyone like Do you been received by the people one of the events what the wind was Kizuma in this time axis
Since we are thus museums we do what we can do and we went together at the Aizu lacquer art festival
Like to borrow the artist’s power and borrowing the power of art to record about Fukushima
I am doing
Stage of Fukushima Prefecture called Hamanaka is cultural cooperation project
In the projects we are doing with each group npo , university and cultural facilities there are some
I am doing a project
Mr. Okabe Mr. Masao Okabe participates in the futtering artist who enters from 2012
It has received
This is to in Iitate’s Okabe
I am taking the stone monument’s flotation taste
People may not be able to live Maybe somehow someone sleeping on that time axis monthly
Masu nail has to leave the the the history of the land even a little in the land, such as no longer languished
There is also the thought that if possible
I went to the frottage of a stone monument
And the history of the afflicted area of the tsunami is also engraved
This image is a state of production of Frottage which was done in Minamisoma city
Big things went shed a lot by tsunami
Of course, the building also went to shed a lot
What we are seeing now is the foundation that residences in the coastal area of Minamisoma city are left behind and left behind
A scar on the foundation was left after a lot of large things were thrown
The technique called Philo Taj got a few signs
You can grab it on paper as you can
Where vision aphrodisiac load via is dented
The place which is drawn to remain black is on the top
After being marked with scratches Where has become the place is that is white, there are still concrete
What is it?
The heavier or harder thing that scratches the concrete has not been thrown off with a great momentum
I do not have such a scar
Mr. Okabe also recorded the record of this tsunami that became one of the time axis of this land
It records with us
And what has been done as an activity over the past few years was done by women and was born newly
It is a record of the situation of Fukushima
This is a shrine in Iidate village, but because of decontamination it has to cut a big tree
Was
I have been watching over the long years, Mrs. Miko and the shrines
It is a time when important When everyone of Mrs. Miyashi suffer from suffering and worry Results way
It seems he decided to be able to say that it was not there
I think that you can see that it is a very big tree even if you view it now
Mr. Okabe from the annual rings of the tree by taking rubbed with a technique of this stump bath Ttazu
The size of the tree
And it conveyed the length of the years that I watched the people of Iidate here and at the same time
very much
The scar of the low-rise which remained absurd is a choice for us to cut down it in this land
It also conveys the fact that it has laid it on them
This is one of the things inscribed in the time axis of Iidate
The work born in this way can be conveyed by the method called exhibition
Also I wonder if that fulfill in that the role of the museum is thus to exhibit called tell
I am thinking
Since we are thus museums we’ve been trying to tell what we can do
And it is only a few of the activities that we have done so now but for you
I think that I want you to tell me and think about because every one of you every one time area
It is that there is
Not to mention the time axis leading to its ancestors at the moment everyone here comes to sex
Even though I
You can share the time you are having me with Mr. Suehiro Sakebu of course here
Noah
For this hundred years we have been making sake brewing here to Mr. Naruhiro ‘s place
With the accumulation of history of us we are standing here now
As you can see, each of you has a time axis with many different time axis combinations
It is made by weaving the textile
Please take a moment to look back on each of your time axes
Our museum is sure to be useful for you when you look back on its time axis
I am thinking
And
Looking back on the time axis means that everything that you are involved in and then that
land
Land that I visited Working land There might be some power to change the feelings of various land again
Both I think
If you let me say one more thing, aggregates of various time axis tips are now
This time axis of our same living modern time will share the time like this
Although they may intersect with each other but they do not know how to open each time axis stacking up
There is also
But I do not put a voice like a rock away from a different place Large I know the time axis that he has
Or
I think there may be something else discovering by finding it
Will it lead to knowing another society or another way of thinking station?
At that time surely the artist’s and art’s eyes are something switch in your heart
I am thinking that I will help you when you enter the switch
Believe in the museum and art and find the switch in your time axis and mind
Try to do so I think that society will change little by little
It is more than you thought
[applause]
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